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  "text": "Passage 1:\nGabrielle Beaumont\nGabrielle Beaumont (7 April 1942 – 8 October 2022) was a British film and television director.\nHer directing credits range from Hill Street Blues to Star Trek: The Next Generation. She became the first woman to direct an episode of Star Trek, with the episode \"Booby Trap\". Beaumont lobbied to have Joan Collins cast as Alexis Colby in Dynasty.Beaumont was best known for directing, writing and producing the television special Diana: A Tribute to the People's Princess. She directed a film version of Bernard Taylor's The Godsend.Daphne du Maurier was her cousin.Beaumont died at her home in Fornalutx on 8 October 2022, at the age of 80.\n\nSelected filmography\nSources:\nDiana: A Tribute to the People's Princess\nBeastmaster III: The Eye of Braxus\nThe Other Woman\nMoment of Truth: Cradle of Conspiracy\nFatal Inheritance\nRiders\nStar Trek: The Next Generation\nL.A. Law\nHe's My Girl\nHill Street Blues\nGone Are the Dayes\nSecrets of a Mother and Daughter\nDynasty\nDeath of a Centerfold: The Dorothy Stratten Story\nM*A*S*H\nThe Waltons\nThe Godsend\nPassage 2:\nThe Godsend (film)\nThe Godsend is a 1980 British horror film directed by Gabrielle Beaumont, written by Olaf Pooley, and starring Malcolm Stoddard, Cyd Hayman, Angela Pleasence, Patrick Barr, Wilhelmina Green, and Joanne Boorman. It follows a family who adopt an infant girl from a strange woman, only to find that, as they raise her, their other children begin to die in a series of mysterious accidents. It is based on the 1976 novel The Godsend by Bernard Taylor. The film was released in the United States on 11 January 1980 by The Cannon Group, Inc.\n\nPlot\nAlan and Kate Marlowe are out an walk with their kids, Davy, Lucy, Sam, and baby Matthew. Kate meets a pregnant stranger and she comes home with them. It is apparent that Alan finds something \"off\" about her right away, as she intensely stares at him, but he does not say anything. Left briefly unattended, she cuts their telephone line. Alan is about to drive her home, but she goes into labor, and Kate helps her deliver a baby girl. The next day, Kate sees the woman is gone, having abandoned the child with them. Despite Alan's reservations, Kate wants to keep the baby, whom they name Bonnie. Later on, they find Matthew dead in a playpen with Bonnie.\nAt a family picnic, Davy and Bonnie wander off, and they search for them desperately. Kate finds Bonnie on the bank of a creek with scratches on her hands, while Alan finds that Davy has drowned in the creek. Alan attempts to perform CPR on Davy, but is unsuccessful. Later, Kate and Alan agree that the scratches on Bonnie must have been from Davy saving her. Bonnie starts to break things and Sam gets blamed for them, despite him saying he did not do it. Kate attributes this to Sam's jealousy of Bonnie. One day, the family is playing hide and seek and Alan finds Sam dead in a barn. Later, Alan finds Bonnie's ribbon next to where Sam's body was.\nThe Marlowes begin to receive letters accusing them of killing their children and Kate falls into a depression. When a reporter comes to their house and upsets Kate, Alan agrees to move the family to London. Bonnie becomes ill with the mumps, and purposely kisses Alan as he takes a nap. He becomes ill with the mumps too, and has a flashback in a dream, to the circumstances of the deaths of his sons, and Bonnie being nearby in each one.\nAt a playground, Alan watches Bonnie throw an unoccupied swing in the path of a swing Lucy is swinging on. The chains on the swing twist together, but Lucy does not fall off, and Alan is able to save her before she is hurt. Alan tries to discuss his concerns about Bonnie with Kate, saying she is not normal. Kate strongly disagrees, saying that Bonnie loves Lucy and was only playing. Alan says Bonnie loves Lucy the same way she loved their three boys, and Kate is disgusted at the insinuation. Alan tells Kate his theories about Bonnie being involved in the deaths, but she is still in disbelief. Alan uses an analogy about Bonnie, saying that a cuckoo lays its eggs in another nest, and the fledgling pushing the others out to get the full attention of the parents.\nAlan wants to send Bonnie away, but Kate refuses, so he kidnaps Lucy. Alan goes to see Kate, who is distraught that Alan will not tell her where Lucy is. Alan gives Kate an ultimatum to choose Bonnie or Lucy. She refuses to do so and he leaves. Later, they find out that Kate has had an accident and is in the hospital. Alan rushes back to London, where he learns that Kate had been pregnant, but miscarried due to the accident.