1{2 "document_id": "lb_2wikimqa_2c952e3e1ca394df975103b3135b3c38e0ee16e25d860258",3 "family": "public_2wikimqa",4 "split": "test",5 "text": "Passage 1:\nJason Moore (director)\nJason Moore (born October 22, 1970) is an American director of film, theatre and television.\n\nLife and career\nJason Moore was born in Fayetteville, Arkansas, and studied at Northwestern University. Moore's Broadway career began as a resident director of Les Misérables at the Imperial Theatre in during its original run. He is the son of Fayetteville District Judge Rudy Moore.In March 2003, Moore directed the musical Avenue Q, which opened Off-Broadway at the Vineyard Theatre and then moved to Broadway at the John Golden Theatre in July 2003. He was nominated for a 2004 Tony Award for his direction. Moore also directed productions of the musical in Las Vegas and London and the show's national tour. Moore directed the 2005 Broadway revival of Steel Magnolias and Shrek the Musical, starring Brian d'Arcy James and Sutton Foster which opened on Broadway in 2008. He directed the concert of Jerry Springer — The Opera at Carnegie Hall in January 2008.Moore, Jeff Whitty, Jake Shears, and John \"JJ\" Garden worked together on a new musical based on Armistead Maupin's Tales of the City. The musical premiered at the American Conservatory Theater, San Francisco, California in May 2011 and ran through July 2011.For television, Moore has directed episodes of Dawson's Creek, One Tree Hill, Everwood, and Brothers & Sisters. As a writer, Moore adapted the play The Floatplane Notebooks with Paul Fitzgerald from the novel by Clyde Edgerton. A staged reading of the play was presented at the New Play Festival at the Charlotte, North Carolina Repertory Theatre in 1996, with a fully staged production in 1998.In 2012, Moore made his film directorial debut with Pitch Perfect, starring Anna Kendrick and Brittany Snow. He also served as an executive producer on the sequel. He directed the film Sisters, starring Tina Fey and Amy Poehler, which was released on December 18, 2015. Moore's next project will be directing a live action Archie movie.\n\nFilmography\nFilms\n\nPitch Perfect (2012)\nSisters (2015)\nShotgun Wedding (2022)Television\n\nSoundtrack writer\n\nPitch Perfect 2 (2015) (Also executive producer)\nThe Voice (2015) (1 episode)\nPassage 2:\nMan at the Top (film)\nMan at the Top is a 1973 British drama film directed by Mike Vardy and starring Kenneth Haigh, spun off from the television series Man at the Top, which itself was inspired by the 1959 film Room at the Top and its 1965 sequel Life at the Top.\n\nPlot\nJoe Lampton is promoted to managing director of a pharmaceutical company, and becomes involved with Lord Ackerman, the powerful chairman, who is also his father-in-law. But Joe makes a shocking discovery: his predecessor committed suicide because of his involvement in a drug that left 1,000 African women sterile. Joe threatens to reveal all to the press, while Lord Ackerman seeks to persuade him otherwise, by offering him promotion to Chief Executive.\n\nCast\nKenneth Haigh as Joe Lampton\nNanette Newman as Lady Alex Ackerman\nHarry Andrews as Lord Ackerman\nWilliam Lucas as Marshall\nClive Swift as Massey\nPaul Williamson as Tarrant\nJohn Collin as Wisbech\nJohn Quentin as Digby\nDanny Sewell as Weston\nCharlie Williams as George Harvey\nAnne Cunningham as Mrs. Harvey\nAngela Bruce as Joyce\nMargaret Heald as Eileen\nMary Maude as Robin Ackerman\nNorma West as Sarah Tarrant\nJohn Conteh as Boxer\n\nProduction\nFilming\nShooting took place from 3 March to 7 April 1973.\n\nReception\nBox office\nThe film was not a success at the box office.\n\nCritical reception\nMonthly Film Bulletin said it was \"too much like an episode of a TV series stretched to feature length\".\"Network on Air\" noted the film as, \"offering a grittier treatment than the 1959 film adaptation and the subsequent television series\".Allmovie noted, \" Nanette Newman, a busy doe-eyed ingenue of the 1960s, is quietly effective as the middle-aged Mrs. Lampton.\"\nPassage 3:\nDana Blankstein\nDana Blankstein-Cohen (born March 3, 1981) is the executive director of the Sam Spiegel Film and Television School. She was appointed by the board of directors in November 2019. Previously she was the CEO of the Israeli Academy of Film and Television. She is a film director, and an Israeli culture entrepreneur.\n\nBiography\nDana Blankstein was born in Switzerland in 1981 to theatre director Dedi Baron and Professor Alexander Blankstein. She moved to Israel in 1983 and grew up in Tel Aviv.