1{2 "document_id": "lb_hotpotqa_9a19f9594aa73716dd38bcbd5ff1c04e57a6649800570f80",3 "family": "public_hotpotqa",4 "split": "test",5 "text": "Passage 1:\nBrett Scallions\nBrett Allen Scallions (born December 21, 1971) is an American singer. He is best known for being the original lead vocalist and rhythm guitarist for the alternative rock band Fuel from 1993 to 2006 and then from 2010 to 2020. During that time, the band released four major-label albums including the double platinum Something Like Human. His initial stint with the band ended in February 2006. Scallions has been ranked in the Top 100 Heavy Metal Vocalists by Hit Parader (#50).\n\nEarly life\nScallion was born in Brownsville, Tennessee. As a child, he listened to Elvis records. He would sing in choir in church and was cast as lead actor in plays throughout his high school. He was awarded scholarships to Lambuth University for music and theater.\n\nCareer\nFuel\nScallions joined Fuel in 1993 after bassist Jeff Abercrombie saw him perform in a bar in Jackson, Tennessee. The band achieved its greatest success with Scallions as lead singer. Scallions later moved to Harrisburg, Pennsylvania with the rest of the band where they would perform at local bars and nightclubs under the name Real 2 Reel.\n\nWorld Fire Brigade\nOutside Re-Fueled, Scallions was busy with Sean Danielsen of Smile Empty Soul and producer Eddie Wohl, writing and recording an album under the name World Fire Brigade. \"It's much heavier than anything I ever did with Fuel,\" Scallions said of World Fire Brigade's sound in August 2009. \"We've done a lot of stuff in lower tones which is a first for me also, it's very deep, heavy, and even growly at times.\" He also said that the World Fire Brigade album was \"almost three-quarters of the way complete, and planned to be released early next spring, fingers crossed\". Two new tracks \"Shot Down\" and \"Take Me Away\" were available on MySpace since March 2011. The album is currently available for streaming through Riptide Music website (under working title Weight of the World).The debut album titled Spreading My Wings was released by FrostByte Media Inc. on August 28, 2012.The World Fire Brigade line-up consisted of Scallions (vocals/guitar), Sean Danielsen (vocals/guitar), and Eddie Wohl (keyboards). Guest musicians on the album included former Candiria drummer Ken Schalk, Mike McCready (Pearl Jam), Rob Caggiano (Anthrax), and Andy Andersson (Black Robot). Brad Stewart had been announced as the group's touring bassist. Even though he recorded bass tracks for the album, Scallions had stated that he will be playing rhythm guitar when the group goes on tour.\nOn April 3, 2013, the following message was posted on the World Fire Brigade Facebook page:\n\"Thanks to everyone that has discovered our music and has questions about touring and new music. Right now we're all too busy with our other bands to tour, but that doesn't mean it will never happen.\" The post went on to invite fans to support the bands Fuel and Smile Empty Soul \"on the road all year\".\n\nPost-Fuel / other projects\nAfter leaving Fuel, Scallions joined bands with The X's and Circus Diablo playing bass. Both bands ultimately became one-album projects and concluded shortly after subsequent tours.\nIn March 2007, Scallions was selected as the lead singer for Riders on the Storm, a project featuring former members of The Doors, Robby Krieger and Ray Manzarek.\nBrett Scallions contributed lead vocals to the charity single \"Something to Believe\", released by the band Hollow on iTunes via Koch Records on March 9, 2010.\n\nDeparture and return to Fuel\nScallions left Fuel in early 2006. According to an interview with Alternative Addition, Scallions cited the reason due to the band becoming a \"one-man band\" throughout the years. The three remaining members of the band, however, chose to continue with new vocalist Toryn Green. With Green, Fuel would record one unsuccessful album, 2007's Angels & Devils and would largely be inactive by 2008 due to legal issues with their then-label Epic Records.During Fuel's inactivity, Scallions and bassist Jeff Abercrombie teamed up for the first time since Scallions' departure in 2006 to tour as \"Re-Fueled\". Scallions and Abercrombie recruited guitarist Yogi Lonich of Chris Cornell and Buckcherry fame and drummer Ken Schalk, formerly of Candiria to round out the unit. Their debut performance was a free event that took place on August 28, 2009 at the Tempe Marketplace, playing songs from the Sunburn