spb/wp30_uqo

1{2  "document_id": "lb_2wikimqa_78d3bf98f7b05622b428940d273b8c493f24a4468d1998dd",3  "family": "public_2wikimqa",4  "split": "test",5  "text": "Passage 1:\nCarry On Dick\nCarry On Dick is a 1974 British comedy film, the 26th release in the series of 31 Carry On films (1958–1992). The story is based on the Dick Turpin legend and features Turpin (James) as an antihero, attempting to evade capture by the authorities.\nCarry On Dick was released in July 1974 and marked the end of an era for the series. It features the last appearances of Sid James (after nineteen appearances in the series), Hattie Jacques (fourteen appearances) and Barbara Windsor (nine appearances), although all three would appear in the Carry On Laughing TV series and Windsor would co-present a film compilation, That's Carry On!. It was the first of two Carry On appearances for Sam Kelly and the final Carry On film for Margaret Nolan (six appearances) and Bill Maynard (five appearances). It was the 20th and final Carry On to be scripted by Talbot Rothwell. Other regulars in Carry On Dick were Kenneth Williams, Bernard Bresslaw, Joan Sims, Kenneth Connor, Peter Butterworth and Jack Douglas. The film was followed by Carry On Behind 1975.\n\nPlot\nIn the year 1750, England is rife with crime and highway robbers. To stop the wave of chaos, King George II sets up the first professional police force named the Bow Street Runners, under the command of the bellowing Sir Roger Daley (Bernard Bresslaw), and seconded by Captain Desmond Fancey (Kenneth Williams) and Sergeant Jock Strapp (Jack Douglas). The Runners are apparently successful in wiping out crime and lawlessness – using all manner of traps and tricks to round the criminals up. However their main target is the notorious Richard \"Big Dick\" Turpin (Sid James), a highwayman who has evaded capture and succeeded in even robbing Sir Roger and his prim wife (Margaret Nolan) of their money and clothing. After this humiliation, Turpin becomes the Bow Street Runners' most wanted man, and thus Captain Fancey is assigned to go undercover and catch the famous Dick Turpin and bring him to justice.\nThe Bow Street Runners nearly succeed in apprehending Turpin and his two partners in crime, Harriet (Barbara Windsor) and Tom (Peter Butterworth), one evening as they hold up a coach carrying faux-French show-woman, Madame Desiree (Joan Sims), and her unladylike daughters, \"The Birds of Paradise.\" However, Turpin manages to outsmart the Runners, sending them away in Madam Desiree's coach.\nOutraged by Strapp's incompetence, Captain Fancey travels with the sergeant to the village of Upper Dencher near to where the majority of Turpin's hold-ups are carried out. There they encounter the mild-mannered Reverend Flasher, who is really Turpin in disguise, with Tom as his church assistant and Harriet as his maidservant. They confide in the rector their true identities and their scheme to apprehend Turpin. They agree to meet at the seedy Old Cock Inn, a notorious hang-out for criminals and sleazy types, and where Desiree and her showgirls are performing. Fancey and Strapp pose as two on-the-run crooks – and Strapp dubs his superior \"Dandy Desmond\" – and they hear from the greasy old hag, Maggie (Marianne Stone), a midwife who removed buckshot from Turpin's buttock, that Turpin has a curious birthmark on his manhood. Strapp wastes no time in carrying out an inspection in the public convenience of the Old Cock Inn.\nWhen the rector arrives, he discovers their knowledge of the birthmark, and sweet talks Desiree into assisting him with the capture of \"Turpin\", whom the rector has told Desiree is actually Fancey, who is sitting downstairs in the bar. She lures him to her room and attempts to undress him, with the help of her wild daughters. The girls pull down his breeches but fail to find an incriminating birthmark, and Desmond staggers half-undressed into the bar. Strapp is also dumped into a horse trough for peeping at the men in the toilets.\nStrapp and Fancey send a message to Sir Roger about the birthmark, and are accosted by Harriet in disguise who tells them to meet Turpin that night at ten o'clock. Meanwhile, Tom tells the local constable that he knows where Turpin will be that night – at the location Harriet told Strapp and Fancey to wait. Thus, they are imprisoned as Turpin and his mate, and Sir Roger is yet again robbed on his way to see the prisoners.\nHowever things fall apart when the rector's housekeeper, Martha Hoggett (Hattie Jacques) begins to put two and two together when Mrs Giles (Patsy Rowlands), apparently sick and used for a cover-up story for Dick's raids, is seen fit and well at the church jumble sale. Later that day, Harriet is caught at the Old Cock Inn where Fancey, Strapp and Daley are meeting and Fancey recognises her as the \"man\" who conned them into being caught. She is chased into Desiree's room and is told to undress to show the infamous birthmark. However, they soon realise she is a woman and are prepared to let her go, but lock her up after Lady Daley recognises a bracelet that Harriet is wearing as one Turpin stole from her.\nWith the net tightening, the Reverend Flasher gives an elongated sermon before outwitting his would-be captors and making a speedy getaway, with Harriett and Tom, across the border.\n\nCast\nCrew\nScreenplay – Talbot Rothwell\nTreatment – Lawrie Wyman & George Evans\nMusic – Eric Rogers\nProduction Manager – Roy Goddard\nArt Director – Lionel Couch\nEditor – Alfred Roome\nDirector of Photography – Ernest Steward\nCamera Operator – Jimmy Devis\nContinuity – Jane Buck\nAssistant Director – David Bracknell\nSound Recordists – Danny Daniel & Ken Barker\nMake-up – Geoffrey Rodway\nHairdresser – Stella Rivers\nCostume Design – Courtenay Elliott\nSet Dresser – Charles Bishop\nDubbing Editor – Peter Best\nHorse Master – Gerry Wain\nAssistant Editor – Jack Gardner\nCasting Director – John Owen\nStills Cameraman – Tom Cadman\nWardrobe Mistresses – Vi Murray & Maggie Lewin\nCoach & Horses – George Mossman\nTitles – GSE Ltd\nProcessor – Rank Film Laboratories\nProducer – Peter Rogers\nDirector – Gerald Thomas\n\nFilming and locations\nFilming dates – 4 March-11 April 1974Interiors:\n\nPinewood Studios, BuckinghamshireExteriors:\n\nCountryside and woodland near Pinewood Studios at Black Park, Iver Heath, Buckinghamshire\nThe Jolly Woodman Pub, Iver Heath, Buckinghamshire\nStoke Poges Manor, Stoke Poges, Buckinghamshire\nSt Mary's Church, Burnham, Buckinghamshire\n\nBibliography\nDavidson, Andy (2012). Carry On Confidential. London: Miwk. ISBN 978-1-908630-01-8.\nSheridan, Simon (2011). Keeping the British End Up – Four Decades of Saucy Cinema. London: Titan Books. ISBN 978-0-85768-279-6.\nWebber, Richard (2009). 50 Years of Carry On. London: Arrow. ISBN 978-0-09-949007-4.\nHudis, Norman (2008). No Laughing Matter. London: Apex. ISBN 978-1-906358-15-0.\nKeeping the British End Up: Four Decades of Saucy Cinema by Simon Sheridan (third edition) (2007) (Reynolds & Hearn Books)\nRoss, Robert (2002). The Carry On Companion. London: Batsford. ISBN 978-0-7134-8771-8.\nBright, Morris; Ross, Robert (2000). Mr Carry On – The Life & Work of Peter Rogers. London: BBC Books. ISBN 978-0-563-55183-6.\nRigelsford, Adrian (1996). Carry On Laughing – a celebration. London: Virgin. ISBN 1-85227-554-5.\nHibbin, Sally & Nina (1988). What a Carry On. London: Hamlyn. ISBN 978-0-600-55819-4.\nEastaugh, Kenneth (1978). The Carry On Book. London: David & Charles. ISBN 978-0-7153-7403-0.\nPassage 2:\nCarry On Emmannuelle\nCarry On Emmannuelle is a 1978 British comedy film, the 30th release in the series of 31 Carry On films (1958–1992). The film was to be the final Carry On for many regulars, including Kenneth Williams (in his 26th Carry On), Kenneth Connor (in his 17th), Joan Sims (in her 24th) and Peter Butterworth (in his 16th). Jack Douglas is the only regular from this film to bridge the gap to Carry On Columbus. Beryl Reid, Henry McGee and Suzanne Danielle make their only appearances in the series here. The film featured a change in style, becoming more openly sexual and explicit. This was highlighted by the implied behaviour of Danielle's character, though she does not bare any more flesh than any other Carry On female lead. These changes brought the film closer to the then popular series of X-rated Confessions... comedies, or indeed the actual Emmanuelle films that it parodies. This film, as well as the original cut of Carry On England were the only films in the series to be certified AA by the British Board of Film Censors, which restricted audiences to those aged 14 and over. The film was followed by the final installment of the series Carry On Columbus 1992.