\nBlankstein graduated from the Sam Spiegel Film and Television School, Jerusalem in 2008 with high honors. During her studies she worked as a personal assistant to directors Savi Gabizon on his film Nina's Tragedies and to Renen Schorr on his film The Loners. She also directed and shot 'the making of' film on Gavison's film Lost and Found. Her debut film Camping competed at the Berlin International Film Festival, 2007.\n\nFilm and academic career\nAfter her studies, Dana founded and directed the film and television department at the Kfar Saba municipality. The department encouraged and promoted productions filmed in the city of Kfar Saba, as well as the established cultural projects, and educational community activities.\nBlankstein directed the mini-series \"Tel Aviviot\" (2012). From 2016-2019 was the director of the Israeli Academy of Film and Television.\nIn November 2019 Dana Blankstein Cohen was appointed the new director of the Sam Spiegel Film and Television School where she also oversees the Sam Spiegel International Film Lab. In 2022, she spearheaded the launch of the new Series Lab and the film preparatory program for Arabic speakers in east Jerusalem.\n\nFilmography\nTel Aviviot (mini-series; director, 2012)\nGrowing Pains (graduation film, Sam Spiegel; director and screenwriter, 2008)\nCamping (debut film, Sam Spiegel; director and screenwriter, 2006)\nPassage 4:\nPeter Levin\nPeter Levin is an American director of film, television and theatre.\n\nCareer\nSince 1967, Levin has amassed a large number of credits directing episodic television and television films. Some of his television series credits include Love Is a Many Splendored Thing, James at 15, The Paper Chase, Family, Starsky & Hutch, Lou Grant, Fame, Cagney & Lacey, Law & Order and Judging Amy.Some of his television film credits include Rape and Marriage: The Rideout Case (1980), A Reason to Live (1985), Popeye Doyle (1986), A Killer Among Us (1990), Queen Sized (2008) and among other films. He directed \"Heart in Hiding\", written by his wife Audrey Davis Levin, for which she received an Emmy for Best Day Time Special in the 1970s.\nPrior to becoming a director, Levin worked as an actor in several Broadway productions. He costarred with Susan Strasberg in \"[The Diary of Ann Frank]\" but had to leave the production when he was drafted into the Army. He trained at the Carnegie Mellon University. Eventually becoming a theatre director, he directed productions at the Long Wharf Theatre and the Pacific Resident Theatre Company. He also co-founded the off-off-Broadway Theatre [the Hardware Poets Playhouse] with his wife Audrey Davis Levin and was also an associate artist of The Interact Theatre Company.\nPassage 5:\nBrian Kennedy (gallery director)\nBrian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States. He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020. He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019. He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004.\n\nCareer\nBrian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College. In October 2010 he became the ninth Director of the Toledo Museum of Art. On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum.\n\nEarly life and career in Ireland\nKennedy was born in Dublin and attended Clonkeen College. He received B.A. (1982), M.A. (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history.\nHe worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89). He married Mary Fiona Carlin in 1988.He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997. He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003. In September 1997 he became Director of the National Gallery of Australia.\n\nNational Gallery of Australia (NGA)\nKennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site. Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing \"blockbuster\" exhibitions.\nDuring his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship. However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds. As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later. Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001. Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive. He was also notable for campaigning for the construction of a new \"front\" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above).\nKennedy's cancellation of the \"Sensation exhibition\" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship. He claimed that the decision was due to the exhibition being \"too close to the market\" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor. However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns. The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn. Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous. The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was \"Catholic-bashing\" and an \"aggressive, vicious, disgusting attack on religion.\" In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had \"obscured discussion of the artistic merit of the works of art\". He has said that it \"was the toughest decision of my professional life, so far.\"Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system. The air-conditioning was finally renovated in 2003. Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors.He became a joint Irish-Australian citizen in 2003.\n\nToledo Museum of Art\nThe Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke. The museum offers free admission and is recognized for its historical leadership in the field of art education. During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as \"learning to read, understand and write visual language.\" Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www.vislit.org. In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so. Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy.\nKennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples. Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired. In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano.During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum. In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015.\n\nHood Museum of Art\nKennedy became Director of the Hood Museum of Art in July 2005. During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions. At 70,000 objects, the Hood has one of the largest collections on any American college of university campus. The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues. Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually. Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons.\n\nPublications\nKennedy has written or edited a number of books on art, including:\n\nAlfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9\nDreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7\nJack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0\nThe Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4\nIreland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3\nIrish Painting, Roberts Rinehart Publishers (November 1997), ISBN 978-1-86059-059-7\nSean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3\nFrank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8\n\nHonors and achievements\nKennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art. He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics. In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University. Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education.\n\n\n== Notes ==\nPassage 6:\nIan Barry (director)\nIan Barry is an Australian director of film and TV.\n\nSelect credits\nWaiting for Lucas (1973) (short)\nStone (1974) (editor only)\nThe Chain Reaction (1980)\nWhose Baby? (1986) (mini-series)\nMinnamurra (1989)\nBodysurfer (1989) (mini-series)\nRing of Scorpio (1990) (mini-series)\nCrimebroker (1993)\nInferno (1998) (TV movie)\nMiss Lettie and Me (2002) (TV movie)\nNot Quite Hollywood: The Wild, Untold Story of Ozploitation! (2008) (documentary)\nThe Doctor Blake Mysteries (2013)\nPassage 7:\nChristophe Honoré\nChristophe Honoré (born 10 April 1970) is a French writer and film and theatre director.\n\nCareer\nHonoré was born in Carhaix, Finistère. After moving to Paris in 1995, he wrote articles in Les Cahiers du Cinéma. He started writing soon after. His 1996 book Tout contre Léo (Close to Leo) talks about HIV and is aimed at young adults; he made it into a film in 2002. He wrote other books for young adults throughout the late 1990s. His first play, Les Débutantes, was performed at Avignon's Off Festival in 1998. In 2005, he returned to Avignon to present Dionysos impuissant in the \"In\" Festival, with Joana Preiss and Louis Garrel playing the leads.\nA well-known director, he is considered an \"auteur\" in French cinema. His 2006 film Dans Paris has led him to be considered by French critics as the heir to the Nouvelle Vague cinema. In 2007, Les Chansons d'amour was one of the films selected to be in competition at the 2007 Cannes Film Festival. Honoré is openly gay, and some of his movies or screenplays (among them Les Filles ne savent pas nager, Dix-sept fois Cécile Cassard and Les Chansons d'amour) deal with gay or lesbian relations. His film Plaire, aimer et courir vite (Sorry Angel), about a writer who has contracted HIV in the 1990s, won the Louis Delluc Prize for Best Film in 2018. Honoré has been the screenwriter for some of Gaël Morel's films. The actors Louis Garrel and Chiara Mastroianni have each had roles in several of his films.