and Something Like Human albums exclusively.Still without word from the official incarnation of Fuel and with Re-Fueled increasing its tour schedule, speculation surrounding the future for Fuel began to increase including some confusion on the part of vocalist Toryn Green. Green explained he had not heard anything from the other members, but expressed his support for seeing Scallions back on stage singing classic Fuel songs again. Finally, On April 8, 2010, it was announced that Re-Fueled had disbanded, and that original guitarist/songwriter Carl Bell, and bassist Jeff Abercrombie had left Fuel to pursue other endeavors. Toryn Green and drummer Tommy Stewart left the band as well. On the same day, Brett Scallions reformed Fuel with Lonich, Schalk, and former Shinedown bassist Brad Stewart.\nA couple of new songs worked their way into Fuel's live sets between 2010 and 2013, beginning with a track titled \"Headache\", and in March 2012 it was announced that Fuel intended to release a new album, which would be the first Fuel contribution to include Scallions since 2003's Natural Selection. By the end of April 2013, tracking for the new album had been completed and the band promised that a new single was soon to come.\nOn December 5, 2013, the first new track from the forthcoming Puppet Strings album was unveiled, and the first official single was set for a January 2014 release with the album release to follow on March 4.In June 2014, the album release was followed-up with the song \"Cold Summer\" being released as a single. Scallions has stated that he penned the song during his original tenure in Fuel, somewhere around 2002. Originally known as \"Hit and Sorry\", he recalls having recorded it so many times he almost gave up on the track. After adding a new chorus with contributions from producer Eddie Wohl and consulting the opinions of his bandmates, the decision was made to include the song on the album.In 2015, Scallions embarked on his first unplugged tour. He performed Fuel songs as well as covering some of his favorite songs that were seminal in his musical journey.\nScallions again chose to leave Fuel after internal conflicts with original bandmates arose in October 2020.\n\nPersonal life\nScallions is married to Abby Gennet, guitarist and lead singer of Slunt. They have two sons together; born 2007 and 2010.\nPassage 2:\nMemo from Turner\n\"Memo from Turner\" is a solo single by Mick Jagger, featuring slide guitar by Ry Cooder, from the soundtrack of Performance, in which Jagger played the leading role of Turner, a reclusive rock star. It was re-released in October 2007 on a 17-song retrospective compilation album The Very Best of Mick Jagger, making a re-appearance as a Jagger solo effort. After its original release in 1970, it was included on Rolling Stones compilations, such as Singles Collection: The London Years as a track credited to the Jagger/Richards songwriting partnership. \"Memo from Turner\" was ranked No. 92 in the 100 Greatest Guitar Songs list of Rolling Stone.Music critic Robert Christgau has said, \"Jagger's version of Jagger–Richard's scabrous, persona-twisted \"Memo From Turner\" is his envoi to the 60s.\"\n\nVersions\nThree versions of \"Memo from Turner\" have been released, and another \"Alternative Take\" version is available on bootleg recordings.\nThe first version, which is not officially released, is a slow, brooding version recorded by members of the band Traffic. It features Steve Winwood on all instruments except drums, which are played by Jim Capaldi. The second version, released on Metamorphosis in 1975 on the Allen Klein Decca/London pre-existing legacy contracts of the Stones 1960s recordings, was a different version recorded by The Rolling Stones in November 1968, and has a looser feel than the released version. This version supposedly features Al Kooper on guitar, and perhaps Keith Richards as well. Either Charlie Watts or Capaldi plays drums on this recording. Credited to \"Jagger/Richards\", it is not clear how many of the Rolling Stones besides Jagger actually played on it.