\n\nPlot\nEmmannuelle Prévert (Suzanne Danielle) relieves the boredom of a flight on Concorde by seducing timid Theodore Valentine (Larry Dann). She returns home to London to surprise her husband, the French ambassador, Émile Prevert (Kenneth Williams) but first surprises the butler, Lyons (Jack Douglas). He removes her coat, only to find that she has left her dress on the aircraft. The chauffeur, Leyland (Kenneth Connor), housekeeper, Mrs Dangle (Joan Sims), and aged boot-boy, Richmond (Peter Butterworth), sense saucy times ahead… and they are right! Émile is dedicated to his bodybuilding, leaving a sexually frustrated Emmannuelle to find pleasure with everyone from the Lord Chief Justice (Llewellyn Rees) to chat show host, Harold Hump (Henry McGee). Theodore is spurned by Emmannuelle, who has genuinely forgotten their airborne encounter, and, despite reassurances from his mother (Beryl Reid), exacts revenge by revealing Emmannuelle's antics to the press. However, after a visit to her doctor (Albert Moses), she discovers that she is pregnant and decides to settle down to a faithful marriage with Émile… and dozens of children.\n\nCast\nKenneth Williams as Émile Prévert\nSuzanne Danielle as Emmannuelle Prévert\nKenneth Connor as Leyland\nJack Douglas as Lyons\nJoan Sims as Mrs. Dangle\nPeter Butterworth as Richmond\nLarry Dann as Theodore Valentine\nBeryl Reid as Mrs. Valentine\nHenry McGee as Harold Hump\nVictor Maddern as Man in Launderette\nDino Shafeek as Immigration Officer\nEric Barker as Ancient General\nJoan Benham as Cynical Lady\nAlbert Moses as Doctor\nRobert Dorning as Prime Minister\nSteve Plytas as Arabian Official\nMichael Nightingale as Police Commissioner\nBruce Boa as U.S. Ambassador\nLlewellyn Rees as Lord Chief Justice\nJack Lynn as Admiral\nClaire Davenport as Blonde in Pub\nNorman Mitchell as Drunken Husband\nTricia Newby as Nurse in Surgery\nJames Fagan as Concorde Steward\nMalcolm Johns as Sentry\nHoward Nelson as Harry Hernia\nTim Brinton as BBC Newscaster\nCorbett Woodall as ITN Newscaster\nMarianne Maskell as Nurse in Hospital\nLouise Burton as Girl at Zoo\nGertan Klauber as German Soldier\nJohn Carlin as French Parson\nGuy Ward as Dandy\nJohn Hallet as Substitute Football Player\nDeborah Brayshaw as French Buxom Blonde\nSuzanna East as Colette\nBruce Wylie as Football Referee\nPhilip Clifton as Injured Footballer\nStanley McGeagh as Fleet Street Journalist\nBill Hutchinson as 1st Reporter\nNeville Ware as 2nd Reporter\nJane Norman as 3rd reporter\nNick White as Sent-off Footballer\n\nCrew\nScreenplay – Lance Peters\nMusic – Eric Rogers\nSong – Kenny Lynch\nPerformers – Masterplan\nDirector of Photography – Alan Hume\nEditor – Peter Boita\nArt Director – Jack Sampan\nProduction Manager – Roy Goddard\nCamera Operator – Godfrey Godar\nMake-up – Robin Grantham\nProduction Executive for Cleves – Donald Langdon\nAssistant Director – Gregory Dark\nSound Recordists – Danny Daniel & Otto Snel\nContinuity – Marjorie Lavelly\nWardrobe – Margaret Lewin\nStills Cameraman – Ken Bray\nHairdresser – Betty Sherriff\nCostume Designer – Courtenay Elliott\nSet Dresser – John Hoesli\nAssistant Editor – Jack Gardner\nDubbing Editor – Peter Best\nTitles & Opticals – GSE Ltd\nProcessor – Technicolor Ltd\nProducer – Peter Rogers\nDirector – Gerald Thomas\n\nFilming and locations\nFilming dates – 10 April-15 May 1978Interiors:\n\nPinewood Studios, BuckinghamshireExteriors:\n\nWembley, London\nTrafalgar Square, London\nOxford Street, London\nLondon Zoo, London\n\nCritical reception\nCritical response was universally negative, even more so than Carry on England which preceded it, and Carry On Columbus which succeeded it 14 years later. Philip French said of it: \"This relentless sequence of badly-written, badly-timed dirty jokes is surely one of the most morally and aesthetically offensive pictures to emerge from a British studio.\" Christopher Tookey considered the film to be \"embarrassingly feeble\".Whilst many other Carry Ons have continued to be popular, opinions of Carry on Emmannuelle and its immediate predecessor and successor have not improved over the passing of time, and Carry On Emmannuelle is universally considered to be the worst film in the series. Tom Cole, writing in the Radio Times, found it \"undignified\" and \"laugh-free\", noting that the Lolita-esque performance of Suzanne Danielle was \"unintentionally creepy\". And both Cole and Ian Freer, writing for Empire, laid the blame for the death of the series squarely at the film's door.\n\nNotes\nPassage 3:\nCarry On Jack\nCarry On Jack is a 1964 British comedy film, the eighth in the series of 31 Carry On films (1958–1992). Most of the usual Carry On team are missing from this film: only Kenneth Williams and Charles Hawtrey appear throughout, with Jim Dale making a cameo appearance as a sedan chair carrier. Bernard Cribbins makes the first of his three appearances in a Carry On. Juliet Mills, Donald Houston and Cecil Parker make their only Carry on appearances in this film.  Carry On Jack was the second of the series to be filmed in colour and the first Carry On film with a historical setting and period costumes.\nAs with its immediate predecessor, the script for Carry on Jack started off as a non-Carry On film (originally entitled Up the Armada) and after a number of title changes was incorporated into the series. The film was followed by Carry On Spying 1964.\n\nPlot\nCarry On Jack starts with the death of Admiral Horatio Nelson (Jimmy Thompson), whose last words are that Britain needs a bigger navy with more men, followed by his famous request for a kiss to Hardy (Anton Rodgers). In the main story, Albert Poop-Decker (Bernard Cribbins) has taken 81⁄2 years and still not qualified as midshipman, but is promoted by the First Sea Lord (Cecil Parker) as England needs officers. He is to join the frigate HMS Venus at Plymouth. Arriving to find the crew all celebrating as they are sailing tomorrow, he takes a sedan chair with no bottom (so he has to run), carried by a young man and his father (Jim Dale and Ian Wilson, respectively) to Dirty Dick's Tavern.\nMobbed by women in the tavern as he is holding a sovereign aloft (as advised by Dale), he is rescued by serving maid, Sally (Juliet Mills). She wants to go to sea to find her former lodger and childhood sweetheart Roger, but landlord Ned (George Woodbridge) has let her down. She finds that Poop-Decker has not reported to the ship yet and is unknown to them, so in a room upstairs she knocks him out and takes his midshipman's uniform.\nPoop-Decker wakes and dons a dress to cover his long johns, and downstairs, along with a cess pit cleaner named Walter Sweetly (Charles Hawtrey), is kidnapped by a press gang run by the Venus's First Officer Lieutenant Jonathan Howett (Donald Houston) and his bosun, Mr Angel (Percy Herbert). They come to when at sea and are introduced to Captain Fearless (Kenneth Williams). Poop-Decker makes himself known, but there is already a Midshipman Poop-Decker aboard – Sally, in disguise. Poop-Decker, as a hopeless seaman, goes on to continually upset Howett by doing the wrong thing. Sally reveals her true identity to Poop-Decker after he has been punished, and he decides to let things continue as they are. Eventually, in the course of the film Poop-Decker and Sally fall in love with each other.\nAfter three months at sea and no action, the crew are very restless, and when they finally see a Spanish ship, the Captain has them sail away from it. Howett and Angel hatch a plot, making it look like the ship has been boarded by the enemy during a night raid and using Poop-Decker as an expendable dupe to get the Captain leave the ship on his own volition. Poop-Decker, Sweetly and Sally thus help the Captain into a boat, and they leave the ship, but while leaving his cabin, the Captain gets a splinter in his foot, which later goes gangrenous. When they reach dry land, Captain Fearless reckons that they are in France and they need only to walk a short distance to reach Calais, while they are actually standing on Spanish soil. Sally and Poop-Decker spot a party of civilians and steal their clothes while they are bathing.