\nHonoré has also directed several operas for the stage. For the Opéra de Lyon he directed Poulenc's Dialogues of the Carmelites in 2013, Debussy's Pelléas et Mélisande in 2015, and Verdi's Don Carlos in 2018. He also presented his production of Mozart's Così fan tutte at the Aix-en-Provence Festival and the Edinburgh Festival in 2016, and Puccini's Tosca at Aix-en-Provence in 2019; both of these productions adopted a radical approach to traditional works.In the summer of 2020 Honoré's rehearsals of his stage production of Le Côté de Guermantes, based on the third volume of Proust's In Search of Lost Time, were interrupted by restrictions to combat the COVID-19 epidemic and it became impossible to present it at the Comédie-Française as planned. With his troupe of actors he decided to make a film about the production and the uncertainties they were now facing, and the film Guermantes was released in September 2021.\n\nFilmography\nNovels\n1995 : Tout contre Léo (jeunesse), turned into a film in 2002\n1996 : C'est plus fort que moi (jeunesse)\n1997 : Je joue très bien tout seul (jeunesse)\n1997 : L'Affaire petit Marcel (jeunesse)\n1997 : L’Infamille (Éditions de l'Olivier, ISBN 2-87929-143-7)\n1998 : Zéro de lecture (jeunesse)\n1998 : Une toute petite histoire d'amour (jeunesse)\n1998 : Je ne suis pas une fille à papa (jeunesse)\n1999 : Les Nuits où personne ne dort (jeunesse)\n1999 : Mon cœur bouleversé (jeunesse)\n1999 : Bretonneries (jeunesse)\n1999 : La Douceur (Éditions de L'Olivier, ISBN 2-87929-236-0)\n\nTheatre and opera\nActor\n1998: Les Débutantes\n2001: Le Pire du troupeau\n2004: Beautiful Guys\n2005: Dionysos impuissant\n2012: La Faculté\n2012: Un jeune se tue\n2012: Nouveau Roman\n2015: Violentes femmes\n\nDirector\n2009 : Angelo, Tyrant of Padua by Victor Hugo, Festival d'Avignon\n2012 : Nouveau Roman, Festival d'Avignon, Théâtre national de la Colline\n2013 : Dialogues of the Carmelites by Francis Poulenc, Opéra National de Lyon\n2015 : Fin de l'Histoire by Witold Gombrowicz, Théâtre de Lorient\n2015 : Pelléas et Mélisande by Claude Debussy, Opéra National de Lyon\n2016 : Così fan tutte by Mozart, Aix-en-Provence Festival and Edinburgh International Festival\n2018 : Don Carlos by Verdi, Opéra National de Lyon\n2019 : Les Idoles by Christophe Honoré, Odéon-Théâtre de l'Europe\n2019 : Tosca by Puccini, Aix-en-Provence Festival\nPassage 8:\nMan at Bath\nMan at Bath (French: Homme au bain) is a 2010 French film by Christophe Honoré starring François Sagat and Chiara Mastroianni. The film premiered in competition at Locarno International Film Festival in Switzerland in 2010 and was released in cinemas on 22 September 2010.\nThis is gay pornographic actor François Sagat's second major role in general release non-pornographic film as Emmanuel after his role in L.A. Zombie. Director Christopher Honoré told French gay website Yagg.com that he was interested in Sagat because he \"redefines the notion of masculinity\". Sagat was the only actor to feature in two competition entries during the festival.\n\nPlot\nRight before departing to New York colleges to promote his latest collaborations, Omar (Omar Ben Sellem) goes through yet another impulsive fit from his boyfriend Emmanuel (François Sagat), resulting in rape. Resentful, Omar demands Emmanuel to be gone from his flat located in the outskirts of Paris before his return, and leaves. The two set out to live a separate series of vignettes depicting the ways the former lovers' mourn for each other.\nBeing a lustful, aspiring filmmaker, Omar sees his touring in upper New York as an opportunity to finally forget Emmanuel, indulging instead in disjointed recordings of his travel. Soon after, his camera work is centered on Dustin (Dustin Segura-Suarez): a young college student who is on vacation from Canada. Omar eagerly befriends and later seduces Dustin, openly portraying their desire for each other on film with an amateurish academic intent. In a matter of days, the artistic intentions in Omar's house movie devolve into a bisexual experience including Omar's professor.