1{2 "document_id": "lb_2wikimqa_ce6a3aae400b3f5f028504fec37d7be8b447bd0cb1a0cff5",3 "family": "public_2wikimqa",4 "split": "test",5 "text": "Passage 1:\nThe Magnificent Dope\nThe Magnificent Dope is a 1942 American comedy film released by 20th Century Fox. It is also known as Lazy Galahad, Strictly Dynamite and The Magnificent Jerk.\n\nPlot\nDwight Dawson runs a hype-driven self-improvement course in the Dale Carnegie mode. He and his partner Horace Hunter are seeking new sales ideas as enrollment has declined sharply. Their chief of marketing, Claire Harris, who is also Dwight's fiancée, comes up with an idea to announce a contest seeking the biggest loser in the country. The prize is $500 and Dwight's course in career advancement. The idea is that the contest will create interest to Dwight's teaching system.\nA winner is chosen: Thadeus Winship Page from the small town of Upper White Eddy in Vermont. He is running a not overly successful business of renting out boats during summer time and is, by his own description, lazy and completely unmotivated.\nTad comes to New York City to collect his prize, determined to use the money toward a fire engine needed by the small town. The publicity stunt is jeopardized, though, when happy, contented Tad does not want to take the course. Tad is charmed by Claire during a night out in the city and falls in love with her, all the while expounding his own philosophies on relaxation, enjoying life, and the unimportance of money. After the night out, Tad reluctantly agrees to take the course, just to be close to Claire.\nClaire comes to realizes that he is not the failure they had thought him to be. After a while, Tad shyly admits to Claire that he is in love, but he doesn't dare tell her she is the subject of his affection, inventing a girl from his hometown named \"Hazel\".\nWhen Dwight hears about this, he tells Tad that the business course will help him in his quest to win his girl. Tad believes Dwight and continues the course until he hears that Claire is in love with someone else. Dwight and Horace have to persuade him once again to stay, telling Tad that the man Claire is in love with is an ugly, fat, and stupid man who can be out-conquered, carefully concealing his own engagement to Claire.\nThe publicity makes the course a success and attendance becomes much higher. Dwight convinces Tad to get a job to prove his success to the various magazines covering the course progress, so he does. He is hired as an insurance salesman, but is soon discouraged when he is unsuccessful. Dwight secretly helps out by making his friend buy an insurance policy from Tad, unaware that his friend, Frank Mitchell, has high blood pressure and would not pass the required physical. Tad commits his anticipated commission to the purchase of the fire engine, and takes Claire to see it. They bond further over Claire's passion for fire engines; she was a fire chief's niece.\nWhen Tad finally reveals to Claire that she is his \"Hazel\", she reveals her engagement to Dwight. Heartbroken and humiliated, Tad feels he has been played for a fool by the couple.\nThe next day, after dodging Claire's many phone calls, Tad uses a special relaxation technique on Frank to help him pass the necessary physical, then proceeds to Dwight's office to vent his anger. Instead, he joins the rest of the office in overhearing a furious Claire in Dwight's office scolding him for the ruse and confessing her love for Tad. When Claire exits the building she finds Tad waiting in the new fire engine. With the siren blaring, they drive off to Vermont together as a couple. Dwight moves on to teach relaxation, using the technique Tad showed him.\n\nCast\nHenry Fonda as Thadeus Winship \"Tad\" Page\nLynn Bari as Claire Harris\nDon Ameche as Dwight Dawson\nEdward Everett Horton as Horace Hunter\nGeorge Barbier as James Roger Barker\nFrank Orth as Messenger\nRoseanne Murray as Dawson's Secretary\nMarietta Canty as Jennie\nHobart Cavanaugh as Albert Gowdy\nHal K. Dawson as Charlie\nJosephine Whittell as Mrs. Hunter\nArthur Loft as Mr. Morton, Fire Engine Salesman\nPaul Stanton as Peters\nClaire Du Brey as Peter's Secretary\nWilliam B. Davidson as Mr. J. D. Reindel\nHarry Hayden as Frank Mitchel\nPierre Watkin as Bill Carson\nPassage 2:\nHartley Lobban\nHartley W Lobban (9 May 1926 – 15 October 2004) was a Jamaican-born first-class cricketer who played 17 matches for Worcestershire in the early 1950s.