\nNow in charge of the ship, Howett and Angel sail for Cadiz and plan on taking it from Don Luis (Patrick Cargill), the Spanish Governor. They are successful, but their plot is ruined by Poop-Decker's group, who stumble into Cadiz (believing it to be Le Havre) and recapture the Venus. Sailing back to England, they encounter a pirate ship, whose crew seizes the Venus. The Captain (Patch, played by Peter Gilmore) turns out to be Sally's lost love Roger, but upon seeing him as a coarse, brutal rogue, she no longer wants to have anything to do with him. In order to force her compliance, Patch and Hook (Ed Devereaux) try to make Poop-Decker and Fearless walk the plank, but Poop-Decker manages to escape and cut down a sail, which covers the pirates, capturing them.\nIn Cadiz, the former crew of the Venus are taken to be shot, but escape with five empty Spanish men-of-war to England for prize money and glory. They are within sight of England when they encounter the Venus. While Poop-Decker, Sally and Walter are working below decks on cutting off Fearless's badly infected leg, a fire gets out of control on deck and burns a sail, which sets off the Venus's primed cannons, hitting all five Spanish ships and thus once again thwarting Howett. Poop-Decker and his companions end up at the Admiralty as heroes. Fearless, who now has a pegleg is promoted to Admiral and given a desk job. Poop-Decker and Sweetly are given the rank of honorary Captains, with pensions, but Poop-Decker reveals that he is going to leave the service to marry Sally.\n\nBackground\nThe overall plot in relation to Sally steals the idea from episode 2 of the British TV series \"Sir Francis Drake\" made three years earlier (1961). In this episode a girl (the daughter of a ship's gunner) stows away on Drake's ship dressed as a man.\n\nCast\nCrew\nScreenplay – Talbot Rothwell\nMusic – Eric Rogers\nArt Director – Jack Shampan\nDirector of Photography – Alan Hume\nEditor – Archie Ludski\nAssociate Producer – Frank Bevis\nAssistant Director – Anthony Waye\nCamera Operator – Godfrey Godar\nSound Editor – Christopher Lancaster\nSound Recordist – Bill Daniels\nUnit Manager – Donald Toms\nMake-up Artists – Geoffrey Rodway & Jim Hydes\nContinuity – Penny Daniels\nHairdressing – Olga Angelinetta\nCostume Designer – Joan Ellacott\nTechnical Advisor – Ian Cox\nProducer – Peter Rogers\nDirector – Gerald Thomas\n\nFilming and locations\nFilming dates: 2 September – 26 October 1963Interiors:\n\nPinewood Studios, BuckinghamshireExteriors:\n\nFrensham Pond.  The background to the scenes with HMS Venus on fire and \"firing\" on the other ships is Kimmeridge Bay, Dorset.\n\nReception\nKinematograph Weekly called the film a \"money maker\" for 1964.\n\nBibliography\nDavidson, Andy (2012). Carry On Confidential. London: Miwk. ISBN 978-1908630018.\nSheridan, Simon (2011). Keeping the British End Up – Four Decades of Saucy Cinema. London: Titan Books. ISBN 978-0857682796.\nWebber, Richard (2009). 50 Years of Carry On. London: Arrow. ISBN 978-0099490074.\nHudis, Norman (2008). No Laughing Matter. London: Apex. ISBN 978-1906358150.\nKeeping the British End Up: Four Decades of Saucy Cinema by Simon Sheridan (third edition) (2007) (Reynolds & Hearn Books)\nRoss, Robert (2002). The Carry On Companion. London: Batsford. ISBN 978-0713487718.\nBright, Morris; Ross, Robert (2000). Mr Carry On – The Life & Work of Peter Rogers. London: BBC Books. ISBN 978-0563551836.\nRigelsford, Adrian (1996). Carry On Laughing – a celebration. London: Virgin. ISBN 1-85227-554-5.\nHibbin, Sally & Nina (1988). What a Carry On. London: Hamlyn. ISBN 978-0600558194.\nEastaugh, Kenneth (1978). The Carry On Book. London: David & Charles. ISBN 978-0715374030.\nPassage 4:\nCarry On Matron\nCarry On Matron is a 1972 British comedy film, the 23rd release in the series of 31 Carry On films (1958–1992). It was released in May 1972. It features series regulars Sid James, Kenneth Williams, Charles Hawtrey, Joan Sims, Hattie Jacques, Bernard Bresslaw, Barbara Windsor and Kenneth Connor. This was the last Carry on... film for Terry Scott after appearing in seven films.  Carry On Matron was the second and last Carry On... for Kenneth Cope.\nAlong with the next film in the series (Carry On Abroad), it features the highest number of the regular Carry On team. The only regular members missing are Jim Dale and Peter Butterworth. Dale would return belatedly for Carry On Columbus in 1992 and Butterworth returned in a major role in Abroad the following year. Butterworth was due to play Freddy but was unable because of other work engagements. The film was followed by Carry on Abroad 1972.\n\nPlot\nSid Carter (Sid James) is the cunning head of a criminal gang that includes the longhaired drip Ernie Bragg (Bernard Bresslaw), the cheeky Freddy (Bill Maynard) and Sid's honest son, Cyril (Kenneth Cope). Cyril does not want a life of crime, but is emotionally blackmailed by his father into going along with his scheme to rob Finisham Maternity Hospital for its stock of contraceptive pills and sell them abroad. Cyril reluctantly disguises himself as a new female nurse to case the hospital. Assumed to be one of the new student nurses who have just arrived, he is assigned to share a room with the shapely blonde nurse, Susan Ball (Barbara Windsor). Unfortunately for Cyril, he also catches the eye of the hospital lothario, Dr Prodd (Terry Scott).\nSir Bernard Cutting (Kenneth Williams), the hypochondriac registrar of the hospital, is convinced he's undergoing a sex change. When he consults the nutty Dr F. A. Goode (Charles Hawtrey), Goode dishes out psychiatric mumbo jumbo, stating that Cutting merely wants to prove his manhood, and Cutting decides he is in love with Matron (Hattie Jacques). Matron, on the other hand, has more than enough to contend with on the wards, with the gluttonous patient Mrs Tidey (Joan Sims) who seems more interested in eating than producing a baby, and her long-suffering British Rail worker husband (Kenneth Connor) who continually hangs around the waiting room.\nWhen Cyril goes back to Prodd's room to get a map of the hospital, Prodd attempts to get intimate, only to be knocked across the room. Prodd and Cyril are called out on an emergency when lovely film star Jane Darling (Valerie Leon) goes into labour, but as Cyril knocks Prodd out in the ambulance, he is forced to deal with the actress's triplets being born. Jane Darling is delighted with Cyril and hails \"the nurse\" a heroine for her efforts, bringing fame to the hospital. Susan uncovers Cyril's disguise, but as she is in love with him, does not reveal the truth.\nThe much put-upon Sister (Jacki Piper) desperately tries to keep the ward in order, while Cutting's secretary, Miss Banks (Patsy Rowlands) keeps her employer in check, but nothing can cool his pent-up desire to prove himself as a man, and it's Matron who's in his sights. The criminal gang don disguises—Sid dresses as the foreign \"Dr Zhivago\" and Ernie as a heavily expectant mum—but the crime is thwarted by the mothers-to-be. The medical hierarchy's threat to call the police is halted when Sid reveals the heroine of the day is a man, and the hospital realise they would suffer nationwide humiliation if anyone found out. Cyril weds his shapely nurse Susan, and Matron finally gets her doctor.\n\nCast\nCrew\nScreenplay – Talbot Rothwell\nMusic – Eric Rogers\nProduction manager – Jack Swinburne\nArt director – Lionel Couch\nEditor – Alfred Roome\nDirector of photography – Ernest Steward\nCamera operator – James Bawden\nContinuity – Joy Mercer\nAssistant director – Bert Batt\nSound recordists – Danny Daniel & Ken Barker\nMake-up – Geoffrey Rodway\nHairdresser – Stella Rivers\nCostume designer – Courtenay Elliott\nAssistant art director – William Alexander\nSet dresser – Peter Lamont\nDubbing editor – Peter Best\nTitles – GSE Ltd\nProcessor – Rank Film Laboratories\nAssistant editor – Jack Gardner\nWardrobe mistresses – Vi Murray & Maggie Lewin\nProducer – Peter Rogers\nDirector – Gerald Thomas\n\nFilming and locations\nFilming dates – 11 October-26 November 1971Interiors:\n\nPinewood Studios, BuckinghamshireExteriors:\n\nHeatherwood Hospital, Ascot, Berkshire\nThe White House, Denham, Buckinghamshire\nSt Mary's Church, Denham, Buckinghamshire\n\nBibliography\nDavidson, Andy (2012). Carry On Confidential. London: Miwk. ISBN 978-1-908630-01-8.