spb/wp30_uqo

1{2  "document_id": "lb_2wikimqa_56db201f810a3d01b7d14e8e9e6dd94820ecaf2f4a86b2b9",3  "family": "public_2wikimqa",4  "split": "test",5  "text": "Passage 1:\nIan Barry (director)\nIan Barry is an Australian director of film and TV.\n\nSelect credits\nWaiting for Lucas (1973) (short)\nStone (1974) (editor only)\nThe Chain Reaction (1980)\nWhose Baby? (1986) (mini-series)\nMinnamurra (1989)\nBodysurfer (1989) (mini-series)\nRing of Scorpio (1990) (mini-series)\nCrimebroker (1993)\nInferno (1998) (TV movie)\nMiss Lettie and Me (2002) (TV movie)\nNot Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)\nThe Doctor Blake Mysteries (2013)\nPassage 2:\nS. N. Mathur\nS.N. Mathur was the Director of the Indian Intelligence Bureau between September 1975 and February 1980. He was also the Director General of Police in Punjab.\nPassage 3:\nOlav Aaraas\nOlav Aaraas (born 10 July 1950) is a Norwegian historian and museum director.\nHe was born in Fredrikstad. From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History. In 2010 he was decorated with the Royal Norwegian Order of St. Olav.\nPassage 4:\nNathan Juran\nNaftuli Hertz \"Nathan\" Juran (September 1, 1907 – October 23, 2002) was an Austrian-born film art director, and later film and television director. As an art director, he won the Oscar for Best Art Direction in 1942 for How Green Was My Valley, along with  Richard Day and Thomas Little. His work on The Razor's Edge in 1946 also received an Academy nomination. In the 1950s, he began to direct, and was known for science fiction and fantasy films such as Attack of the 50 Foot Woman. He was also the brother of quality guru Joseph M. Juran.\n\nLife and career\nEarly life\nJuran was born to a Jewish family in Gura Humorului, Austro-Hungarian Empire (now Romania).In 1912, he emigrated to America with his family, settling in Minneapolis. He earned a bachelor's degree in Architecture from the University of Minnesota. He also spent a summer studying at the École des Beaux-Arts before earning a master's degree in Architecture from the Massachusetts Institute of Technology. He passed the architect's exam and set up his own office as an architect.\n\nArt department\nWith the construction industry at a standstill due to the Great Depression, Juran moved to Los Angeles. He sought architecture work at the studios and got a job doing a drawing of the Brooklyn Bridge for RKO Radio Pictures. He managed to get a permanent job as a draftsman in the art department. He was an assistant art director on Quality Street (1937).\nJuaran later moved to MGM, where he assisted in designing Juliet's bedroom in Romeo and Juliet (1936). He then joined 20th Century Fox, assisting art department head Richard Day on How Green Was My Valley (1941).Fox liked his work and put Juran under contract. His early credits as art director included Charley's American Aunt (1941), and Belle Starr (1941), and he and Day won an Oscar for their work on Valley.Juran also worked on I Wake Up Screaming (1941), A Gentleman at Heart (1942), Ten Gentlemen from West Point (1942), The Loves of Edgar Allan Poe (1942), Dr. Renault's Secret (1942), It's Everybody's War (1942, a short), and That Other Woman (1942).\nJuran enlisted in the Navy during the Second World War in July 1942 and was assigned to first the Office of Strategic Services and then to the Royal Air Force Intelligence Center.After the war, Juran returned to Fox, winning an Oscar nomination for his work on The Razor's Edge (1946).\nJuran accepted a seven-year contract to be head of the art department for Enterprise Productions. While there he was credited on The Other Love (1947) and Body and Soul (1947). When Enterprise collapsed, Juran did Kiss the Blood Off My Hands (1948) for Harold Hecht and Tulsa (1948) for Walter Wanger.\n\nUniversal\nJuran then signed a long-term contract with Universal, where he was the art director on Free for All (1949), Undertow (1949), Winchester '73 (1950), Deported (1950), Harvey (1950), Bright Victory (1951), Thunder on the Hill (1951), Reunion in Reno (1951), Cave of Outlaws (1951), The Strange Door (1951), Meet Danny Wilson (1951), Bend of the River (1952) and Untamed Frontier (1952).\n\nDirector\nJuran was assigned as art department head for The Black Castle (1952), when director Joseph Pevney dropped out shortly before filming. Juran was asked to take over as director two weeks prior to filming.Universal was happy with Juran's work and signed him to a one-year directing contract. He made an Audie Murphy Western Gunsmoke (1952), and a Ronald Reagan Western Law and Order (1953), then did The Golden Blade (1953), an \"Eastern\" with Rock Hudson and Tumbleweed (1953) with Murphy.\nJuran went to Italy in 1954 to direct a swashbuckler, Knights of the Queen (1954), based on The Three Musketeers. He then directed some episodes of a TV series based on the movie.\nJuran returned to Hollywood to direct an independent film, Highway Dragnet (1954) based on a story by Roger Corman. After The Big Moment (1954) at Paramount he went back to Universal to do Drums Across the River (1954) with Murphy.Juran directed episodes of Fury (1954), Crossroads and My Friend Flicka on TV, and The Crooked Web (1955) for Sam Katzman at Columbia.