\nBack at their apartment, Alan finds out from neighbor, Mr. Taverner, that Kate tripped over a doll at the top of a staircase and that Mrs. Taverner has taken Bonnie on a trip. Kate comes to Alan's work to tell him she wants a divorce. He is alarmed to learn that Bonnie is home alone with Lucy. Alan calls Lucy, telling her to go next door to the Taverners. Bonnie has them locked in, and as Kate and Alan get home, Bonnie has used mind control on Lucy to make her jump out of a window to her death. Alan tries to kill Bonnie, but Mr. Taverner pulls him off of her. Kate decides to stay with Bonnie, and Alan leaves her. At a park, Alan sees the strange woman who gave birth to Bonnie, and is now pregnant, and talking to the mother. He runs after them to warn the family, but they are already gone.\n\nCast\nRelease\nThe Cannon Group, Inc. released The Godsend theatrically in the United States on 11 January 1980, premiering it in Los Angeles. It screened in numerous U.S. cities through the following weeks, as well as in Canada. The film screened in the United Kingdom in June 1981 as a double feature alongside Schizoid (1980).\n\nCritical response\nJoe Pollack of the St. Louis Post-Dispatch wrote that, \"though not a perfect film, [it] is a pretty good example...  The film has moments when it drags, but it has many others that are both fascinating and scary.\" The Austin American-Statesman's Patrick Taggart panned the film as \"nothing but a study in how decent actors—Malcolm Stoddard and Cyd Hayman—are made to throw talent into a bottomless pit of ineptness on all fronts.\" Bob Curtright of The Wichita Eagle praised the film as \"a cut above similar fare. It's low-key and sneaky rather an extravagant and graphic.\"George Meyer, a film professor and critic, wrote in The Tampa Tribune that, \"instead of frightening the viewer with costly gimmicks, Beaumont exploits some basic human fears, most of them involving our protective feelings about children,\" adding that while the film \"makes good use of its limitations, it retains the look and feel of a limited effort. If it weren't for those few squirmy moments, the film's appeal would be even more limited.\" John Dodd of the Edmonton Journal commended the film's focus on suspense over graphic violence, but felt it would have been better-suited as a television film.\n\nHome media\nScream Factory released the film on Blu-ray in 2015 as part of a double-feature with The Outing (1987). The disc went out-of-print in February 2021.\nPassage 3:\nPeter Levin\nPeter Levin is an American director of film, television and theatre.\n\nCareer\nSince 1967, Levin has amassed a large number of credits directing episodic television and television films. Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy.Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films. He directed \"Heart in Hiding\", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s.\nPrior to becoming a director, Levin worked as an actor in several Broadway productions. He costarred with Susan Strasberg in \"[The Diary of Ann Frank]\" but had to leave the production when he was drafted into the Army. He trained at the Carnegie Mellon University. Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company. He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company.\nPassage 4:\nHanro Smitsman\nHanro Smitsman, born in 1967 in Breda (Netherlands), is a writer and director of film and television.\n\nFilm and Television Credits\nFilms\nBrothers (2017)\nSchemer (2010)\nSkin (2008)\nRaak (aka Contact) (2006)\nAllerzielen (aka All Souls) (2005) (segment \"Groeten uit Holland\")\nEngel en Broer (2004)\n2000 Terrorists (2004)\nDajo (2003)\nGloria (2000)\nDepoep (2001)\n\nTelevision\n20 leugens, 4 ouders en een scharrelei (2013)\nDe ontmaskering van de vastgoedfraude (TV mini-series, 2013)\nMoordvrouw (2012-)\nEileen (2 episodes, 2011)\nGetuige (2011)\nVakantie in eigen land (2011)\nDe Reis van meneer van Leeuwen(2010)\nDe Punt (2009)\nRoes (2 episodes, 2008)\nFok jou! (2006)\nVan Speijk (2006)\n\nAwards\nIn 2005, Engel en Broer won Cinema Prize for Short Film at the Avanca Film Festival.In 2007, Raak (aka Contact) won the Golden Berlin Bear Award at the Berlin International Film Festival, the Spirit Award at the Brooklyn Film Festival, the first place jury prize for \"Best Live Action under 15 minutes\" at the Palm Springs International Short Film Festival, and the Prix UIP Ghent Award for European Short Films at the Flanders International Film Festival.In 2008, Skin won the Movie Squad Award at the Nederlands Film Festival, an actor in the film also won the Best Actor Award.  