\nSheridan, Simon (2011). Keeping the British End Up – Four Decades of Saucy Cinema. London: Titan Books. ISBN 978-0-85768-279-6.\nWebber, Richard (2009). 50 Years of Carry On. London: Arrow. ISBN 978-0-09-949007-4.\nHudis, Norman (2008). No Laughing Matter. London: Apex. ISBN 978-1-906358-15-0.\nKeeping the British End Up: Four Decades of Saucy Cinema by Simon Sheridan (third edition) (2007) (Reynolds & Hearn Books)\nRoss, Robert (2002). The Carry On Companion. London: Batsford. ISBN 978-0-7134-8771-8.\nBright, Morris; Ross, Robert (2000). Mr Carry On – The Life & Work of Peter Rogers. London: BBC Books. ISBN 978-0-563-55183-6.\nRigelsford, Adrian (1996). Carry On Laughing – a celebration. London: Virgin. ISBN 1-85227-554-5.\nHibbin, Sally & Nina (1988). What a Carry On. London: Hamlyn. ISBN 978-0-600-55819-4.\nEastaugh, Kenneth (1978). The Carry On Book. London: David & Charles. ISBN 978-0-7153-7403-0.\nPassage 5:\nCarry On Cleo\nCarry On Cleo is a 1964 British historical comedy film, the tenth in the series of 31 Carry On films (1958–1992). Regulars Sid James, Kenneth Williams, Kenneth Connor, Charles Hawtrey, and Jim Dale are present and Connor made his last appearance until his return in Carry On Up the Jungle six years later. Joan Sims returned to the series for the first time since Carry On Regardless three years earlier. Sims would now appear in every Carry On up to Carry On Emmannuelle in 1978, making her the most prolific actress in the series. Jon Pertwee makes the first of his four appearances in the series. The title role is played by Amanda Barrie in her second and last Carry On. Along with Carry On Sergeant and Carry On Screaming!, its original posters were reproduced by the Royal Mail on stamps to celebrate the 50th anniversary of the Carry On series in June 2008. The film was followed by Carry On Cowboy 1965.\n\nPlot\nThe film opens during Caesar's invasions of Britain, with Mark Antony (Sid James) struggling to lead his armies through miserable weather. At a nearby village, cavemen Horsa (Jim Dale) and Hengist Pod (Kenneth Connor) attempt to alert Boudica to the invasion, but are captured by the Romans.\nOnce in Rome, Horsa is sold by the slave-trading firm Marcus et Spencius, and Hengist is destined to be thrown to the lions when no-one agrees to buy him. Horsa and Hengist escape and take refuge in the Temple of Vesta. Whilst hiding there, Julius Caesar (Kenneth Williams) arrives to consult the Vestal Virgins, but an attempt is made on his life by his bodyguard, Bilius (David Davenport). In the melee, Horsa kills Bilius and escapes, leaving Hengist to take the credit for saving Caesar's life and to be made Caesar's new bodyguard.\nWhen a power struggle emerges in Egypt, Mark Antony is sent to force Cleopatra (Amanda Barrie) to abdicate in favour of Ptolemy. However, Mark Antony becomes besotted with her, and instead kills Ptolemy off-screen to win her favour. Cleopatra convinces Mark Antony to kill Caesar and become ruler of Rome himself so that they may rule a powerful Roman-Egyptian alliance together. After seducing one another, Mark Antony agrees, and plots to kill Caesar.\nCaesar and Hengist travel to Egypt on a galley, along with Agrippa (Francis de Wolff), whom Mark Antony has convinced to kill Caesar. However, Horsa has been re-captured and is now a slave on Caesar's galley. After killing the galley-master (Peter Gilmore), Horsa and the galley slaves kill Agrippa and his fellow assassins and swim to Egypt. Hengist, who had been sent out to fight Agrippa and was unaware of Horsa's presence on board, again takes the credit.\nOnce at Cleopatra's palace, an Egyptian soothsayer (Jon Pertwee) warns Caesar of the plot to kill him, but Mark Anthony convinces Caesar not to flee. Instead, Caesar convinces Hengist to change places with him, since Cleopatra and Caesar have never met. On meeting, Cleopatra lures Hengist, who accidentally exposes both Cleopatra and Mark Anthony as would-be assassins. He and Caesar then ally with Horsa, and after defeating Cleopatra's bodyguard Sosages (Tom Clegg) in combat, Hengist and the party flee Egypt. Caesar is returned to Rome, only to be assassinated on the Ides of March. Horsa and Hengist return to Britain, and Mark Antony is left in Egypt to live \"one long Saturday night\" with Cleopatra.\n\nBackground notes\nThe costumes and sets used in the film were originally intended for Cleopatra (1963) before that production moved to Rome and rebuilt new sets there. Carry On Cleo was filmed between 13 July and 28 August 1964.The original poster and publicity artwork by Tom Chantrell were withdrawn from circulation after 20th Century Fox successfully brought a copyright infringement case against distributor Anglo Amalgamated, which found the design was based on a painting by Howard Terpning for which Fox owned the copyright and was used to promote the Cleopatra film.\n\nCast\nFilming and locations\nFilming dates: 13 July – 28 August 1964Interiors:\n\nPinewood Studios, Buckinghamshire\nChobham Common, Surrey\n\nReception\nThe  film premiered at London's Warner cinema on 10 December 1964 and went on to become one of the 12 most popular movies at the British box office in 1965.Colin McCabe, Professor of English at the University of Exeter, labelled this film (together with Carry On Up The Khyber) as one of the best films of all time.In 2007, the pun \"Infamy, infamy, they've all got it in for me\", spoken by Kenneth Williams, was voted the funniest one-line joke in film history. The line was not written by Rothwell but borrowed with permission from a Take It from Here script written by Frank Muir and Denis Norden.\nPassage 6:\nCarry On Abroad\nCarry On Abroad is a 1972 British comedy film, the 24th release in the series of 31 Carry On films (1958–1992). The film features series regulars Sid James, Kenneth Williams, Joan Sims, Bernard Bresslaw, Barbara Windsor, Kenneth Connor, Peter Butterworth and Hattie Jacques. It was the 23rd and final appearance for Charles Hawtrey. June Whitfield returned after appearing in Carry On Nurse 13 years earlier. Jimmy Logan and  Carol Hawkins made their first of two appearances in the series.\nAlong with the previous film in the series (Carry On Matron), it features the highest number of the regular Carry On team, and actually surpasses it if you count Terry Scott, who had filmed a scene as an irate Wundatours customer, but his scene was cut from the final film. The only other member missing is Jim Dale, who had left the series by this point, but would return belatedly for Carry On Columbus in 1992. Dale and Scott were never in a Carry On film together. The film was followed by Carry On Girls 1973.\n\nPlot\nThe film opens with pub landlord and frequent holidaymaker Vic Flange (Sid James) openly flirting with the sassy saucepot widow Sadie Tompkins (Barbara Windsor) as his battleaxe wife, Cora (Joan Sims), looks on with disdain. Their twitching friend Harry (Jack Douglas), who is prone to elaborate and violent twitches, arrives and reveals that the package holiday Vic has booked to the Mediterranean island Elsbels (a pun on the slang expression \"Hell's Bells\") which is on the Costa Bomm, also includes Sadie, much to Cora's outrage. Cora, who avoids holidays because she hates flying, suddenly decides to accompany her boorish husband on the trip, to ensure he keeps away from Sadie.\nThe next day, Stuart Farquhar (Kenneth Williams), the representative of Wundatours Travel Agency, and his sexy, seductive assistant, Moira Plunkett (Gail Grainger), welcome the motley passengers. Among them are the henpecked and sex-starved Stanley Blunt (Kenneth Connor) and his overbearing, conservative, frigid wife, Evelyn (June Whitfield); a drunken, bowler-hatted mummy's boy, Eustace Tuttle (Charles Hawtrey); brash Scotsman Bert Conway (Jimmy Logan); young and beautiful friends Lily and Marge (Sally Geeson and Carol Hawkins respectively), who are each hoping to find a man to fall in love with; and a party of monks, including Brother Bernard (Bernard Bresslaw), a timid young monk who has difficulty fitting into his new path of life.