\n\nScience fiction and fantasy\nJuran's first science fiction film was The Deadly Mantis (1957) at Universal. He followed this with Hellcats of the Navy (1957) starring Ronald Reagan and his wife (who was billed as Nancy Davis). It was his first film for producer Charles H. Schneer. Schneer hired Juran for 20 Million Miles to Earth (1957) with special effects by Ray Harryhausen. This film established Juran in the science fiction and fantasy genres.\nSchneer hired him to do another movie with Harryhausen, The 7th Voyage of Sinbad (1957). It was a commercial and critical success. Instead of continuing with A features, he accepted two jobs \"for the money\", in his own words: The Brain from Planet Arous (1957) then Attack of the 50 Foot Woman (1957). Both became cult classics. He was unhappy with how Arous turned out and arranged for his billing to be \"Nathan Hertz\".\nJuran did a Western for Schneer, Good Day for a Hanging (1958) and, for TV, episodes of Frances Langford Presents, World of Giants, and Men Into Space (1960).\nJuran got back into features with a motion picture he wrote himself, Jack the Giant Killer (1962) for producer Edward Small. He then did Flight of the Lost Balloon (1961), which was released first, an adventure heavily influenced by Jules Verne, which he co-wrote and directed. Around this time he provided the stories for, but did not direct, Doctor Blood's Coffin (1961) and Boy Who Caught a Crook (1961) and wrote a draft of Son of Captain Blood.Jurana did some second unit directing on MGM's Mutiny on the Bounty (1962). Schneer hired Juran to direct Siege of the Saxons (1963) and First Men in the Moon (1964) (based on the novel by H. G. Wells with effects by Harryhausen).  He did an imperial adventure for Schneer, East of Sudan (1964) and directed second unit on Cyrano et d'Artagnan (1964).\n\nTelevision\nJuran turned to television in 1959. He directed episodes of A Man Called Shenandoah and Daniel Boone, and episodes of all four of Irwin Allen's 1960s science fiction series Voyage to the Bottom of the Sea, Lost in Space, The Time Tunnel and Land of the Giants.\n\nLast films\nHe did a feature for Schneer, Land Raiders (1970), a Western, before an operation for cancer prompted him to retire in 1970. Juran returned from retirement to direct The Boy Who Cried Werewolf (1973) with his old Sinbad star, Kerwin Mathews. He then returned to his first career, architecture.In 1999, he was honored with the Lifetime Career Award by the Academy of Science Fiction, Fantasy and Horror Films, USA.\nHe died at the age of 95 in Palos Verdes, California, US.\n\nPartial filmography\nAs art director\nHow Green Was My Valley (1942)\nThe Razor's Edge (1946)As director\nThe Black Castle (1952)\nLaw and Order (1953)\nGunsmoke (1953)\nThe Golden Blade (1953)\nTumbleweed (1953)\nDrums Across the River (1954)\nHighway Dragnet (1954)\nThe Crooked Web (1955)\nThe Deadly Mantis (1957)\n20 Million Miles to Earth (1957)\nHellcats of the Navy (1957)\nThe Brain from Planet Arous (1957)\nThe 7th Voyage of Sinbad (1958)\nAttack of the 50 Foot Woman (1958)\nGood Day for a Hanging  (1959)\nFlight of the Lost Balloon (1961)\nBoy Who Caught a Crook (1961)\nJack the Giant Killer (1962)\nSiege of the Saxons (1963)\nFirst Men in the Moon (1964)\nEast of Sudan (1964)\nLand Raiders (1970)\nThe Boy Who Cried Werewolf (1973)\nPassage 5:\nMary Joan Nielubowicz\nRetired Rear Admiral Mary Joan Nielubowicz was the Director of the Navy Nurse Corps from 1983 to 1987.\n\nEarly life\nMary Joan Nielubowicz was born on 5 February 1929 in Shenandoah, Pennsylvania to Joseph and Ursula Nielubowicz and graduated from Shenandoah Catholic High School. She earned a nursing diploma from Misericordia Hospital, Philadelphia, in 1950.\n\nNavy Nurse Corps career\nNielubowicz joined the Navy Nurse Corps in 1951. While in the Nurse Corps, she earned a Bachelor of Science degree from the University of Colorado in 1961 and a Master of Science degree in Nursing from the University of Pennsylvania in 1965.She served in areas around the globe, including Portsmouth, Virginia, Corona, California, Guantanamo Bay, Cuba, Annapolis, Maryland, Philadelphia, Washington, D.C., Iwakuni, Japan, Cherry Point, North Carolina, Guam and Long Beach, California.Billets of increasing responsibility included that of senior nurse at the branch clinic in Iwakuni, Japan in 1967. In 1979 she became director of nursing services at the Naval Regional Medical Center, Portsmouth, Virginia.She became director of the Navy Nurse Corps in 1983, and was promoted to the rank of Commodore (equivalent to today's Rear Admiral (lower half). In 1985 the rank was changed to Rear Admiral.). She served concurrently as deputy commander for Personnel Management and later as deputy commander for Health Care Operations.In 1986, Navy Nurse Corps members of the Association of Military Surgeons of the United States (AMSUS) established the Mary J. Nielubowicz Essay Award in recognition of her outstanding support and encouragement of active and reserve nurses.