1{2 "document_id": "lb_2wikimqa_188123e1b35a7de33fc44a40b55ab9ff0b59d29dc30f9148",3 "family": "public_2wikimqa",4 "split": "test",5 "text": "Passage 1:\nDaniel Burman\nDaniel Burman (born 29 August 1973, in Buenos Aires) is an Argentine film director, screenplay writer, and producer.\nAccording to film critic Joel Poblete, who writes for Mabuse, a cinema magazine, Daniel Burman is one of the members of the so-called \"New Argentina Cinema\", which began circa 1998. In fact, film critic Anthony Kaufman, writing for indieWIRE, said Burman's A Chrysanthemum Burst in Cincoesquinas (1998) has been cited as the beginning of the \"New Argentine Cinema\" wave.\n\nBiography\nBurman is of Polish-Jewish descent, and he was born and raised in Buenos Aires. He holds both Argentine and Polish citizenship, like his films' character, Ariel. He studied law before changing to audiovisual media production.In 1995, he launched his own production company together with Diego Dubcovsky, BD Cine (Burman and Dubcovsky Cine). Burman is also a founding member of the Academy of Argentine Cinema.His loose trilogy of films, Esperando al Mesías (2000), El Abrazo Partido (2004), and Derecho de Familia (2006), were all written and directed by Burman and star Uruguayan actor Daniel Hendler. They are largely autobiographical, dealing with the life of a young neurotic Jew in contemporary Buenos Aires.\nHe frequently collaborates with other Argentine Jews, notably writer and klezmer musician Marcelo Birmajer, and César Lerner. His comedic touches often bring comparison to Woody Allen, a comparison Burman is quick to reject. He said, \"It's not a measurable comparison. But I'm very happy with it. I admire him more than anyone else in the world.\"Burman's films have been featured in many film festivals around the world. El abrazo partido (2003) took the Grand Jury Prize at the Berlin International Film Festival, as well as best actor for Hendler. Burman was co-producer of the successful 2004 film, The Motorcycle Diaries, as well as Garage Olimpo (1999).\n\nOpinions on filmmaking\nIn an interview with Brian Brooks, who writes for indieWIRE.com, an online community of independent filmmakers and aficionados, Burman discussed his approach to filmmaking. He said: \"I don't have goals when I make a film, except to create as faithfully as possible the story I wanted to tell, and that the sensations that provoked me to tell the story are also caused when reading the script.\"\"I don't love film in itself; it's not like I was debating the merits of using different types of camera-work, like traveling shots. I love film because it's a story-telling tool,\" he said in an interview he did for TimesSquare.com.\n\nInterconnections between films\nIt is arguable that the loose trilogy of films — Esperando al Mesías (2000), El Abrazo Partido (2003), and Derecho de Familia (2006) — happen in the same \"universe\". The three share common traits: They are written and directed by Burman and all star Daniel Hendler in the title role as a young Jew. Additionally, several actors and actresses appear twice in the films. Because Hendler's characters share similar traits (they are all named Ariel: Ariel Goldstein, Ariel Makaroff and Ariel Perelman respectively) and because some characters from one film seem to appear in another, the trilogy is usually considered as happening in the same universe\nSeveral continuity changes show that the three Ariels are different people: In the first movie, Ariel's father is a restaurant owner, and his mother dies; in the second film, his father has been long gone, and his mother tends to a small shop; in the third movie, his father dies in the film, and his mother has been long dead. However, a character named Estela from the first film appears in the second, and is both times played by Melina Petriella. This at least connects the first two movies to the same universe. Additionally, Juan José Flores Quispe appears in the second and third movie as \"Ramón\". Although his character, unlike Estela, varies from film to film, this suggests that the second and third film also share the same universe and, thus, the trilogy itself is set in the same storyline, with the \"Ariel persona\" showing either different aspects of the same character or simply being a mere coincidence.\n\nFilmography\nProducer\nEl Crimen del Cacaro Gumaro (2014) a.k.a. \"The Popcorn Chronicles\"\n\nDirector\n¿En qué estación estamos? (1992, short)\nPost data de ambas cartas (1993, short)\nHelp o el pedido de auxilio de una mujer viva (1994, short)\nNiños envueltos (1995, short)\nUn Crisantemo Estalla en Cinco Esquinas (1998) a.k.a. A Chrysanthemum Burst in Cincoesquinas\nEsperando al Mesías (2000) a.k.a. Waiting for the Messiah\nTodas Las Azafatas Van Al Cielo (2002) a.k.a. Every Stewardess Goes to Heaven\nEl Abrazo Partido (2004) a.k.a. Lost Embrace\n18-J (2004)\nDerecho de Familia (2006) a.k.a. Family Law\nEncarnación (2007)\nEl nido vacío (2008)\nBrother and Sister (2010)\nLa suerte en tus manos (2012)\nMystery of Happiness (2014)\nThe Tenth Man (2016)\n\nTelevision\nLa pista (1997)\nUn cuento de Navidad (2002)\nYosi, the Regretful Spy (2022)\n\nAwards\nBangkok World Film Festival: Best Film; El Abrazo partido; 2004.