\nThe third version of the song, typified by its slide guitar, was the one recorded for the soundtrack to the film Performance, starring Mick Jagger as the song title's \"Turner\". It is featured prominently in the movie, with Mick Jagger, as Turner, lip-synching it. This is the more well-known version of the song, as it was released as a solo single by Jagger in England in 1970 and is featured on the later Singles Collection: The London Years. This track was recorded in Los Angeles in early 1970, and uses the vocal track of the first, slow version. The tape of Jagger's vocals was sent to Jack Nitzsche, where all music parts were recorded by Ry Cooder on slide guitar, Russ Titelman (guitar), Randy Newman (piano), Jerry Scheff (bass) and Gene Parsons (drums).Besides the differing lineup between the two released versions, there are also slight changes to the lyrics. The track was reviewed as Jagger: \n\n...puts on his best drawling speak-sing voice for the lyrics, spinning bizarre mini-snapshots of decadent, cruel gangster behavior... The music isn't grim, though; it's more in a sly, ironic happy-go-lucky vein, as if to illustrate the callous, carefree glee gangsters take in such antics. It's not a celebration of the gangster mentality, though, so much as a subtle, mocking look at its decadence, with hints of repressed homosexuality and almost gruesome imagery of dog-eat-dog behavior.\n\nThe lyric about \"the man who works the soft machine\" may be a reference to the William S. Burroughs novel The Soft Machine. Burroughs and writer Robert Palmer assume this connection in a 1972 Rolling Stone magazine interview, and strong Burroughsian themes are contained in the film.Ronnie Wood performed \"Memo from Turner\" live at various club gigs in 1987–88, including some of his shows with Bo Diddley.\nMartin Scorsese used the track—the solo version by Mick Jagger, incorrectly credited as the Rolling Stones version—in a scene from Goodfellas where Ray Liotta's character Henry Hill is driving to the hospital to pick up his brother after unsuccessfully trying to sell some pistol silencers to Jimmy Conway.\n\nCover versions\nDramarama covered the song on their 1991 album Vinyl. British band Diesel Park West covered the song on their outtakes album Flipped. Deborah Harry performed this song on several shows from her 'Debravation tour' (1993-1994). A softer cover was performed by Patty Palladin just before & during the credits of \"Donald Cammell: The Ultimate Performance\" (Kevin Macdonald, Chris Rodley, 1998). This was a documentary about Donald Cammell, who directed Performance (1970), which starred Mick Jagger (among others).\nPassage 3:\nJagger/Richards\nJagger–Richards (spelled Jagger–Richard from 1963 to 1978) is the songwriting partnership between English musicians Mick Jagger (born 1943) and Keith Richards (born 1943), founder members of rock band the Rolling Stones. They are one of the most successful songwriting partnerships in history. In addition to Jagger and Richards' songwriting partnership, they have also produced or co-produced numerous Rolling Stones albums under the pseudonym the Glimmer Twins.\nSimilar to the contemporary English songwriting partnership of John Lennon and Paul McCartney, both Jagger and Richards write lyrics and music.\n\nHistory\nJagger and Richards have different recollections about their first songwriting endeavours but both credit manager Andrew Loog Oldham as the catalyst for their collaboration. Richards agrees that it was Oldham who pressed the pair to write songs after the duo had first emphasized other people's material; Oldham noted that there weren't that many obscure great songs out there for the band to cover. Richards recalled:\n\nSo what Andrew Oldham did was lock us up in the kitchen for a night and say, \"Don't come out without a song.\" We sat around and came up with \"As Tears Go By\". It was unlike most Rolling Stones material, but that's what happens when you write songs, you immediately fly to some other realm. The weird thing is that Andrew found Marianne Faithfull at the same time, bunged it to her and it was a fuckin' hit for her – we were songwriters already! But it took the rest of that year to dare to write anything for the Stones.\nJagger remembered it differently:\n\nKeith likes to tell the story about the kitchen, God bless him. I think Andrew may have said something at some point along the lines of \"I should lock you in a room until you've written a song\" and in that way he did mentally lock us in a room, but he didn't literally lock us in. One of the first songs we came out with was that tune for George Bean, the very memorable \"It Should Be You\".\n\nAccording to John Lennon, he and Paul McCartney might have been instrumental in inspiring Jagger and Richards to start writing their own material. In 1963 Lennon and McCartney gave the Stones one of their compositions, \"I Wanna Be Your Man.