\n\nLife and career\nLobban played little cricket in Jamaica. He went to England at the end of World War II as a member of the Royal Air Force, and settled in Kidderminster in Worcestershire in 1947, where he worked as a civilian lorry driver for the RAF. He began playing for Kidderminster Cricket Club in the Birmingham League, and at the start of the 1952 season, opening the bowling for the club's senior team, he had figures of 7 for 9 and 7 for 37.Worcestershire invited him to play for them, and he made his first-class debut against Sussex in July 1952. He took five wickets in the match (his maiden victim being Ken Suttle) and then held on for 4 not out with Peter Richardson (20 not out) to add the 12 runs needed for a one-wicket victory after his county had collapsed from 192 for 2 to 238 for 9. A week later he claimed four wickets against Warwickshire, then a few days later still he managed 6 for 52 (five of his victims bowled) in what was otherwise a disastrous innings defeat to Derbyshire. In the last match of the season he took a career-best 6 for 51 against Glamorgan; he and Reg Perks (4 for 59) bowled unchanged throughout the first innings. Worcestershire won the game and Lobban finished the season with 23 wickets at 23.69.He took 23 wickets again in 1953, but at a considerably worse average of 34.43, and had only two really successful games: against Oxford University in June, when he took 5 for 70, and then against Sussex in July. On this occasion Lobban claimed eight wickets, his most in a match, including 6 for 103 in the first innings. He also made his highest score with the bat, 18, but Sussex won by five wickets.In 1954 Lobban made only two first-class appearances, and managed only the single wicket of Gloucestershire tail-ender Bomber Wells. In his final game, against Warwickshire at Dudley, his nine first-innings overs cost 51. He bowled just two overs in the second innings as Warwickshire completed an easy ten-wicket win. Lobban played one more Second XI game, against Glamorgan II at Cardiff Arms Park; in this he picked up five wickets.\nHe was also a professional boxer and played rugby union for Kidderminster.He later moved to Canada, where he worked as a teacher in Burnaby, British Columbia. He and his wife Celia had a son and two daughters.\nPassage 3:\nRingo-en no shōjo\nRingo-en no shōjo (リンゴ園の少女, Ringo-en no shōjo, lit. \"Girl of Apple Park\") is a 1952 black and white Japanese film directed by Koji Shima.The art director was Tomoo Shimogawara.\n\nCast\nHibari Misora as Marumi\nAkihiko Katayama\nKokuten Kōdō\nYōko Kosono as Yoko Kozono\nKoji Mitsui\nHideaki Miura\nBontarō Miyake as Bontaro Miake\nZeko Nakamura as Zekō Nakamura\nTakeshi Sakamoto\nIsao Yamagata\nSo Yamamura\n\nSee also\nList of films in the public domain in the United States\nPassage 4:\nSolemn Promise\nSolemn Promise (Serbian: Беса, romanized: Besa) is a 2009 Serbian drama film directed by Srđan Karanović. The film was selected as the Serbian entry for the Best Foreign Language Film at the 83rd Academy Awards but it did not make the final shortlist.\n\nPlot\nThe film portrays the drama between Azem, an Albanian man, and Lea, a Slovenian woman married to Filip, a Serb. The events happen when the young couple moves to a place in southern Serbia at the outbreak of World War I, when Filip receives the invitation to join the military ranks. He leaves his young attractive wife in the custody of the middle-aged Albanian. The film speaks about love, the sacred Albanian promise ‘Besa’, as well as the cultural, ethnic, and language barriers in the Balkans. The film shows how the sacred given word can be stronger than love and temptation.\n\nCast\nMiki Manojlović as Azem\nIva Krajnc as Lea\nNebojša Dugalić as Filip\nRadivoje Bukvić as Lieutenant Jevrem\nAna Kostovska as School teacher\nRadivoj Knežević\nJovo Makšić as Mane\nNikola Krneta as Soldier\nSlobodan Filipović as Gendarme\n\nSee also\nList of submissions to the 83rd Academy Awards for Best Foreign Language Film\nList of Serbian submissions for the Academy Award for Best Foreign Language Film\nPassage 5:\nWale Adebanwi\nWale Adebanwi (born 1969) is a Nigerian-born first Black Rhodes Professor at St Antony's College, Oxford where he was, until June 2021, a Professor of Race Relations, and the Director of the African Studies Centre, School of Interdisciplinary Area Studies, and a Governing Board Fellow. He is currently a Presidential Penn Compact Professor of Africana Studies at the University of Pennsylvania. Adebanwi's research focuses on a range of topics in the areas of social change, nationalism and ethnicity, race relations, identity politics, elites and cultural politics, democratic process, newspaper press and spatial politics in Africa.