\nUnfortunately, upon their arrival they discover their hotel is only half-finished; the builders have just quit suddenly for unspecified reasons, leaving the remaining five floors unfinished. Distraught manager Pepe (Peter Butterworth) desperately tries to run the place in myriad different guises – the manager, the doorman and the porter – and the chef is his irate, ill-tempered wife, Floella (Hattie Jacques), who battles repeatedly with the temperamental stove while their handsome, womanising son Georgio (Ray Brooks) idles behind the bar. The hotel also hides an assortment of faults, and Pepe is soon overrun with complaints: Evelyn finds Mr Tuttle in her bath, Vic discovers Sadie naked in his shower; Lily and Marge's wardrobe has no back to it, allowing them to be accidentally seen by Brother Bernard in the opposite room; sand pours out of Moira's taps; the lavatory drenches Bert. The phone system itself is faulty, and the guests end up complaining to each other for much of the time. Nevertheless, Stuart is determined to ensure everyone has a good time.\nDinner on the first night is foul, and made even more unpleasant by the smoke from the burning food in the kitchen, which forces the motley group of holiday-makers to open the windows, prompting the arrival of mosquitos. Although agreeing to play leapfrog with Tuttle, Lily and Marge have their eyes on other things. Marge takes a shine to Brother Bernard, and they develop an innocent romance, while Lily lures the dashing Nicholas (David Kernan) away from his jealous (and, it is implied, gay) friend, Robin (John Clive). Meanwhile, Stanley attempts to seduce Cora whilst his nagging wife is not present, but Cora is more interested in keeping Vic away from Sadie, who grows fond of Bert. Vic tries to put Bert off Sadie by telling him that she is a black widow who murdered her two previous husbands, when in fact both were firemen who died on the job.\nThe next day, the holidaymakers are awakened very early in the morning by the builders, who have returned to work. While most of the party go off on an excursion to the nearby village, Stanley ensures his wife is left behind so that he can spend the day attempting to woo Cora. Vic samples a local drink, \"Santa Cecelia's Elixir\", which blesses the drinker with X-ray vision and he is able to see through women's clothing. However, the tourists are arrested for causing a riot at Madame Fifi's (Olga Lowe) local brothel after Vic, Bert and Eustace annoy the girls there; left-behind Evelyn is seduced by Georgio, which leads to her abandoning her frigid manners.\nIn the local prison, Miss Plunkett seduces the Chief of Police, and the tourists are released. Back at the hotel, Mrs Blunt resumes her sex life with a surprised Stanley after having a brief affair with Georgio. The last night in the hotel starts as a success, with all the guests at ease with each other thanks to the punch being spiked with Santa Cecelia's Elixir. Midway through the night it begins to rain, and the hotel is shown to have been constructed on a dry river bed. As the hotel begins to collapse Pepe finally loses his patience and sanity with the guests who, intoxicated by the spiked punch, party on oblivious to the fact the hotel is disintegrating around them.\nThe film then shifts forward an unspecified period of time, and shows an Elsbels reunion at Vic and Cora's pub. Farquhar has also lost his job at Wundatours and started working at the pub. All the guests are happy, and reminisce about the holiday they barely survived.\n\nCast\nSid James as Vic Flange\nKenneth Williams as Stuart Farquhar\nCharles Hawtrey as Eustace Tuttle\nJoan Sims as Cora Flange\nPeter Butterworth as Pepe\nKenneth Connor as Stanley Blunt\nHattie Jacques as Floella\nBernard Bresslaw as Brother Bernard\nBarbara Windsor as Sadie Tomkins\nJimmy Logan as Bert Conway\nJune Whitfield as Evelyn Blunt\nSally Geeson as Lily Maggs\nCarol Hawkins as Marge Dawes\nGail Grainger as Moira Plunkett\nRay Brooks as Georgio\nJohn Clive as Robin Tweet\nDavid Kernan as Nicholas Phipps\nPatsy Rowlands as Miss Dobbs\nDerek Francis as Brother Martin\nJack Douglas as Harry\nAmelia Bayntun as Mrs Tuttle\nAlan Curtis as Police Chief\nHugh Futcher as Jailer\nGertan Klauber as Postcard seller\nBrian Osborne as Stall-holder\nOlga Lowe as Madame Fifi\n\nCrew\nScreenplay – Talbot Rothwell\nMusic – Eric Rogers\nProduction manager – Jack Swinburne\nArt director – Lionel Couch\nEditor – Alfred Roome\nDirector of photography – Alan Hume\nCamera operator – Jimmy Davis\nContinuity – Joy Mercer\nAssistant director – David Bracknell\nSound recordists – Taffy Haines & Ken Barker\nMake-up – Geoffrey Rodway\nAssistant art director – Bill Bennison\nSet dresser – Don Picton\nHairdresser – Stella Rivers\nCostume designer – Courtenay Elliott\nDubbing editor – Peter Best\nAssistant editor – Jack Gardner\nTitles – GSE Ltd\nProcessor – Rank Film Laboratories\nProducer – Peter Rogers\nDirector – Gerald Thomas\n\nNotes\nThe film's opening credits also include 'Sun Tan Lo Tion' (sun tan lotion) as 'Technical Director'.\nThe brothel keeper is played by Olga Lowe, one of the first actresses to work with Sid James when he arrived in the UK in 1946. Lowe was also the actress on stage with James on the night he died in Sunderland.\n\nFilming and locations\nFilming dates – 17 April–26 May 1972 (The previous entry – Carry On Matron – was released during filming)Interior/exterior film locations:\nBagshot, Surrey: The road to the airport.\nHigh Street, Slough: The Wundatours travel agency shop (the site has since been redeveloped and is now Cornwall House).\nPinewood Studios: Elsbels airport terminal building (the studios' security block); the Whippit Inn pub; Elsbels hotel interior and exterior scenes. (The hotel was constructed in the studio backlot with a matte added to represent the upper floors and sections of scaffold.)\nPassage 7:\nThe Hatton Garden Job\nThe Hatton Garden Job, also known as One Last Heist, is a 2017 British crime film. The film is a dramatization of real-life events in April 2015, when the Hatton Garden Safe Deposit Company, based underground in the Hatton Garden area of central London, was burgled by four elderly men, all experienced thieves. The film was directed by Ronnie Thompson and stars Larry Lamb, Matthew Goode, and Joely Richardson.\nThe film had its West End of London première at the Curzon, Shaftesbury Avenue, on 11 April 2017.\n\nOutline\nLarry Lamb plays the 76-year-old Brian Reader, taking the lead among the four \"codgers\" who carry out the operation, with the title of Guvnor, while the other three at the sharp end of the raid are Danny Jones (Phil Daniels), Terry Perkins (David Calder), and Kenny Collins (Clive Russell). Apart from more routine thievery going back at least to his first conviction in 1975, Reader had previously laundered the proceeds of the Brink's-Mat robbery of 1983. The burglars enter the underground premises over an Easter bank holiday weekend through a lift shaft, then drill through the thick walls of the vault with an industrial power drill, proceeding over the following two days to rifle through dozens of deposit boxes. The burglar alarm goes off, but the police decide not to attend. The robbery remains undetected until staff return to work the following week, and newspapers are soon calling it the biggest theft in English history, as the total stolen has a reported value of up to £200 million — although the gang of seven (who have a combined age of 448) don't believe it.Matthew Goode plays the organiser of the robbery, known only as XXX, while Joely Richardson is Erzebet Zslondos, a glamorous Hungarian mobster who is pulling the strings, complete with an exotic accent and remarkable set of costumes. A subplot centres on Zslondos and a corrupt policeman, DCI Frank Baskin (Mark Harris).After an efficiently carried-out operation, the haul is divvied up, the Flying Squad of the Metropolitan Police (\"the Sweeney\") is called in, led by DCI Emma Carter (Sarah-Jane Crawford), and the insurers offer rewards for leads to crack the crime. Six weeks later, acting on information received, nine men are arrested, including Reader. Later, four other men are pulled in and charged with conspiracy to commit burglary. They then face the challenge of what (if anything) to say under questioning and the dilemma of whether to reveal the hiding places of the missing loot. Almost a year after they hit Hatton Garden, all but one of the men are found guilty and go to prison, Reader getting six years. Most do not take up the offer of shorter sentences for returning millions still unrecovered.