\" In a Playboy interview in 1980, Lennon recalled:\n\n We were taken down to meet them at the club where they were playing in Richmond by Brian Epstein and some other guy. They wanted a song and we went to see what kind of stuff they did. Mick and Keith heard we had an unfinished song – Paul just had this bit and we needed another verse or something. We sort of played it roughly to them and they said, \"Yeah, OK, that's our style.\" But it was only really a lick, so Paul and I went off in the corner of the room and finished the song off while they were all still sitting there talking. We came back, and that's how Mick and Keith got inspired to write ... because, \"Jesus, look at that. They just went in the corner and wrote it and came back!\" You know, right in front of their eyes we did it. So we gave it to them.\nThe first original Jagger/Richards song to be released as the A-side of a Rolling Stones single was \"Tell Me (You're Coming Back)\", from their debut album. Released as a single in the US only, it peaked at number 24 on the charts there. The earlier \"Good Times, Bad Times\" had been released as the B-side to their cover of Bobby and Shirley Womack's \"It's All Over Now\". The band's first UK single featuring an A-side Jagger/Richards original was \"The Last Time\"; released in February 1965, it went to number one in the UK and number nine in the US.Although most Jagger/Richards compositions have been collaborations, some of the songs credited to the partnership have been solo songwriting from either Jagger, whose examples include \"Sympathy for the Devil\" and \"Brown Sugar\", or Richards, whose examples include \"Happy\", \"Ruby Tuesday\", and \"Little T&A\". This is comparable to the Lennon–McCartney partnership, who also adhered to a tradition of joint credits even on numbers that were written by just one of the pair. Mick Jagger stated in his comprehensive 1995 interview with Jann Wenner of Rolling Stone magazine \"I think in the end it all balances out.\"On 26 June 2013, the duo's songwriting credits were handed over to BMG, marking the first time they would be managed by an outside company in over 40 years.\n\nCo-credits\nJagger and Richards have shared credits with very few others. Among them are:\n\nJagger–Richards compositions released only by other artists\nJagger–Richards compositions that have been released only by artists other than the Rolling Stones include:\n\"That Girl Belongs to Yesterday\", a January 1964 single by Gene Pitney\n\"Will You Be My Lover Tonight\"/\"It Should Be You\", a January 1964 single by George Bean\n\"Each and Every Day\", B-side of the February 1964 single \"All I Want Is My Baby\" by Bobby Jameson (London 45–9730). The A-side was co-written by Richards and Andrew Loog Oldham.\n\"Shang a Doo Lang\", a March 1964 single by Adrienne Posta\n\"So Much in Love\", an August 1964 single by the Mighty Avengers, also recorded by the Herd (with Peter Frampton and Louis Cennamo) in 1966 and the Lonely Boys for their self-titled 1996 album.\n\"Act Together\", on Ronnie Wood's September 1974 LP I've Got My Own Album to Do and the associated July 1974 The First Barbarians: Live from Kilburn concert (released in October 2007)\n\"Sure the One You Need\", on Wood's I've Got My Own Album to Do and The First Barbarians: Live from Kilburn; and on the New Barbarians' May 1979 concert album Buried Alive: Live in Maryland (released in October 2006).\n\"Lonely at the Top\", on Mick Jagger's February 1985 LP She's the Boss.\n\nProduction as the Glimmer Twins and origin of the name\nJagger and Richards adopted the nickname \"The Glimmer Twins\" after a vacation cruise they took to Brazil in December 1968/January 1969 with their then-girlfriends, Marianne Faithfull and Anita Pallenberg. An older English couple on the ship kept asking Richards and Jagger who they were. When they refused to reveal their identities, the woman reportedly kept asking, \"just give us a glimmer\" (as in \"give us a hint about who you are\"), which amused Jagger and Richards.Jagger and Richards began to produce the Stones' albums under the pseudonym \"The Glimmer Twins\" starting with It's Only Rock 'n' Roll (released in 1974). The Glimmer Twins were the sole credited producers for the band's studio and live albums from then, up to and including Still Life (released in 1982). Starting with Undercover (released in 1983), the Glimmer Twins have shared production credit for the Rolling Stones albums with other producers, most frequently Don Was (five times) and Chris Kimsey (three times).