\nBack in Paris, an animalistic Emmanuel - used to take pride on the universal praise for his body - is left broke and in denial. He resorts instead to shelter himself in Omar's place, living as carefree days as he can muster. Emmanuel goes from demanding unsolicited attentions from an upstairs neighbor who also is one of his clients as a hustler (Dennis Cooper), to hosting sexual encounters with Omar's acquaintances. All without avoiding his growing yearning for the better days with his ex, not even after luring an Omar's look-alike (Sebastian D'Azeglio) back into the apartment. After an intermission in which Emmanuel is confronted with his own collapsing lack of emotionality, he then clumsily refuses the advances of an underage boy who claims to be in need (Andréas Leflamand), nor engages in a bisexual threesome in exchange for a tip he reluctantly accepts from a successful old friend (Kate Moran). The next day, Emmanuel begrudgingly succumbs to the advances from a teenager (Rabah Zahi), and uses the opportunity to sexually lash out on the boy. Finally, shortly before Omar's return, Emmanuel cries over the improvised mural he started days earlier on one of the walls in the apartment.\nNot long after, Omar enters back into his apartment, stopping to contemplate the finished mural drawn by Emmanuel, who is nowhere to be seen.\n\nCast\nFrançois Sagat as Emmanuel\nChiara Mastroianni as Actress\nRabah Zahi as Rabah\nOmar Ben Sellem as Omar\nKate Moran as Kate\nLahcen el Mazouzi as Hicham\nAndréas Leflamand as Andréas\nRonald Piwele as Ronald\nSebastian D'Azeglio as Man with a moustache\nSébastien Pouderoux as Kate's fiancé\nDennis Cooper as Robin\nDustin Segura-Suarez\nPassage 9:\nPaul Scheuring\nPaul T. Scheuring (born November 20, 1968) is an American screenwriter and director of films and television shows. His work includes the 2003 film A Man Apart and the creation of the television drama Prison Break, for which he was also credited as an executive producer and head writer.\n\nEarly life\nScheuring was born in Aurora, Illinois. Before his success, he had attended the UCLA School of Theater Film and Television and has worked as a courier cable installer and factory worker.\n\nCareer\nAfter working on 36K in 2000 and A Man Apart in 2003, Scheuring made his first attempt to be a television show writer. After developing an idea given to him by a female colleague into a miniseries screenplay called Prison Break, he approached the Fox network with the script but was turned down due to its unconventional storyline. However, in 2004, after the successful premiere of Lost, Fox backed Prison Break's production and the first episode was aired approximately twenty months after Scheuring had written the script. The series proceeded to win the 2006 People's Choice Award for Favorite New TV Drama and was nominated for Best Drama Television Series at the 2006 Golden Globe Awards. Moreover, Prison Break was picked up by Fox for three more seasons. In 2005, he signed an overall deal with 20th Century Fox. He runs a production company, One Light Road Productions.Scheuring has also co-written Mexicali, which was scheduled for release in 2010.\n\nFuture projects\nFollowing the completion of Prison Break, Scheuring began production of AR2, a drama co-developed with The West Wing director/exec producer Thomas Schlamme. The series is about a group of Midwestern youths who spark a second American Revolution. AR2 will explore how the revolting college students -- as well as the military and the law enforcement officers who oppose them -- perceive patriotism. Scheuring lessened his work on Fox's Prison Break to focus on development and features through his Mercator Pictures, which he operates with partner Matt Fiorello. He has also produced Masterwork, a drama pilot script for Fox and 20th TV, and the Inferno-produced feature The Experiment.\nScheuring was also confirmed to be the writer for Halo: Nightfall. A 5 episode series which is based upon the video game franchise connecting the story line between Halo 4 and Halo 5: Guardians\n\nFilmography\nPassage 10:\nOlav Aaraas\nOlav Aaraas (born 10 July 1950) is a Norwegian historian and museum director.\nHe was born in Fredrikstad. From 1982 to 1993 he was the director of Sogn Folk Museum, from 1993 to 2010 he was the director of Maihaugen and from 2001 he has been the director of the Norwegian Museum of Cultural History. In 2010 he was decorated with the Royal Norwegian Order of St. Olav.",6 "char_len": 26698,7 "document_hash": "c3920377d907bcfb1f6412c139ee7db7ccdc07c15ff6af6aae458f1d7d0af2cd",8 "questions": [9 {10 "question_id": "q00",11 "qtype": "2wikimqa",12 "question": "Where does the director of film Man At Bath work at?"13 }14 ]15}