\nAdmiral Nielubowicz died at her home in Fairfax, Virginia on 24 March 2008. She was interred at Arlington National Cemetery on 21 May 2008.\n\nSee also\nNavy Nurse Corps\nWomen in the United States Navy\nPassage 6:\nJames J. Carey\nJames Joseph Carey (born 9 April 1939) is a retired American Rear Admiral, United States Navy served from 1962 to 1994, born and raised in Berlin, Green Lake County, Wisconsin.\n\nBackground\nCarey attended Northwestern University in Evanston, Illinois, where he majored in Marketing and Business Administration. He received a Bachelor of Science degree in Business Administration and later went on to study for an M.B.A. at Northwestern University's Kellogg Graduate School of Management, regularly ranked as the top MBA Business Program in the United States.Carey served aboard USS Topeka in the South China Sea and Vietnam. He finished his active duty obligation in 1966.  He began a career working with the Saudi Arabia Navy Expansion Program and the Saudi Petrochemical Industry.President Ronald Reagan in 1981 nominated Carey as a Commissioner of the U. S. Federal Maritime Commission. He was elected Vice Chairman of the Commission in 1983, reappointed by President Reagan in 1985, and then appointed Chairman of the Commission in 1989 by President George H. W. Bush, where he served until 1991.He is national public policy leader and International Grand Master of The Knights Templar International, recognized in \"special consultative status\" by the United Nations, former Chairman of the U.S. Federal Maritime Commission, and Eagle Scout.In 2007, he endowed the Admiral James J. Carey Foundation for the support of \"carefully chosen organizations, institutions, and associations that share the Admiral’s views on service to our nation and 'giving back' to society ...\"   He was the chairman of the Future Leaders for America Foundation, National Co-Chairman of the 1700+ Member Organization for military admirals and generals, founder and chairman of the National Defense Committee, and Chairman of the Good Samaritans of the Knights Templar Foundation.He has been recognized as an Outstanding Eagle Scout By the National Eagle Scout Association.\n\nExternal links\nAdmiral James J. Carey Foundation Archived 2009-05-17 at the Wayback Machine\nPassage 7:\nPeter Levin\nPeter Levin is an American director of film, television and theatre.\n\nCareer\nSince 1967, Levin has amassed a large number of credits directing episodic television and television films. Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy.Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films. He directed \"Heart in Hiding\", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s.\nPrior to becoming a director, Levin worked as an actor in several Broadway productions. He costarred with Susan Strasberg in \"[The Diary of Ann Frank]\" but had to leave the production when he was drafted into the Army. He trained at the Carnegie Mellon University. Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company. He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company.\nPassage 8:\nJesse E. Hobson\nJesse Edward Hobson (May 2, 1911 – November 5, 1970) was the director of SRI International from 1947 to 1955. Prior to SRI, he was the director of the Armour Research Foundation.\n\nEarly life and education\nHobson was born in Marshall, Indiana. He received bachelor's and master's degrees in electrical engineering from Purdue University and a PhD in electrical engineering from the California Institute of Technology. Hobson was also selected as a nationally outstanding engineer.Hobson married Jessie Eugertha Bell on March 26, 1939, and they had five children.\n\nCareer\nAwards and memberships\nHobson was named an IEEE Fellow in 1948.\nPassage 9:\nHellcats of the Navy\nHellcats of the Navy is a 1957 American black-and-white World War II submarine film drama from Columbia Pictures, produced by Charles H. Schneer and directed by Nathan Juran. The film stars Ronald Reagan and his wife, billed under her screen name Nancy Davis, and Arthur Franz. This was the only feature film in which the Reagans acted together, either before or after their 1952 marriage.\nThe film's setting is the Pacific War. The film's storyline concerns Commander Casey Abbott, skipper of the submarine USS Starfish, being ordered to retrieve a new type of Japanese mine in the waters off the Asiatic mainland. When diver Wes Barton, Abbott's rival for the affections of Nurse Lieutenant Helen Blair, gets into a life-threatening situation, Abbott must keep his personal and professional lives separate when dealing with the crisis.  \nThe story is based on the 1955 non-fiction book Hellcats of the Sea by Vice Admiral Charles A. Lockwood and Hans Christian Adamson.\n\nPlot\nCommander Casey Abbott (Ronald Reagan), commander of the submarine USS Starfish, is ordered to undertake a dangerous mission which sees him attempting to cut off the flow of supplies between China and Japan in the heavily mined waters off the Asiatic mainland. When a diver, who is Abbott's competitor for the affections of nurse Lieutenant Helen Blair (Nancy Davis) back home, gets into a dangerous situation, Abbott must struggle to keep his personal and professional lives separate in dealing with the crisis.