\nBesides their production work for the Rolling Stones, Jagger and Richards also used the Glimmer Twins for their co-production credit on Peter Tosh's album Bush Doctor, released in 1978. A rare exception to Jagger and Richards' use of the Glimmer Twins name for production credits appeared on John Phillips' Pay Pack & Follow album, recorded 1973–1979 and released in 2001, for which Jagger and Richards were credited as producers under their own names.\n\nLegacy\nThe partnership of Jagger and Richards has been described by Rolling Stone as the sixth greatest songwriter of all time. Rolling Stone considers the duo to have \"defined a rock song's essential components...and established a blueprint for future rockers to follow.\"\n\nSee also\nThe Rolling Stones discography\nList of songs recorded by the Rolling Stones\nNanker Phelge\nLennon–McCartney\n\nNotes\nPassage 4:\nMick Jagger\nSir Michael Philip Jagger (born 26 July 1943) is an English singer and songwriter. He is the lead vocalist and one of the founder members of rock band the Rolling Stones. His songwriting partnership with Keith Richards is one of the most successful in history. Jagger's career has spanned over six decades, and he has been widely described as one of the most popular and influential frontmen in the history of rock music. His distinctive voice and energetic live performances, along with Richards' guitar style, have been the Rolling Stones' trademark throughout the band's career. Jagger gained notoriety for his romantic involvements, illicit drug use, and has often been portrayed as a countercultural figure.\nJagger was born and grew up in Dartford. He studied at the London School of Economics before abandoning his studies to join the Rolling Stones. Jagger has written most of the Rolling Stones' songs together with Richards, and they continue to collaborate musically. In the late 1960s, Jagger starred in the films Performance (1970) and Ned Kelly (1970), to mixed receptions. Beginning in the 1980s, he released a number of solo works, including four albums and the single \"Dancing in the Street\", a 1985 duet with David Bowie that reached No. 1 in the UK and Australia and was a top-ten hit in other countries. \nIn the 2000s, he co-founded a film production company, Jagged Films, and through produced feature films through the company beginning with a 2001 historical drama Enigma. He began a solo recording career in 1985, releasing his first solo album, She's the Boss, and joined the electric supergroup SuperHeavy in 2009. Relationships with his fellow Rolling Stones' members, particularly Richards, deteriorated during the 1980s, but Jagger has always found more success with the band than with his solo and side projects. He was married to Bianca Pérez-Mora Macias from 1971 to 1978, and has had several other relationships; he has eight children with five women.\nIn 1989, Jagger was inducted into the Rock and Roll Hall of Fame and, in 2004, into the UK Music Hall of Fame with the Rolling Stones. As a member of the Rolling Stones and as a solo artist, he reached No. 1 on the UK and U.S. singles charts with 13 singles, the top 10 with 32 singles and the top 40 with 70 singles. In 2003, he was knighted for his services to popular music. The genus Jaggermeryx naida and the type species Aegrotocatellus jaggeri are named for him. Jagger is credited with bringing a style and sexiness to rock and roll and with being a trailblazer in pop music that have been imitated and proven influential with subsequent generations of musicians.\n\nEarly life and education\nJagger was born into a middle-class family in Dartford, Kent, on 26 July 1943. His father, Basil Fanshawe \"Joe\" Jagger, was a gymnast and physical education teacher who helped popularise basketball in Britain. His paternal grandfather, David Ernest Jagger, was also a teacher. His mother, Eva Ensley Mary (née Scutts), born in Sydney but of English descent, was a hairdresser who was politically active in the Conservative Party in the United Kingdom. His parents were married in 1940 at Holy Trinity Church in Dartford. Jagger's younger brother, Chris (born 19 December 1947), is also a musician, and the two have performed together.Although he was encouraged to follow his father's career path growing up, Jagger has said, \"I always sang as a child. I was one of those kids who just liked to sing. Some kids sing in choirs; others like to show off in front of the mirror. I was in the church choir and I also loved listening to singers on the radio—the BBC or Radio Luxembourg—or watching them on TV and in the movies.