\nThe leader, referred to in the film as \"XXX\", escapes justice — which at the time of shooting matched the story of the real-life Michael Seed (known as 'Basil'). Seed was later found guilty of both burglary and conspiracy to burgle, and was sentenced to ten years in prison for the former and eight years for the latter, the two running concurrently.\n\nCast\nProduction\nIt was announced in June 2016 that Larry Lamb, Matthew Goode, Joely Richardson, and Phil Daniels had taken leading roles in the low budget film.\n\nReception\nOn review aggregation website Rotten Tomatoes, the film holds an approval rating of 18% based on reviews from 17 critics, with an average rating of 3.90/10.In negative reviews The Guardian called the film \"a piece of geezer nostalgia\" with a \"wocka-wocka retro-funk score\", but suggested that Phil Daniels might deserve an award for uttering the line “the biggest bling blag in history”. It also took the view that the film failed to keep faith with its grey power ethos by parachuting in an attractive young leader for the much older gang (Matthew Goode), who was simply an invention.\nThe Daily Telegraph deemed the film a Guy Ritchie pastiche and commented that \"This is entirely, even aggressively un-cinematic, and after a while begins to feel like a bizarre, Brechtian joke at the audience’s expense: vast expanses of the film are, quite literally, just boring.\" Metro's review found the production slow and clichéd and suggested that \"this is a film that ultimately proves to be every bit as opportunistic as the raid that initially inspired it.\"\nThe film magazine Empire was more positive, The film is not without charm, thanks to engaging lead performances from a roster of solid British talent, from Larry Lamb to Phil Daniels, who can do lovable-rogue banter in their sleep. Early scenes of them plotting the heist are enjoyable if not exactly fresh, several exchanges raising a smile. Despite their best efforts, however, the film falters thanks to an inescapable fact... it’s all a little dull.\n\nSee also\nHatton Garden: the Heist – an earlier film released in 2016 based on the robbery\nKing of Thieves – a 2018 film also based on the same events\nHeist film\nPassage 8:\nCarry On Cruising\nCarry On Cruising is a 1962 British comedy film, the sixth in the series of 31 Carry On films (1958–1992). It was based on an original story by Eric Barker. P&O – Orient Lines were thanked in the credits. Regulars Sid James, Kenneth Williams and Kenneth Connor appear in the film, whereas Joan Sims and Charles Hawtrey do not. Sims took ill shortly before filming began and was replaced by Dilys Laye, making her Carry On debut, at four days' notice. Hawtrey was dropped for demanding star billing,  but returned for the next entry, making this the only entry during Hawtrey's 23-film run which he missed. Sims returned two years later in Carry On Cleo. Liz Fraser notches up the second of her four appearances here. Lance Percival makes his only appearance in the series in Carry On Cruising, playing the ship's chef, the role originally designated for Hawtrey. The Australian actor Vincent Ball also makes his first, of two, Carry On appearances. This was the last film to have its screenplay written by Norman Hudis. This film was notable for being the first in the series to be filmed in colour. The film was followed by Carry On Cabby 1963.\n\nPlot\nCaptain Crowther (Sid James) has five of his crew replaced at short notice before a new cruise voyage begins. Not only does he get the five most incompetent crew men ever to sail the seven seas, but the passengers turn out to be a rather strange bunch too.\nThe SS Happy Wanderer is the cruise ship and after this voyage, Crowther hopes to get a job as captain on a transatlantic ship, promising the cruise crew members their jobs will be safe under the new captain.  Setting off from England, the Happy Wanderer calls at unnamed ports in Spain, Italy and North Africa before heading  home.\nSingle ladies Gladys (Liz Fraser) and Flo (Dilys Laye) take the cruise, Flo hoping to find a husband. Bridget (Esma Cannon) is her usual dotty and entertaining self, and one unnamed passenger (Ronnie Stevens) never disembarks but always goes straight to the bar to drink, to forget an unidentified woman. The crew and passengers settle in as the ship leaves port and head chef Wilfred Haines (Lance Percival) discovers he gets easily seasick. Mario Fabrizi makes a quick appearance as one of the cooks under Haines. Ed Devereaux, best known for the part of Matt Hammond in the Australian TV series 'Skippy', appears as a young officer.\nGladys and Flo fall for the PT instructor Mr. Jenkins but nothing comes of it, especially when Flo turns out to be hopeless in the gym. Meanwhile, the new men try to impress Crowther but disaster follows disaster with him getting knocked out and covered with food at a party.\nMeanwhile, ship's doctor Dr. Binn (Kenneth Connor) has fallen for Flo, but she wants nothing to do with him, so he serenades her with a song after leaving Italy (Bella Marie, sung by Roberto Cardinali), which she does not hear as she is asleep. Gladys, who has heard the song, realises that Flo is in love with Binn and with the help of First Officer Marjoribanks (Kenneth Williams) arranges a plot for Binn and Flo to get together. It works and the confident Binn finally confesses his feelings to a gobsmacked Flo, who returns his affections.\nCrowther lets the five newcomers know that they have improved since the cruise began, simply by doing their jobs and not by trying to impress him. They learn that the captain has been in charge of the Happy Wanderer for ten years and decide to hold a surprise party for him, with the passengers. Haines bakes him a many-flavoured cake and the barman cables the former barman for the recipe of the captain's favourite drink, the Aberdeen Angus.\nThe party goes well and Crowther gets his telegram telling him he has the captaincy of the new ship. He turns it down as he recognises it does not have the personal touch of a cruise ship, and prefers the company of his own crew.\n\nCast\nSid James as Captain Wellington Crowther\nKenneth Williams as First Officer Leonard Marjoribanks\nKenneth Connor as Dr Arthur Binn\nLiz Fraser as Glad Trimble\nDilys Laye as Flo Castle\nEsma Cannon as Bridget Madderley\nLance Percival as Wilfred Haines, Ship's Cook.\nJimmy Thompson as Sam Turner\nRonnie Stevens as Drunk\nVincent Ball as Jenkins\nCyril Chamberlain as Tom Tree\nWilloughby Goddard as Large Man\nEd Devereaux as Young officer\nBrian Rawlinson as Steward\nAnton Rodgers as Young man\nAnthony Sagar as Cook\nTerence Holland as Passer-by\nMario Fabrizi as Cook\nEvan David as Bridegroom\nMarian Collins as Bride\nJill Mai Meredith as Shapely miss\nAlan Casley as Kindly seaman\n\nCrew\nScreenplay – Norman Hudis\nStory – Eric Barker\nMusic – Bruce Montgomery & Douglas Gamley\nDirector of Photography – Alan Hume\nArt Director – Carmen Dillon\nEditor – John Shirley\nProduction Manager – Bill Hill\nCamera Operator – Dudley Lovell\nAssistant Director – Jack Causey\nSound Editors – Arthur Ridout & Archie Ludski\nSound Recordists – Robert T MacPhee & Bill Daniels\nContinuity – Penny Daniels\nMake-up – George Blackler & Geoffrey Rodway\nHairdressing – Biddy Crystal\nCostume Designer – Joan Ellacott\nCasting Director – Betty White\nBeachwear – Silhouette (lingerie)\nProducer – Peter Rogers\nDirector – Gerald Thomas\n\nFilming and locations\nFilming dates – 8 January-16 February 1962Interiors:\n\nPinewood Studios, Buckinghamshire, EnglandExteriors\n\nSouthampton Docks\n\nReception\nThe film was the 12th most popular film at the British box office in 1962. According to Kinematograph Weekly the film was considered a \"money maker\" at the British box office in 1962.\n\nBibliography\nDavidson, Andy (2012). Carry On Confidential. London: Miwk. ISBN 978-1908630018.\nSheridan, Simon (2011). Keeping the British End Up – Four Decades of Saucy Cinema. London: Titan Books. ISBN 978-0857682796.\nWebber, Richard (2009). 