\nThe results arouse ill feelings in the crew and especially Abbott's executive officer, Lt. Commander Landon (Arthur Franz), who asks his captain to let him air his views in confidence. The results lead Abbott to write in Landon's efficiency report that he should never be given command of a naval vessel, resulting in further ill will between the two.\n\nCast\nProduction\nFleet Admiral Chester W. Nimitz appears as himself to introduce the film, and he is later played in the story by actor Selmer Jackson. Retired Navy officer Charles A. Lockwood, chief author of the book on which this feature was based, is also portrayed briefly by an actor.\nIt was the second film Nathan Juran directed for producer Charles Schneer.Reagan said in his autobiography that he was disappointed, overall, in the film, having expected a result more like Destination Tokyo, a major Warner Bros. submarine film made during World War II. The diminishing status of the feature films that Reagan was being offered, plus his increasing involvement with television, led to his leaving the big screen forever.\nThe United States Navy provided extensive cooperation by allowing portions of the film to be shot at Naval Base San Diego and aboard an actual U.S. submarine, possibly USS Besugo. The executive officer of the submarine was Lloyd Bucher, who would go on to command the USS Pueblo during its capture by North Korea in 1968.During the film's production, as USS Besugo was about to get underway, an argument ensued between the director and one of the unions. There was only a short window of opportunity to maneuver the boat away from the pier, as it was difficult for a submarine tied up in San Diego to get underway while a tide was running. Besugo was one of the first submarines to employ nylon rope lines, and when stretched, the lines could get about \"as big around as a pencil\" and become lethal if they broke under strain. The order was given to the helmsman to answer all bells. Reagan happened to be on deck practicing his dialog lines and hollering out, \"Ahead one third, starboard back full ...\" About this time, the nylon ropes were stretched to their breaking point when an officer gave the command, \"All stop, ALL STOP, Goddammit, ALL STOP!\" and Reagan, totally oblivious to what was going on, continued to practice his lines, rocking back and forth on his feet with his hands behind his back, as if nothing were wrong.\nAmong the stock music used in the film were excerpts from The Caine Mutiny March, composed by Max Steiner, the main title theme for the 1954 Columbia Pictures feature film The Caine Mutiny. That film was also about World War II U.S. Navy operations in the Pacific theater; Arthur Franz appears as well in the minor role of Lt. (jg) Paynter.\nAccording to Maurice Manson, who played Vice-Admiral Charles A. Lockwood, shooting for the film was completed in five days.\n\nFilm premiere\nHellcats of the Navy had its official premiere in San Diego, at the downtown Spreckels Theater. The film's stars were in attendance, as were local U. S. Navy brass and submariners. A program preceded the showing of the film. On a flatbed trailer in front of the theater were displayed one Mark 14 torpedo and one Mark 16 torpedo, the two types used by navy submarines during World War II.\n\nDVD reviews\nGlenn Erickson of DVD Talk reviewed the DVD release of Hellcats of the Navy and thought that although the direction was \"competent\", the script was \"completely derivative and cornball\". He went on to criticize the lack of realistic supporting characters and the film's use of obvious stock footage, especially that of a U. S. Navy patrol boat portraying a Japanese ship. Overall, he described the film itself as \"fair\". David Krauss of Digitally Obsessed described the production values as \"bargain basement\" and found that the cast's stiff performances alienated viewers. He gave the film a C for style and a B- for substance, although he also described the direction as \"dry as a military briefing\" on CNN.Erick Harper at DVD Verdict has written that Hellcats followed a series of submarine war film clichés, like the \"love triangle\" and familiar elements of the action sequences. He compared parts of the film to the TV series Star Trek (which premiered almost a decade later), in that it follows a standard Hollywood formula for its plot. He described Ronald Reagan as \"comfortable\" and \"believable\", and said that the film was \"worth checking out for the historical value, if nothing else\".\n\nSee also\nList of American films of 1957\nRonald Reagan filmography\n\nBibliography\nCharles A. Lockwood; Hans Christian Adamson (1955). Hellcats of the Sea. New York: Greenberg. OCLC 2364890., a non-fiction account of the U.S. Navy's Pacific submarine fleet's Operation Barney in World War II, of which Hellcats of the Navy is a fictionalized filmed version.