\"In September 1950, Keith Richards and Jagger first met as classmates at Wentworth Primary School in Dartford, prior to the Jagger family's 1954 move to Wilmington, Kent. The same year he passed the eleven-plus examination and attended Dartford Grammar School, which now has the Mick Jagger Centre performing arts venue. Jagger and Richards lost contact with each other when they went to different schools.In the mid-1950s, Jagger began his music career, forming a garage band with Dick Taylor, a friend of Jagger. The group played songs by Muddy Waters, Chuck Berry, Little Richard, Howlin' Wolf, and Bo Diddley. Jagger met Richards again on 17 October 1961 on platform two of Dartford railway station. The Chuck Berry and Muddy Waters records Jagger was carrying revealed a shared interest in rhythm and blues. A musical partnership began shortly afterwards. Richards and Taylor often met Jagger at his house. In late 1961, the meetings moved to Taylor's house, where Alan Etherington and Bob Beckwith joined the trio. The quintet called themselves the Blues Boys.Jagger left school in 1961 after passing seven O-levels and two A-levels. He and Richards moved into a flat at Edith Grove in Chelsea, London, with guitarist Brian Jones. While Richards and Jones planned to start their own rhythm and blues group, Jagger continued to study finance and accounting on a government grant as an undergraduate student at the London School of Economics. He had seriously considered becoming either a journalist or a politician, comparing the latter to a pop star.Brian Jones, using the name Elmo Lewis, began working at the Ealing Club, where a loose music ensemble known as Blues Incorporated was performing, under the leadership of Alexis Korner. Jones, Richards, and Jagger began playing with the group, and Jagger eventually becoming the band's lead singer. Jones, Richards, and Jagger began meeting on their own to practise, establishing the foundation for what would become the Rolling Stones.\n\nThe Rolling Stones\n1960s\nAt the beginning of the Rolling Stones' founding in the early 1960s, the band mostly played for no money at a basement club opposite London's Ealing Broadway tube station, which was subsequently named Ferry's Club. The group had very little equipment and borrowed Korner's gear to play. Their first appearance, under the name the Rollin' Stones, after one of their favourite Muddy Waters songs, was performed at the Marquee Club, a London jazz club, on 12 July 1962. They later changed their name to the Rolling Stones, since it seemed more formal.The initial band members included Jagger, Richards, Jones, Ian Stewart on piano, Dick Taylor on bass, and Tony Chapman on drums, but Richards wrote in Life, his memoir, that, \"The drummer that night was Mick Avory–not Tony Chapman, as history has mysteriously handed it down...\" In June 1963, the band began a five-month residency at Eel Pie Island Hotel, which the BBC later credited with shaping the band's career. By that autumn, Jagger left the London School of Economics to pursue a musical career with the Rolling Stones.The group initially played songs by American rhythm and blues artists, including Chuck Berry and Bo Diddley. The band's first two UK No. 1 hits were cover versions, \"It's All Over Now\" by Bobby Womack and \"Little Red Rooster\" by Willie Dixon. Encouraged by manager Andrew Loog Oldham, Jagger and Richards soon began writing their own songs. Their songwriting partnership took time to develop; one of their early compositions was \"As Tears Go By\", a song written for Marianne Faithfull, a young singer Loog Oldham was promoting.\nFor the Rolling Stones, the duo wrote \"The Last Time\", the group's third No. 1 single in the UK, based on \"This May Be the Last Time\", a traditional Negro spiritual song recorded by the Staple Singers in 1955. Jagger and Richards also wrote their first international hit, \"(I Can't Get No) Satisfaction\". It established the Rolling Stones' image as defiant troublemakers in contrast to the Beatles as \"lovable moptop[s]\". Jagger told Stephen Schiff in a 1992 Vanity Fair profile: I wasn't trying to be rebellious in those days; I was just being me. I wasn't trying to push the edge of anything. I'm being me and ordinary, the guy from suburbia who sings in this band, but someone older might have thought it was just the most awful racket, the most terrible thing, and where are we going if this is music?... But all those songs we sang were pretty tame, really. People didn't think they were, but I thought they were tame.