\nBerlin International Film Festival: Silver Berlin Bear; Jury Grand Prix; for El Abrazo partido; 2004.\nClarin Entertainment Awards: Clarin Award Best Film Screenplay; for Derecho de familia; 2006.\nClarin Entertainment Awards: Won Clarin Award Best Film Screenplay; for El Abrazo partido; 2004.\nFestróia - Tróia International Film Festival: Golden Dolphin; for Todas las azafatas van al cielo; 2002.\nHavana Film Festival: Best Unpublished Screenplay; for El abrazo partido; 2002.\nHavana Film Festival: Won Grand Coral, Third Prize; for Esperando al mesías; 2000.\nLleida Latin-American Film Festival: Best Director; Best Film; ICCI Screenplay Award; all for El Abrazo partido; 2004.\nLleida Latin-American Film Festival: Best Film; for El Esperando al mesías 2001.\nMar del Plata Film Festival: Audience Award; Best Ibero-American Film; SIGNIS Award; all for Derecho de familia; 2006.\nSanta Fe Film Festival: Luminaria Award; Best Latino Film; for Todas las azafatas van al cielo; 2002.\nSochi International Film Festival: FIPRESCI Prize; for Un Crisantemo estalla en cinco esquinas; 1998.\nSundance Film Festival: NHK Award; for Every Stewardess Goes to Heaven (Latin America); 2001.\nValladolid International Film Festival: FIPRESCI Prize; for Esperando al mesías; For an honest, both realistic and symbolic depiction of human hopes in Buenos Aires nowadays; 2002.\nPassage 2:\nS. N. Mathur\nS.N. Mathur was the Director of the Indian Intelligence Bureau between September 1975 and February 1980. He was also the Director General of Police in Punjab.\nPassage 3:\nDana Blankstein\nDana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School. She was appointed by the board of directors in November 2019. Previously she was the CEO of the Israeli Academy of Film and Television. She is a film director, and an Israeli culture entrepreneur.\n\nBiography\nDana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein. She moved to Israel in 1983 and grew up in Tel Aviv.\nBlankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors. During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners. She also directed and shot 'the making of' film on Gavison's film Lost and Found. Her debut film Camping competed at the Berlin International Film Festival, 2007.\n\nFilm and academic career\nAfter her studies, Dana founded and directed the film and television department at the Kfar Saba municipality. The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities.\nBlankstein directed the mini-series \"Tel Aviviot\" (2012). From 2016-2019 was the director of the Israeli Academy of Film and Television.\nIn November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab. In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem.\n\nFilmography\nTel Aviviot (mini-series; director, 2012)\nGrowing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008)\nCamping (debut film, Sam Spiegel; director and screenwriter, 2006)\nPassage 4:\nBrian Kennedy (gallery director)\nBrian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States. He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020. He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019. He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004.\n\nCareer\nBrian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College. In October 2010 he became the ninth Director of the Toledo Museum of Art. On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum.\n\nEarly life and career in Ireland\nKennedy was born in Dublin and attended Clonkeen College. He received B.A. (1982), M.A. (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history.\nHe worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89). He married Mary Fiona Carlin in 1988.He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997. He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003. In September 1997 he became Director of the National Gallery of Australia.\n\nNational Gallery of Australia (NGA)\nKennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site. Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing \"blockbuster\" exhibitions.\nDuring his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship. However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds. As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later. Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001. Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive. He was also notable for campaigning for the construction of a new \"front\" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above).