\n\nEducation background\nWale Adebanwi graduated with a first degree in Mass Communication from the University of Lagos, and later earned his M.Sc. and Ph.D. in Political Science from the University of Ibadan. He also has an MPhil. and a Ph.D. in Social Anthropology from the University of Cambridge.\n\nCareer\nAdebanwi worked as a freelance reporter, writer, journalist and editor for many newspapers and magazines before he joined the University of Ibadan's Department of Political Science as a lecturer and researcher. He was later appointed as an assistant professor in the African American and African Studies Department of the University of California, Davis, USA. He became a full professor at UC Davis in 2016.Adebanwi is the co-editor of Africa: Journal of the International African Institute and the Journal of Contemporary African Studies.\n\nWorks\nHis published works include:\nNation as Grand Narrative: The Nigerian Press and the Politics of Meaning (University of Rochester Press, 2016)\nYoruba Elites and Ethnic Politics in Nigeria: Obafemi Awolowo and Corporate Agency (Cambridge University Press, 2014)\nAuthority Stealing: Anti-corruption War and Democratic Politics in Post-Military Nigeria (Carolina Academic Press, 2012)In addition, he is the editor and co-editor of other books, including.\n\nThe Political Economy of Everyday Life in Africa: Beyond the Margins (James Currey Publishers, 2017)\nWriters and Social Thought in Africa (Routledge, 2016)\n(co-edited with Ebenezer Obadare) Governance and the Crisis of Rule in Contemporary Africa (Palgrave Macmillan, 2016)\n(co-edited with Ebenezer Obadare) Democracy and Prebendalism in Nigeria: Critical Interpretations (Palgrave Macmillan, 2013).\n(co-edited with Ebenezer Obadare) Nigeria at Fifty: The Nation in Narration (Routledge, 2012)\n(co-edited with Ebenezer Obadare) Encountering the Nigerian State (Palgrave Macmillan, 2010).\n\nAwards\nRhodes Professorship in Race Relations awarded by Oxford University to Faculty of African and Interdisciplinary Area Studies.\nPassage 6:\nJohn McMahon (Surrey and Somerset cricketer)\nJohn William Joseph McMahon (28 December 1917 – 8 May 2001) was an Australian-born first-class cricketer who played for Surrey and Somerset County Cricket Clubs in England from 1947 to 1957.\n\nSurrey cricketer\nMcMahon was an orthodox left-arm spin bowler with much variation in speed and flight who was spotted by Surrey playing in club cricket in North London and brought on to the county's staff for the 1947 season at the age of 29. In the first innings of his first match, against Lancashire at The Oval, he took five wickets for 81 runs.In his first full season, 1948, he was Surrey's leading wicket-taker and in the last home game of the season he was awarded his county cap – he celebrated by taking eight Northamptonshire wickets for 46 runs at The Oval, six of them coming in the space of 6.3 overs for seven runs. This would remain the best bowling performance of his first-class career, not surpassed, but he did equal it seven years later. In the following game, the last away match of the season, he took 10 Hampshire wickets for 150 runs in the match at Bournemouth. In the 1948 season as a whole, he took 91 wickets at an average of 28.07. As a tail-end left-handed batsman, he managed just 93 runs in the season at an average of 4.22.The emergence of Tony Lock as a slow left-arm bowler in 1949 brought a stuttering end of McMahon's Surrey career. Though he played in 12 first-class matches in the 1949 season, McMahon took only 19 wickets; a similar number of matches in 1950 brought 34 wickets. In 1951, he played just seven times and in 1952 only three times. In 1953, Lock split the first finger of his left hand, and played in only 11 of Surrey's County Championship matches; McMahon played as his deputy in 14 Championship matches, though a measure of their comparative merits was that Lock's 11 games produced 67 wickets at 12.38 runs apiece, while McMahon's 14 games brought him 45 wickets at the, for him, low average of 21.53. At the end of the 1953 season, McMahon was allowed to leave Surrey to join Somerset, then languishing at the foot of the County Championship and recruiting widely from other counties and other countries.