\n\nSee also\nList of American films of 1957\nPassage 10:\nBrian Kennedy (gallery director)\nBrian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States.  He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020. He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019. He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004.\n\nCareer\nBrian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College. In October 2010 he became the ninth Director of the Toledo Museum of Art. On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum.\n\nEarly life and career in Ireland\nKennedy was born in Dublin and attended Clonkeen College. He received B.A. (1982), M.A. (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history.\nHe worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89). He married Mary Fiona Carlin in 1988.He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997. He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003. In September 1997 he became Director of the National Gallery of Australia.\n\nNational Gallery of Australia (NGA)\nKennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site.  Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing \"blockbuster\" exhibitions.\nDuring his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship. However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds.  As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later.  Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001. Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive. He was also notable for campaigning for the construction of a new \"front\" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above).\nKennedy's cancellation of the \"Sensation exhibition\" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship. He claimed that the decision was due to the exhibition being \"too close to the market\" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor. However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns. The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn. Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous. The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was \"Catholic-bashing\" and an \"aggressive, vicious, disgusting attack on religion.\" In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had \"obscured discussion of the artistic merit of the works of art\". He has said that it \"was the toughest decision of my professional life, so far.\"Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system. The air-conditioning was finally renovated in 2003. Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors.He became a joint Irish-Australian citizen in 2003.\n\nToledo Museum of Art\nThe Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke. The museum offers free admission and is recognized for its historical leadership in the field of art education.  During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as \"learning to read, understand and write visual language.\"   Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www.vislit.org. In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so. Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy.\nKennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples. Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired.  In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano.During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum.  In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015.\n\nHood Museum of Art\nKennedy became Director of the Hood Museum of Art in July 2005. During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions. At 70,000 objects, the Hood has one of the largest collections on any American college of university campus. The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues. Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually. Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons.\n\nPublications\nKennedy has written or edited a number of books on art, including:\n\nAlfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9\nDreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7\nJack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0\nThe Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4\nIreland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3\nIrish Painting, Roberts Rinehart Publishers (November 1997),  ISBN 978-1-86059-059-7\nSean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3\nFrank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8\n\nHonors and achievements\nKennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art. He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics. In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University. Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education.\n\n\n== Notes ==",6  "char_len": 29988,7  "document_hash": "1cb4c8277fada6ac1a55e348218c32320b385ac8bcf0f43f05a6930b56075117",8  "questions": [9    {10      "question_id": "q00",11      "qtype": "2wikimqa",12      "question": "Where was the director of film Hellcats Of The Navy born?"13    }14  ]15}