It also won the Reflet d’Or for Best Film at the Cinema tous ecrans Festival in Geneva in the same year.\nPassage 5:\nBetrayal (1932 film)\nBetrayal is a 1932 British crime film directed by Reginald Fogwell and starring Stewart Rome, Marjorie Hume and Leslie Perrins. A woman attempts to save her husband from being hanged for a crime he didn't commit. It is based on a play No Crime of Passion by Hubert G. Griffith.\n\nCast\nStewart Rome as John Armytage\nMarjorie Hume as Diana Armytage\nLeslie Perrins as Clive Wilson\nHenry Hewitt as Sir Robert Blackburn KC\nJ. Fisher White as John Lawrence KC\nFrank Atherley as Judge\nE. H. Williams as- Butler\nCharles Childerstone as Doctor\nPassage 6:\nBrian Johnson (special effects artist)\nBrian Johnson (born 29 June 1939 or 29 June 1940) is a British designer and director of film and television special effects.\n\nLife and career\nBorn Brian Johncock, he changed his surname to Johnson during the 1960s. Joining the team of special effects artist Les Bowie, Johnson started his career behind the scenes for Bowie Films on productions such as On The Buses, and for Hammer Films.  He is known for his special effects work on TV series including Thunderbirds (1965–66) and films including Alien (1979), for which he received the 1980 Academy Award for Best Visual Effects (shared with H. R. Giger, Carlo Rambaldi, Dennis Ayling and Nick Allder). Previously, he had built miniature spacecraft models for Stanley Kubrick's 1968 film 2001: A Space Odyssey.Johnson's work on Space: 1999 influenced the effects of the Star Wars films of the 1970s and 1980s. Impressed by his work, George Lucas visited Johnson during the production of the TV series to offer him the role of effects supervisor for the 1977 film. Having already been commissioned for the second series of Space: 1999, Johnson was unable to accept at the time. He worked on the sequel, The Empire Strikes Back (1980), whose special effects were recognised in the form of a 1981 Special Achievement Academy Award (which Johnson shared with Richard Edlund, Dennis Muren and Bruce Nicholson).\n\nAwards\nJohnson has won Academy Awards for both Alien (1979) and The Empire Strikes Back (1980). He was further nominated for an Academy Award for his work on Dragonslayer (1981). In addition, Johnson is the recipient of a Saturn Award for The Empire Strikes Back and a BAFTA Award for James Cameron's  Aliens.\n\nFilmography\nSpecial effects\nDirector\nScragg 'n' Bones (2006)\nPassage 7:\nRachel Feldman\nRachel Feldman is an American director of film and television and screenwriter of television films.\n\nLife and career\nBorn in New York City, New York, Feldman began her career as a child actor performing extensively in commercials and television series.Her credits as a television director include: ((The Rookie)), ((Criminal Minds)), ((Blue Bloods)), and some beloved shows like Doogie Howser, M.D., The Commish, Dr. Quinn, Medicine Woman, Picket Fences, Sisters,Lizzie McGuire, at the start of her career. \nShe has written and directed several features including: Witchcraft III: The Kiss of Death (1991), Post Modern Romance (1993), She's No Angel (2001) starring Tracey Gold, Recipe for a Perfect Christmas (2005) starring Christine Baranski, Love Notes (2007) starring Laura Leighton, Lilly (2023) starring Patricia Clarkson.\n\nFilms\nFeature Films\nLilly (2023) - Director/Writer\nLove Notes (2007) - Writer\nRecipe for a Perfect Christmas ((2005) - Writer\nShe's No Angel (2001) - Writer/Director\nWitchcraft III: The Kiss of Death (1991)  - Director\n\nShorts\nHere Now (2017) - Writer/Director\nHappy Sad Happy (2014) - Writer/Director\nPost Modern Romance (1993) - Writer/Director\nWunderkind (1984) - Writer/Director\nGuistina (1981) - Writer/Director\n\nActivism\nFeldman is active in the fight for gender equality in the film and television industry. Her activism takes form in speaking out about issues such as equal pay, job stability for women, sexual harassment, sexual discrimination and female representation within the industry. Feldman is also an activist for women behind the camera, who can be seen in the Geena Davis produced documentary This Changes Everything.\nFeldman was the former chair of the DGA Women's Steering Committee (WSC). The focus of the WSC is to support and uplift women in the film and television industry.\n\nPersonal life and education\nFeldman grew up in the Bronx and now lives in Los Angeles. She attended New York University where she received a Master of Fine Arts Degree and has taught classes in directing and screenwriting at the USC School of Cinematic Arts.Feldman is married to artisan contractor and colorist Carl Tillmanns; together they have two children, Nora and Leon. They are both alumni of Sarah Lawrence College, where they first met.