\nKennedy's cancellation of the \"Sensation exhibition\" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship. He claimed that the decision was due to the exhibition being \"too close to the market\" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor. However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns. The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn. Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous. The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was \"Catholic-bashing\" and an \"aggressive, vicious, disgusting attack on religion.\" In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had \"obscured discussion of the artistic merit of the works of art\". He has said that it \"was the toughest decision of my professional life, so far.\"Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system. The air-conditioning was finally renovated in 2003. Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors.He became a joint Irish-Australian citizen in 2003.\n\nToledo Museum of Art\nThe Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke. The museum offers free admission and is recognized for its historical leadership in the field of art education. During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as \"learning to read, understand and write visual language.\" Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www.vislit.org. In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so. Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy.\nKennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples. Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired. In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano.During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum. In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015.\n\nHood Museum of Art\nKennedy became Director of the Hood Museum of Art in July 2005. During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions. At 70,000 objects, the Hood has one of the largest collections on any American college of university campus. The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues. Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually. Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons.\n\nPublications\nKennedy has written or edited a number of books on art, including:\n\nAlfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9\nDreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7\nJack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0\nThe Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4\nIreland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3\nIrish Painting, Roberts Rinehart Publishers (November 1997), ISBN 978-1-86059-059-7\nSean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3\nFrank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8\n\nHonors and achievements\nKennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art. He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics. In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University. Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education.\n\n\n== Notes ==\nPassage 5:\nPeter Levin\nPeter Levin is an American director of film, television and theatre.\n\nCareer\nSince 1967, Levin has amassed a large number of credits directing episodic television and television films. Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy.Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films. He directed \"Heart in Hiding\", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s.\nPrior to becoming a director, Levin worked as an actor in several Broadway productions. He costarred with Susan Strasberg in \"[The Diary of Ann Frank]\" but had to leave the production when he was drafted into the Army. He trained at the Carnegie Mellon University. Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company. He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company.\nPassage 6:\nOlav Aaraas\nOlav Aaraas (born 10 July 1950) is a Norwegian historian and museum director.\nHe was born in Fredrikstad. From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History. In 2010 he was decorated with the Royal Norwegian Order of St. Olav.\nPassage 7:\nJesse E. Hobson\nJesse Edward Hobson (May 2, 1911 – November 5, 1970) was the director of SRI International from 1947 to 1955. Prior to SRI, he was the director of the Armour Research Foundation.\n\nEarly life and education\nHobson was born in Marshall, Indiana. He received bachelor's and master's degrees in electrical engineering from Purdue University and a PhD in electrical engineering from the California Institute of Technology. Hobson was also selected as a nationally outstanding engineer.Hobson married Jessie Eugertha Bell on March 26, 1939, and they had five children.