\nThe group's first albums, including Out of Our Heads, Aftermath, and Between the Buttons, were largely unsuccessful commercially. In 1967, Jagger, Richards, and Jones were hounded by authorities over their recreational drug use after News of the World published a three-part feature, \"Pop Stars and Drugs: Facts That Will Shock You\". The feature describe alleged LSD parties hosted by the Moody Blues and attended by The Who's Pete Townshend and Cream's Ginger Baker, and alleged admissions of drug use by leading pop musicians. The first article targeted Donovan, who was raided and charged soon after the feature aired. The second installment, published on 5 February, targeted the Rolling Stones.A reporter who contributed to the story spent an evening at the London club Blaise's, where a member of the Rolling Stones allegedly took several Benzedrine tablets, displayed a piece of hashish, and invited his companions back to his flat for a \"smoke\". The article claimed this was Mick Jagger, but it turned out to be a case of mistaken identity; the reporter had been eavesdropping on Brian Jones. Two days after the article was published, Jagger filed a writ for libel against the News of the World.Jagger and Richards were later arrested on drug charges and given unusually harsh sentences. Jagger was sentenced to three months' imprisonment for possession of four over-the-counter pep pills he had purchased in Italy, and Richards was sentenced to one year in prison for allowing cannabis to be smoked on his property. The traditionally conservative editor of The Times, William Rees-Mogg, wrote an article critical of the sentences. On appeal, Richards' sentence was overturned and Jagger's was amended to a conditional discharge, although he spent one night in London's Brixton Prison. The Rolling Stones continued to face legal battles for the next decade.By the release of the Stones' album Beggars Banquet, Brian Jones was contributing only sporadically to the band. Jagger said Jones was \"not psychologically suited to this way of life\". His drug use became a hindrance, and he could not obtain a U.S. visa. Richards reported that in a June meeting with Jagger, Richards and Watts were at Jones' house, and Jones admitted he was unable to \"go on the road again\". Jones left the band, saying, \"I've left, and if I want to I can come back\". On 3 July 1969, less than a month later, Jones drowned under mysterious circumstances in the swimming pool at his home, Cotchford Farm, in Hartfield, East Sussex. When asked if he felt guilty about Jones's death, Jagger told Rolling Stone in 1995:\n\nNo, I don't really. I do feel that I behaved in a very childish way, but we were very young, and in some ways we picked on him. But, unfortunately, he made himself a target for it; he was very, very jealous, very difficult, very manipulative, and if you do that in this kind of a group of people you get back as good as you give, to be honest. I wasn't understanding enough about his drug addiction. No one seemed to know much about drug addiction. Things like LSD were all new. No one knew the harm. People thought cocaine was good for you.\nOn 5 July 1969, two days after Jones' death, the Rolling Stones played a previously scheduled concert at Hyde Park, attended by 250,000 people, dedicating it as a tribute to Jones. It was their first concert with new guitarist, Mick Taylor, who replaced Jones. At the beginning of the Hyde Park concert, Jagger read an excerpt from Percy Bysshe Shelley's poem \"Adonaïs\", an elegy written on the death of John Keats, after which thousands of butterflies were released in Jones' memory. The band began the concert with \"I'm Yours and I'm Hers\", a song by Johnny Winter. During the concert, they band played three new songs from two forthcoming albums, \"Midnight Rambler\" and \"Love in Vain\", from Let It Bleed, released in December 1969, and \"Loving Cup\", which appeared on Exile on Main St., released May 1972. They also played \"Honky Tonk Women\", released as a single the previous day.