\nPassage 8:\nIan Barry (director)\nIan Barry is an Australian director of film and TV.\n\nSelect credits\nWaiting for Lucas (1973) (short)\nStone (1974) (editor only)\nThe Chain Reaction (1980)\nWhose Baby? (1986) (mini-series)\nMinnamurra (1989)\nBodysurfer (1989) (mini-series)\nRing of Scorpio (1990) (mini-series)\nCrimebroker (1993)\nInferno (1998) (TV movie)\nMiss Lettie and Me (2002) (TV movie)\nNot Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)\nThe Doctor Blake Mysteries (2013)\nPassage 9:\nHoward W. Koch\nHoward Winchel Koch (April 11, 1916 – February 16, 2001) was an American producer and director of film and television.\n\nLife and career\nKoch was born in New York City, the son of Beatrice (Winchel) and William Jacob Koch. His family was Jewish. He attended DeWitt Clinton High School and the Peddie School in Hightstown, New Jersey. He began his film career as an employee at Universal Studios office in New York then made his Hollywood filmmaking debut in 1947 as an assistant director. He worked as a producer for the first time in 1953 and a year later made his directing debut. In 1964, Paramount Pictures appointed him head of film production, a position he held until 1966 when he left to set up his own production company. He had a production pact with Paramount for over 15 years.Among his numerous television productions, Howard W. Koch produced the Academy Awards show on eight occasions. Dedicated to the industry, he served as President of the Academy of Motion Picture Arts and Sciences from 1977 to 1979. In 1990 the Academy honored him with The Jean Hersholt Humanitarian Award and in 1991 he received the Frank Capra Achievement Award from the Directors Guild of America.\nTogether with actor Telly Savalas, Howard Koch owned the thoroughbred racehorse Telly's Pop, winner of several important California races for juveniles including the Norfolk Stakes and Del Mar Futurity.\nHoward W. Koch suffered from Alzheimer's disease and died in at his home in Beverly Hills, California on February 16, 2001. He had two children from a marriage of 64 years to Ruth Pincus, who died in March 2009. In 2004, his son Hawk Koch was elected to the Board of Governors of the Academy of Motion Picture Arts and Sciences.\n\nFilmography\nDirector\nFilm (director)\n\nShield for Murder (1954)\nBig House, U.S.A. (1955)\nUntamed Youth (1957)\nBop Girl Goes Calypso (1957)\nJungle Heat (1957)\nThe Girl in Black Stockings (1957)\nFort Bowie (1957)\nViolent Road (1958)\nFrankenstein 1970 (1958)\nBorn Reckless (1958)\nAndy Hardy Comes Home (1958)\nThe Last Mile (1959)\nBadge 373 (1973)Television (director)\n\nMaverick (1957) (1 episode)\nHawaiian Eye (1959) (2 episodes)\nCheyenne (1958) (1 episode)\nThe Untouchables (1959) (4 episodes)\nThe Gun of Zangara (1960) (TV movie taken from The Untouchables (1959 TV series))\nMiami Undercover (1961) (38 episodes)\nTexaco Presents Bob Hope in a Very Special Special: On the Road with Bing (1977)\n\nProducer\nFilm (producer):\n\nWar Paint (1953)\nBeachhead (1954)\nShield for Murder (1954)\nBig House, U.S.A. (1955)\nRebel in Town (1956)\nFrankenstein 1970 (1958)\nSergeants 3 (1962)\nThe Manchurian Candidate (1962)\nCome Blow Your Horn (1963)\nRobin and the 7 Hoods (1964)\nThe Odd Couple (1968)\nOn a Clear Day You Can See Forever (1970)\nA New Leaf (1971)\nPlaza Suite (1971)\nLast of the Red Hot Lovers (1972)\nJacqueline Susann's Once Is Not Enough (1975)\nThe Other Side of Midnight (1977)\nAirplane! (1980)\nSome Kind of Hero (1982)\nAirplane II: The Sequel (1982)\nGhost (1990)Television (producer)\n\nMagnavox Presents Frank Sinatra (1973)\nPassage 10:\nReginald Fogwell\nReginald Fogwell (23 November 1893, Dartmouth, Devon -1977) was a British film director, producer and screenwriter.\n\nSelected filmography\nDirector\n\nThe Warning (1928)\nCross Roads (1930)\nThe Written Law (1930)\nMadame Guillotine (1931)\nGuilt (1931)\nBetrayal (1932)\nThe Wonderful Story (1932)\nMurder at the Cabaret (1936)Screenwriter\n\nTwo Can Play (1926)\nThe Guns of Loos (1928)\nGlorious Youth (1929)\nWarned Off (1930)\nSuch Is the Law (1930)\nPrince of Arcadia (1933)\nTwo Hearts in Waltz Time (1934)",
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  "questions": [
    {
      "question_id": "q00",
      "qtype": "2wikimqa",
      "question": "Do director of film Betrayal (1932 Film) and director of film The Godsend (Film) share the same nationality?"
    }
  ]
}