\n\nSomerset cricketer\nSomerset's slow bowling in 1954 was in the hands of leg-spinner Johnny Lawrence, with support from the off-spin of Jim Hilton while promising off-spinner Brian Langford was on national service. McMahon filled a vacancy for a left-arm orthodox spinner that had been there since the retirement of Horace Hazell at the end of the 1952 season; Hazell's apparent successor, Roy Smith, had failed to realise his promise as a bowler in 1953, though his batting had advanced significantly.\nMcMahon instantly became a first-team regular and played in almost every match during his four years with the county, not missing a single Championship game until he was controversially dropped from the side in August 1957, after which he did not play in the Championship again.In the 1954 season, McMahon, alongside fellow newcomer Hilton, was something of a disappointment, according to Wisden: \"The new spin bowlers, McMahon and Hilton, did not attain to the best standards of their craft in a wet summer, yet, like the rest of the attack, they would have fared better with reasonable support in the field and from their own batsmen,\" it said. McMahon took 85 wickets at an average of 27.47 (Hilton took only 42 at a higher average). His best match was against Essex at Weston-super-Mare where he took six for 96 in the first innings and five for 45 in the second to finish with match figures of 11 for 141, which were the best of his career. He was awarded his county cap in the 1954 season, but Somerset remained at the bottom of the table.\nThe figures for the 1955 were similar: McMahon this time took 75 wickets at 28.77 apiece. There was a small improvement in his batting and the arrival of Bryan Lobb elevated McMahon to No 10 in the batting order for most of the season, and he responded with 262 runs and an average of 9.03. This included his highest-ever score, 24, made in the match against Sussex at Frome. A week later in Somerset's next match, he equalled his best-ever bowling performance, taking eight Kent wickets for 46 runs in the first innings of a match at Yeovil through what Wisden called \"clever variation of flight and spin\". These matches brought two victories for Somerset, but there were only two others in the 1955 season and the side finished at the bottom of the Championship for the fourth season running.At the end of the 1955 season, Lawrence retired and McMahon became Somerset's senior spin bowler for the 1956 season, with Langford returning from National Service as the main support. McMahon responded with his most successful season so far, taking 103 wickets at an average of 25.57, the only season in his career in which he exceeded 100 wickets. The bowling average improved still further in 1957 to 23.10 when McMahon took 86 wickets. But his season came to an abrupt end in mid-August 1957 when, after 108 consecutive Championship matches, he was dropped from the first team during the Weston-super-Mare festival. Though he played some games for the second eleven later in August, he regained his place in the first team for only a single end-of-season friendly match, and he was told that his services were not required for the future, a decision, said Wisden, that \"proved highly controversial\".\n\nSacked by Somerset\nThe reason behind McMahon's sacking did not become public knowledge for many years. In its obituary of him in 2002, McMahon was described by Wisden as \"a man who embraced the antipodean virtues of candour and conviviality\". It went on: \"Legend tells of a night at the Flying Horse Inn in Nottingham when he beheaded the gladioli with an ornamental sword, crying: 'When Mac drinks, everybody drinks!'\" The obituary recounts a further escapade in second eleven match at Midsomer Norton where a curfew imposed on the team was circumvented by \"a POW-type loop\" organised by McMahon, \"with his team-mates escaping through a ground-storey window and then presenting themselves again\". As the only Somerset second eleven match that McMahon played in at Midsomer Norton was right at the end of the 1957 season, this may have been the final straw. But in any case there had been \"an embarrassing episode at Swansea's Grand Hotel\" earlier in the season, also involving Jim Hilton, who was also dismissed at the end of the season. Team-mates and club members petitioned for McMahon to be reinstated, but the county club was not to be moved.\nAfter a period in Lancashire League cricket with Milnrow Cricket Club, McMahon moved back to London where he did office work, later contributing some articles to cricket magazines.\n\n\n== Notes and references ==\nPassage 7:\nHenry Moore (cricketer)\nHenry Walter Moore (1849 – 20 August 1916) was an English-born first-class cricketer who spent most of his life in New Zealand.