50 Years of Carry On. London: Arrow. ISBN 978-0099490074.\nHudis, Norman (2008). No Laughing Matter. London: Apex. ISBN 978-1906358150.\nKeeping the British End Up: Four Decades of Saucy Cinema by Simon Sheridan (third edition) (2007) (Reynolds & Hearn Books)\nRoss, Robert (2002). The Carry On Companion. London: Batsford. ISBN 978-0713487718.\nBright, Morris; Ross, Robert (2000). Mr Carry On – The Life & Work of Peter Rogers. London: BBC Books. ISBN 978-0563551836.\nRigelsford, Adrian (1996). Carry On Laughing – a celebration. London: Virgin. ISBN 1-85227-554-5.\nHibbin, Sally & Nina (1988). What a Carry On. London: Hamlyn. ISBN 978-0600558194.\nEastaugh, Kenneth (1978). The Carry On Book. London: David & Charles. ISBN 978-0715374030.\nPassage 9:\nCarry On Up the Jungle\nCarry On Up the Jungle is a 1970 British adventure comedy film, the 19th release in the series of 31 Carry On films (1958–1992). The film marked Frankie Howerd's second and final appearance in the series. He stars alongside regular players Sid James, Charles Hawtrey, Joan Sims, Terry Scott and Bernard Bresslaw. Kenneth Connor returns to the series for the first time since Carry On Cleo six years earlier and would now feature in almost every entry up to Carry On Emmannuelle in 1978. Jacki Piper makes the first of her four appearances in the series. This movie is a send-up of the classic Tarzan films. It features an unusually dark tone for the series, as the protagonists are faced with certain death after they are apprehended by a cannibalistic tribe in the jungle. The film was followed by Carry On Loving 1970.\n\nPlot\nCamp ornithologist Professor Inigo Tinkle (Frankie Howerd) tells a less-than-enraptured audience about his most recent ornithological expedition to the darkest, most barren regions of the African wilds in search for the legendary Oozlum bird, which is said to fly in ever decreasing circles until it disappears up its own rear end. Financing the expedition is Lady Evelyn Bagley (Joan Sims) and the team are led by the fearless (and lecherous) Bill Boosey (Sid James) and his slow-witted African guide Upsidasi (Bernard Bresslaw). Also on the expedition is Tinkle's idiotic assistant, Claude Chumley (Kenneth Connor) and June (Jacki Piper), Lady Bagley's beautiful but unappreciated maidservant. The journey does not get off to a good start, with a mad gorilla terrorising the campsite and the travellers realising they have ventured into the territory of the bloodthirsty \"Noshas\", a tribe of feared cannibals.\nOn the first night of the expedition, at dinner Lady Bagley reveals that she has embarked on the journey to find her long-lost husband and baby son who vanished twenty years ago on their delayed honeymoon, whilst out on a walk. Her husband is believed to have been eaten by a crocodile, but she hopes to find her baby son, Cecil's, nappy pin as something to remember him by. What the group do not know is that watching them from the bushes is Ug (Terry Scott), a bungling yet compassionate Tarzan-like jungle dweller that wears a loincloth and sandals. Ug has never before seen any other white people, especially a woman. The next day, June stumbles across a beautiful oasis where she saves Ug from drowning and the two begin to fall in love.\nThat night, Ug wanders into camp and encounters Lady Bagley in her tent (mistaking it for June's tent) and she is astonished to see that Ug is wearing Cecil's nappy pin, and that Ug is in fact her lost son Cecil. But before they can be reunited, Ug flees in fear and Lady Bagley faints with shock. The next day, the travellers are kidnapped by the Noshas, but manage to bribe their way out of being cannibalised by giving the tribal witch doctor Tinkle's pocket watch. Tinkle however delays and promises the witch doctor that their gods will bestow a sign of thanks upon them. Intending rescue, Ug accidentally catapults himself into the Nosha camp and starts a fire. In the chaos, Ug, June and Upsidasi manage to escape but the enraged Noshas apprehend the other travellers and prepare to kill them.\nAs they wait to be put to death, they are suddenly rescued by the all-female Lubby-Dubby tribe led by the stunning Leda (Valerie Leon) from the Lost World of Aphrodisia. They are taken to Aphrodisia and meet the king of the tribe Tonka who turns out to be Lady Bagley's missing husband Walter Bagley (Charles Hawtrey) who was taken by the Noshas years ago, but saved and brought to Aphrodisia by the tribal women. Evelyn Bagley is infuriated that he never bothered to search for their missing son and laments she has seen him but has once again lost him. June and Ug are revealed to be living happily together and June is teaching Ug to speak English.\nBill Boosey, Prof. Tinkle and Chumley enjoy the attention given to them by the tribal women, and Tinkle and Chumley are stunned to find that their elusive Oozlum bird is in fact a sacred animal to the Lubby-Dubby females. It transpires that the Lubby-Dubbies need the menfolk to save themselves from extinction, as no males have been born in Aphrodisia for over a century. The men think their dreams have come true... until Leda makes it clear that the Lubby-Dubby women have no intention of letting them go. Tonka implies that the last man who tried to escape Aphrodisia was murdered by the tribe.\nLady Bagley is resentful of this work the men have been given and taking over control from her husband (Tonka) ensure the mates assigned to the men are the least attractive women in the tribe. Three months pass and the men now are fed up and Leda is outraged that none of their \"mates\" have gotten pregnant, so she overthrows Tonka and assumes his place, threatening harm to the men. However, Upsidasi arrives disguised as a woman and says he has brought soldiers to save them. Ug and June also search for their friends and Ug summons a stampede of animals to create chaos and enable the men to get away. During the confusion, Tinkle snatches the Oozlum bird, and the team escape along with Tonka. After the chaos, Leda and her army chase after the men, but are more interested in the trampled soldiers. She says to let the others go not needing them now that they have \"some real men.\" Lady Bagley is reunited with her beloved son and the group return to England. Tinkle unveils his Oozlum bird to his audience... only to find it has apparently vanished up inside itself. June and Ug are happily married with a baby and live in a treehouse in the suburbs whilst Ug goes to work in a bowler hat, suit, and no shoes.\n\nCast\nFrankie Howerd as Professor Inigo Tinkle\nSid James as Bill Boosey\nCharles Hawtrey as Walter Bagley/King Tonka\nJoan Sims as Lady Evelyn Bagley\nKenneth Connor as Claude Chumley\nBernard Bresslaw as Upsidasi\nTerry Scott as Ug the Jungle Boy/Cecil Bagley\nJacki Piper as June\nValerie Leon as Leda\nReuben Martin as Gorilla\nEdwina Carroll as Nerda\nDanny Daniels as Nosha Chief\nYemi Ajibadi as Witch Doctor\nLincoln Webb as Nosha with girl\nHeather Emmanuel as Pregnant Lubi\nVerna Lucille MacKenzie as Gong Lubi\nValerie Moore as Lubi Lieutenant\nCathi March as Lubi Lieutenant\nNina Baden-Semper as Girl Nosha (uncredited)\nRoy Stewart as Nosha (uncredited)\nJohn Hamilton as Nosha (uncredited)\nWillie Jonah as Nosha (uncredited)\nChris Konyils as Nosha (uncredited)\n\nCrew\nScreenplay – Talbot Rothwell\nMusic – Eric Rogers\nProduction Manager – Jack Swinburne\nDirector of Photography – Ernest Steward\nEditor – Alfred Roome\nArt Director – Alex Vetchinsky\nAssistant Editor – Jack Gardner\nCamera Operator – James Bawden\nAssistant Director – Jack Causey\nContinuity – Josephine Knowles\nMake-up – Geoffrey Rodway\nSound Recordists – RT MacPhee & Ken Barker\nHairdresser – Stella Rivers\nCostume Designer – Courtenay Elliott\nDubbing Editor – Colin Miller\nTitles – GSE Ltd\nProducer – Peter Rogers\nDirector – Gerald Thomas\n\nFilming and locations\nFilming dates – 13 October to 21 November 1969\nMaidenhead Library – The location for Professor Tinkle's lecture. The building is now demolished but the original site is directly opposite Maidenhead Town Hall, as featured in Carry On Doctor, Carry On Again Doctor and Carry On Behind.\nClarence Crescent, Windsor - location of the very final scene of the moviePinewood Studios was used for both interior and exterior filming.