\n\nCareer\nAwards and memberships\nHobson was named an IEEE Fellow in 1948.\nPassage 8:\nIan Barry (director)\nIan Barry is an Australian director of film and TV.\n\nSelect credits\nWaiting for Lucas (1973) (short)\nStone (1974) (editor only)\nThe Chain Reaction (1980)\nWhose Baby? (1986) (mini-series)\nMinnamurra (1989)\nBodysurfer (1989) (mini-series)\nRing of Scorpio (1990) (mini-series)\nCrimebroker (1993)\nInferno (1998) (TV movie)\nMiss Lettie and Me (2002) (TV movie)\nNot Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)\nThe Doctor Blake Mysteries (2013)\nPassage 9:\nA Chrysanthemum Bursts in Cincoesquinas\nUn crisantemo estalla en cinco esquinas (English: A Chrysanthemum Bursts in Cincoesquinas) is a 1998 Argentine, Brazilian, French, and Spanish comedy-drama film written and directed by Daniel Burman, in feature film debut. It was produced by Diego Dubcovsky. It stars José Luis Alfonzo, Pastora Vega and Martin Kalwill, among others.\nFilm critic Anthony Kaufman, writing for indieWIRE, said Burman's A Chrysanthemum Burst in Cincoesquinas (1998) has been cited as the beginning of the \"New Argentine Cinema\" wave.\n\nSynopsis\nThe story takes place in South America at the turn of the 20th century. As a child, Erasmo was left with a nurse by his parents, who had to escape a waging civil war. Erasmo is now a grown man. He has lost his parents, and now his foster mother is brutally murdered. He seeks to avenge her death, and the culprit is the landowner and head of state, El Zancudo. Erasmo befriends a poor Jew named Saul, who is prepared to help him in his undertaking. Along the way, Erasmo finds allies, adversaries, love, and then Magdalena.\n\nCast\nJosé Luis Alfonzo as Erasmo\nPastora Vega as La Gallega\nMartin Kalwill as Saul\nValentina Bassi as Magdalena\nMillie Stegman as La Boletera\nWalter Reyno as El Zancudo\nRoly Serrano as Cachao\nRicardo Merkin as Doctor\nAldo Romero as Lucio\nMaría Luisa Argüello as Elsa\nSandra Ceballos as Mother\nGuadalupe Farías Gómez as Albina\nAntonio Tarragó Ross as Chamamecero\n\nDistribution\nThe film was first presented at the Berlin International Film Festival on February 11, 1998. It opened in Argentina on May 7, 1998. It screened at the Muestra de Cine Argentino en Medellín, Colombia.\n\nAwards\nWins\n\nSochi International Film Festival, Sochi, Russia: FIPRESCI Prize, Daniel Burman.\nPassage 10:\nJason Moore (director)\nJason Moore (born October 22, 1970) is an American director of film, theatre and television.\n\nLife and career\nJason Moore was born in Fayetteville, Arkansas, and studied at Northwestern University. Moore's Broadway career began as a resident director of Les Misérables at the Imperial Theatre in during its original run. He is the son of Fayetteville District Judge Rudy Moore.In March 2003, Moore directed the musical Avenue Q, which opened Off-Broadway at the Vineyard Theatre and then moved to Broadway at the John Golden Theatre in July 2003. He was nominated for a 2004 Tony Award for his direction. Moore also directed productions of the musical in Las Vegas and London and the show's national tour. Moore directed the 2005 Broadway revival of Steel Magnolias and Shrek the Musical, starring Brian d'Arcy James and Sutton Foster which opened on Broadway in 2008. He directed the concert of Jerry Springer — The Opera at Carnegie Hall in January 2008.Moore, Jeff Whitty, Jake Shears, and John \"JJ\" Garden worked together on a new musical based on Armistead Maupin's Tales of the City. The musical premiered at the American Conservatory Theater, San Francisco, California in May 2011 and ran through July 2011.For television, Moore has directed episodes of Dawson's Creek, One Tree Hill, Everwood, and Brothers & Sisters. As a writer, Moore adapted the play The Floatplane Notebooks with Paul Fitzgerald from the novel by Clyde Edgerton. A staged reading of the play was presented at the New Play Festival at the Charlotte, North Carolina Repertory Theatre in 1996, with a fully staged production in 1998.In 2012, Moore made his film directorial debut with Pitch Perfect, starring Anna Kendrick and Brittany Snow. He also served as an executive producer on the sequel. He directed the film Sisters, starring Tina Fey and Amy Poehler, which was released on December 18, 2015. Moore's next project will be directing a live action Archie movie.\n\nFilmography\nFilms\n\nPitch Perfect (2012)\nSisters (2015)\nShotgun Wedding (2022)Television\n\nSoundtrack writer\n\nPitch Perfect 2 (2015) (Also executive producer)\nThe Voice (2015) (1 episode)",6 "char_len": 24431,7 "document_hash": "df83e0bb4ad8ef8ba21bf551f539ee478e7281a6c56727bf7456811ef16f412a",8 "questions": [9 {10 "question_id": "q00",11 "qtype": "2wikimqa",12 "question": "What is the place of birth of the director of film A Chrysanthemum Bursts In Cincoesquinas?"13 }14 ]15}