\n\nLife and family\nHenry Moore was born in Cranbrook, Kent, in 1849. He was the son of the Reverend Edward Moore and Lady Harriet Janet Sarah Montagu-Scott, who was one of the daughters of the 4th Duke of Buccleuch. One of his brothers, Arthur, became an admiral and was knighted. Their great \ngrandfather was John Moore, Archbishop of Canterbury from 1783 to 1805. One of their sisters was a maid of honour to Queen Victoria.Moore went to New Zealand in the 1870s and lived in Geraldine and Christchurch. He married Henrietta Lysaght of Hāwera in November 1879, and they had one son. In May 1884 she died a few days after giving birth to a daughter, who also died.In 1886 Moore became a Justice of the Peace in Geraldine. In 1897 he married Alice Fish of Geraldine. They moved to England four years before his death in 1916.\n\nCricket career\nMoore was a right-handed middle-order batsman. In consecutive seasons, 1876–77 and 1877–78, playing for Canterbury, he made the highest score in the short New Zealand first-class season: 76 and 75 respectively. His 76 came in his first match for Canterbury, against Otago. He went to the wicket early on the first day with the score at 7 for 2 and put on 99 for the third wicket with Charles Corfe before he was out with the score at 106 for 3 after a \"very fine exhibition of free hitting, combined with good defence\". Canterbury were all out for 133, but went on to win the match. His 75 came in the next season's match against Otago, when he took the score from 22 for 2 to 136 for 6. The New Zealand cricket historian Tom Reese said, \"Right from the beginning he smote the bowling hip and thigh, going out of his ground to indulge in some forceful driving.\" Canterbury won again.Moore led the batting averages in the Canterbury Cricket Association in 1877–78 with 379 runs at an average of 34.4. Also in 1877–78, he was a member of the Canterbury team that inflicted the only defeat on the touring Australians. In 1896–97, at the age of 47, he top-scored in each innings for a South Canterbury XVIII against the touring Queensland cricket team.\nPassage 8:\nRobert Day (director)\nRobert Frederick Day (11 September 1922 – 17 March 2017) was an English film director. He directed more than 40 films between 1956 and 1991.\n\nBiography\nDay was born in Sheen, England. He worked his way up from clapper boy to camera operator then cinematographer while in his native country, and began directing in the mid-1950s. His first film as director, the black comedy The Green Man (1956) for the writer-producer team of Frank Launder and Sidney Gilliat, gained good reviews. Using this as a starting point, Day went on to become one of the industry's busiest directors including directing several Tarzan films.\nHe relocated to Hollywood in the 1960s and directed many TV episodes and made-for-TV movies. He occasionally had small parts in his own productions, including The Haunted Strangler (1958), Two-Way Stretch (1960), and the TV mini-series Peter and Paul (1981).\nIn the 1970s and 1980s, Day would direct episodes of numerous American television shows, including Barnaby Jones, The F.B.I., Dallas, Walt Disney's Wonderful World of Color, and Matlock.\n\nPersonal life\nDay was married to Eileen Day and then, following their divorce, to actress Dorothy Provine until her death in 2010. He was the brother of cinematographer Ernest Day.\nDay died at the age of 94 on Bainbridge Island near Seattle on 17 March 2017.\n\nSelected filmography\nPassage 9:\nTarzan the Magnificent\nTarzan the Magnificent is a 1960 British Eastmancolor film, the follow-up to Tarzan's Greatest Adventure (1959). Its plot bears no relation to that of the 1939 Edgar Rice Burroughs novel of the same name. The film was directed by Robert Day and produced by Sy Weintraub and Harvey Hayutin. Gordon Scott made his last appearance as Tarzan in the film, while Jock Mahoney appeared as villain Coy Banton. Mahoney would take over the Tarzan role himself beginning in the next film, Tarzan Goes to India, in 1962. The motion picture does not include Jane.\n\nPlot\nThe Bantons (father, Abel and four sons, Coy, Ethan, Johnny and Martin) rob a pay office in a settlement, killing some people. Coy Banton is tracked down to their camp and taken away by a policeman, Wyntors. Taking him back to town, Wyntors is killed as two of the brothers seek to rescue Coy. Tarzan appears and kills Ethan Banton. The other brother escapes. Tarzan decides to take Coy to Kairobi for the $5000 reward so he can give it to Wyntors' widow. However, no one in the town of Mantu (same town as the one at the beginning of Tarzan's Greatest Adventure) wants to help him. The boat he is waiting for to take him and his prisoner to Kairobi is ambushed by the Bantons, who send the passengers off and destroy the boat.