\n\nProduction and casting\nCarry On Up the Jungle is, in part, a parody of Hammer Film Productions' \"Cavegirl\" series: One Million Years B.C. (1966), Slave Girls (1967) and more particularly Edgar Rice Burroughs' Tarzan series of books and films.\nBernard Bresslaw learned all his native orders in Swahili; however, the \"African\" extras were of Caribbean origin and did not understand. But Sid James, who was born in South Africa, recognised it and congratulated him.The storyline is partly referenced in the Christmas Special Carry On, when all the characters sit down for Christmas Dinner and eat the Oozlum bird instead of a traditional Turkey.\nCharles Hawtrey (born November 1914) as Walter Bagley plays the father of Ugg/Cecil Bagley Terry Scott (born May 1927) despite being merely twelve and a half years his senior. Joan Sims (born May 1930) as Lady Bagley plays his mother though she is three years his junior.\nThe role of Professor Tinkle was written for Kenneth Williams, and the role of Jungle Boy was written for Jim Dale, but Williams was unavailable as he was preparing to star in his own series, The Kenneth Williams Show, and Dale turned down his part due to the character having limited dialogue.\n\nReception\nThe film was among the eight most popular movies at the UK box office in 1970.In a diary entry for Saturday 3 April 1976, Kenneth Williams wrote about the film, which he watched on television that evening, in positive terms. \"It was quite funny and at one point I was laughing aloud. I was staggered to see what they got away with!\" He was particularly complimentary about Kenneth Connor and Terry Scott, less so about Sid James.\nPassage 10:\nFollow That Camel\nFollow That Camel is a 1967 British comedy film, the 14th in the series of 31 Carry On films (1958–1992). Like its predecessor Carry On Don't Lose Your Head, it does not have the words \"Carry On\" in its original title (though for screenings outside the United Kingdom it was known as Carry On In The Legion, and it is alternatively titled Carry On ... Follow That Camel). It parodies the much-filmed 1924 book Beau Geste, by PC Wren, and other French Foreign Legion films.  This film was producer Peter Rogers's attempt to break into the American market; Phil Silvers (in his only Carry On) is heavily featured in a Sergeant Bilko-esque role. He appears alongside Carry On regulars Kenneth Williams, Jim Dale, Charles Hawtrey, Joan Sims, Peter Butterworth and Bernard Bresslaw. Angela Douglas makes the third of her four Carry On appearances.  Anita Harris makes the first of her two Carry On appearances. The film was followed by Carry On Doctor 1967.\n\nPlot\nHis reputation brought into disrepute by Captain Bagshaw, a competitor for the affections of Lady Jane Ponsonby, Bertram Oliphant \"Bo\" West decides to leave England and join the French Foreign Legion, followed by his faithful manservant Simpson. Originally mistaken for enemy combatants at Sidi Bel Abbès, the pair eventually enlist and are helped in surviving Legion life by Sergeant Nocker, although only after they discover that when he is \"on patrol\" he is actually enjoying himself at the local cafe with the female owner, Zig-Zig.\nMeanwhile, Lady Jane, having learnt that Bo was really innocent, heads out to the Sahara to bring him back to England. Along the way she has several encounters with men who exploit the fact that she is naive and travelling alone. After several such run-ins, including with the Legion fort's Commandant Burger (who coincidentally had once been her fencing instructor, and joined the Legion in self-imposed shame after he had inadvertently cut her finger during a lesson), she meets Sheikh Abdul Abulbul and ends up becoming a part of his harem and planned 13th wife.\nNocker and Bo are kidnapped by Abulbul after being lured to the home of Corktip, a belly dancer at the Café ZigZig. Simpson follows them to the Oasis El Nooki but is also captured. After entering Abulbul's harem and discovering Lady Jane, Bo and Simpson give themselves up while Nocker escapes (or rather is allowed to by Abulbul) back to Sidi Bel Abbes to warn Commandant Burger of Abulbul's plans to attack Fort Soixante-Neuf (i.e. 69, the sexual position). However, during this time Zig-Zig has told the Commandant about Nocker's true destination when on patrol, and therefore upon his return his story is not believed.  It is only when Nocker mentions Lady Jane that they realise he was telling the truth and the Commandant organises a force to reinforce the fort.\nAlong the way they discover Bo and Simpson staked to the ground at the now abandoned oasis. The relief column marches on towards the fort but heat, lack of water and a sand castle building competition gone wrong decimates the force to a handful. The remaining members reach the fort to find that they are too late; the attack has already occurred and the garrison wiped out.\nAfter learning that Abulbul's celebration of the successful attack includes marrying Lady Jane, Bo, Burger, Nocker and Simpson rescue her from his tent, leaving Simpson behind dressed as a decoy. When Abulbul discovers the deception, he chases Simpson back to the fort where, through the imaginative use of a gramophone and a German marching song, gum arabic, coconuts, gunpowder and a cricket bat, the group holds off Abulbul's army until a relief force arrives. However, Commandant Burger ends up as the sole casualty among the protagonists.\nBack in England the group reunites for a game of cricket, with Nocker having been promoted to Commandant and Lady Jane having conceived a son by the late Burger. Bo is batting, but when he hits the ball, it explodes. The bowler is then shown to be Abulbul having gained his revenge, to which Bo, with a broken bat and burnt clothes, good-naturedly responds \"Not out!\"\n\nFilming\nLocation work was shot during the early months of 1967 when scenes set in the Sahara were filmed at Camber Sands near Rye, East Sussex, England. Shooting had to be halted several times because there was snow on the sands. Other shots occurred at Birkdale beach near Southport, Lancashire.\nSome of the town sets were reused the year after in the production of Carry On Up the Khyber.\n\nCast\nCrew\nScreenplay - Talbot Rothwell\nMusic - Eric Rogers\nProduction Manager - Jack Swinburne\nDirector of Photography - Alan Hume\nEditor - Alfred Roome\nArt Director - Alex Vetchinsky\nCamera Operator - Alan Hall\nAssistant Director - David Bracknell\nContinuity - Joy Mercer\nAssistant Editor - Jack Gardner\nMake-up - Geoffrey Rodway\nSound Recordists - Dudley Messenger & Ken Barker\nHairdresser - Stella Rivers\nCostume Designer - Emma Selby-Walker\nDubbing Editor - Wally Nelson\nLocation Manager - Terry Clegg\nProducer - Peter Rogers\nDirector - Gerald Thomas\n\nDates and locations\nFilming dates – 1 May – 23 June 1967Interiors:\n\nPinewood Studios, BuckinghamshireExteriors:\n\nRye and Camber Sands, Sussex\nSwakeleys House, Ickenham, Middlesex\nOsterley Park House, Isleworth, Middlesex\n\nProduction notes\nThe character named \"Corktip\" is a parody of \"Cigarette\" in the 1936 film Under Two Flags, a film about the French Foreign Legion in the Sahara.  The name refers to cigarettes, such as the Craven A brand, which had a cork tip.\nPhil Silvers was paid a great deal more than any other cast member, which provoked animosity among the regular Carry On team. Silvers also could not, or would not, learn his lines, so boards were placed behind the camera so he could read them as shooting was taking place. Despite Talbot Rothwell writing in January 1967 that the part \"simply yells for Phil Silvers all the way along. I just can't get this Bilko image out of my mind\", the central role of the fast-talking Foreign Legion Sergeant had originally been earmarked for Sid James. However, with a commitment to the ITV sitcom George and the Dragon, James's part was recast.\nThe song used by Bo and the others to trick Abdul into thinking there are reinforcements coming is \"Durch die grüne Heide\", a marching song used by the German Army during World War II.",6  "char_len": 65885,7  "document_hash": "65cfa3af67a64bf307b9c7b4f7390334a028dfaa631926dfe01f560207b141dd",8  "questions": [9    {10      "question_id": "q00",11      "qtype": "2wikimqa",12      "question": "Are the movies The Hatton Garden Job and Carry On Cleo, from the same country?"13    }14  ]15}