\nLater that night Tarzan meets with the people from the boat and decides on an overland trek to take Coy Banton to Kairobi and agrees to take along, at first, the boat's mate, Tate, then reluctantly agrees to take the passengers of the boat: A business man named Ames and his wife, Fay; another man named Conway and a young woman named Lori, who all share with Tarzan their own reasons for wanting to go to Kairobi. But Tarzan warns them the trek through the jungles would be hard and dangerous. The presence of so many people to watch out for hinders Tarzan. The Bantons threaten to kill anyone who helps Tarzan. Pausing only to shoot the doctor who has told them what they want to know, the Bantons set out after the party and Coy.\nAmes is a boastful and racist windbag whose wife begins to detest him. Seeing this, Coy plays up to her, hoping he might be able to use her later. The party are captured by natives and the leader wants to kill Coy, who killed his brother when the Bantons raided their village. However, the chief's wife is having a difficult childbirth labour, and since Conway (who was a doctor) is able to help her have her baby (a breach birth), the chief agrees to let the party go.\nCoy sees his chance and escapes. Thanks to Ames, Tate is shot and later dies. Tarzan again captures Coy and he hides them both in a quicksand pit as the other Bantons search for them. Later, Lori wanders off and is caught by Johnny Banton who attempts to have his way with her. As she screams, Tarzan comes to rescue her and, after a fight, Johnny dies from a shot in the face with his rifle while struggling with Tarzan and falls into a stream. Later, seeing his grave (along with Tate's), Martin Banton has had enough of a father who taught them to steal and murder by age sixteen, and leaves him.\nCoy's wiles have paid off and Fay Ames releases him while the others sleep, and they leave camp together. Tarzan goes after them and finds Fay's scarf. Coy left her behind when she was out of breath and a lioness found her. Tarzan eventually comes on Coy and Abel Banton, and in a roving battle, a ricochet from Coy's rifle kills Abel. A prolonged battle on rocks, on sand and underwater follows before Tarzan finally knocks Coy out. The film ends with Tarzan and the remaining three people (Ames, Lori, and Conway) handing Coy over to the Kairobi police on the border and instructs Conway to make sure Wyntor's widow gets the reward money.\n\nCast\nGordon Scott as Tarzan\nJock Mahoney as Coy Banton\nBetta St. John as Fay Ames\nJohn Carradine as Abel Banton\nLionel Jeffries as Ames\nAlexandra Stewart as Lori\nEarl Cameron as Tate\nCharles Tingwell as Conway\nAl Mulock as Martin Banton\nGary Cockrell as Johnny Banton\nRon McDonnell as Ethan Banton\nHarry Baird as Warrior Leader\nChristopher Carlos as Native Chief\nJohn Sullivan as Inspector Wyntors\nEwen Solon as Dexter\nJacqueline Evans as Mrs Dexter\nThomas Duggan as Frye\nPeter Howell as Dr Blake\nJohn Harrison as N'Como\nGeorge Taylor as Captain Hayes\n\nProduction\nFilming started 25 January 1960 in Africa.\n\nSee also\nList of American films of 1960\nPassage 10:\nSrđan Karanović\nSrđan Karanović (Serbian Cyrillic: Срђан Карановић, pronounced [ˌsř̩d͜ʑan kaˈrǎːnoʋit͜ɕ], born 17 November 1945) is a Serbian film director and screenwriter. He has directed 17 films since 1968. His film Miris poljskog cveća won the FIPRESCI prize at the 1978 Cannes Film Festival, Nešto između was screened in the Un Certain Regard section at the 1983 Cannes Film Festival. A Film with No Name (Za Sada Bez Dobrog Naslova) won the Golden Tulip Award at the Istanbul International Film Festival in 1989.\nHis 2009 film Besa was selected as the Serbian entry for the Best Foreign Language Film at the 83rd Academy Awards, but it did not make the final shortlist. In 2017, Srđan Karanović has signed the Declaration on the Common Language of the Croats, Serbs, Bosniaks and Montenegrins.\n\nSelected filmography\nSee also\nPraška filmska škola",6 "char_len": 26749,7 "document_hash": "d13e6e1bdf0f3fd27b72287aa58b4460d3bf79773e67f9ed4508d98a9cff40d6",8 "questions": [9 {10 "question_id": "q00",11 "qtype": "2wikimqa",12 "question": "Which film whose director was born first, Solemn Promise or Tarzan The Magnificent?"13 }14 ]15}