\n\n1970s\nIn 1970, Jagger bought Stargroves, a manor house and estate near East Woodhay in Hampshire. The Rolling Stones and several other bands recorded there using the Rolling Stones Mobile Studio. In 1970, Nicolas Roeg's film Performance, produced in 1968 and featuring Jagger, was released. In the film, Jagger plays the role of Turner, a reclusive rock star. Keith Richards' girlfriend Anita Pallenberg also appeared in the film.Jagger and the rest of the Rolling Stones moved to Southern France as tax exiles in 1971 to avoid paying a 93 percent supertax imposed by Harold Wilson's Labour government on the country's top earners. After the band's acrimonious split with their second manager, Allen Klein, in 1971, and Richards' heroin addiction, Jagger assumed control of the band's business affairs, leading to feuds between Jagger and Richards. Jagger has managed the group ever since, with Prince Rupert Loewenstein acting as business adviser and financial manager from 1968 until 2007.Jagger and the rest of the band changed their look and style as the 1970s progressed. While in France, Jagger learned to play guitar and contributed guitar parts for songs on Sticky Fingers (1971) and the Stones' subsequent albums except Dirty Work in 1986. For the Rolling Stones' highly publicised 1972 American tour, Jagger wore glam-rock clothing and glitter makeup on stage. Their interest in the blues had been made manifest on the 1972 album Exile on Main St.. Music critic Russell Hall described Jagger's emotional singing on the gospel-influenced \"Let It Loose\", which appears on Exile on Main St., as the singer's best vocal achievement.In 1972, Jagger, Charlie Watts, Bill Wyman, Nicky Hopkins, and Ry Cooder released Jamming with Edward!, an album recorded during the band's Let It Bleed sessions. The album includes loose jams while the rest of the Stones (reportedly) were waiting for Keith Richards to return to the studio.In November 1972, the band began recording sessions in Kingston, Jamaica, for the album Goats Head Soup, which was released in 1973 and reached No. 1 in both the UK and U.S. The album includes the song \"Angie\", a global hit that was the first in a string of commercially successful singles to emerge from tepidly received studio albums. The sessions for Goats Head Soup produced unused material, including \"Waiting on a Friend\", a ballad that was not released until the Tattoo You LP nine years later.Another legal battle over drugs, dating back to their stay in France, interrupted the making of Goats Head Soup. Authorities issued a warrant for Richards' arrest, and the other band members returned briefly to France for questioning related to the incident. Along with Jagger's 1967 and 1970 convictions on drug charges, this complicated the band's plans for their Pacific tour in early 1973. The band was denied permission to play in Japan and was nearly banned from playing in Australia. A European tour followed in September and October 1973, which bypassed France after Richards' arrest in England on drug charges.The 1974 album It's Only Rock 'n Roll was recorded in the Musicland Studios in Munich; it reached No. 2 in the UK and No. 1 in the U.S. Jagger and Richards produced the album credited as \"the Glimmer Twins\". The album and the single of the same name were both hits.Following Mick Taylor's exodus from the band in December 1974, the Stones needed a new guitarist. The recording sessions for the next album, Black and Blue (1976) (No. 2 in the UK, No. 1 in the US), in Munich provided an opportunity for some guitarists hoping to join the band to work while trying out. Several guitarists were auditioned, some without even knowing they were auditioning. Ronnie Wood, then the guitarist of the band Faces was selected and joined the band in 1975. Woods has sometimes functioned as a mediator in the group, especially between Jagger and Richards. His first full-length LP with the band was Some Girls (1978), on which they ventured into disco and punk, a move primarily led by Jagger.\n\n1980s\nFollowing the success of Some Girls, the band released the album Emotional Rescue in mid-1980. During recording sessions for the album, a rift between Jagger and Richards began developing. Richards wanted to tour in the summer or autumn of 1980 to promote Emotional Rescue, but Jagger declined. Emotional Rescue hit the top of the charts on both sides of the Atlantic and the title track reached No. 3 in the US.In early 1981, the Rolling Stones reconvened and began touring the U.S. that year, leaving little time to write and record a new album. The band's album Tattoo You, released in 1981, featured several outtakes, including \"Start Me Up\", the album's lead single that reached No. 2 in the US and ranked No. 22 on Billboard's Hot 100 year-end chart. Two songs, \"Waiting on a Friend\" (US No. 13), and \"Tops\", feature Mick Taylor's unused rhythm guitar tracks. Jazz saxophonist Sonny Rollins plays on three Tattoo You songs, \"Slave\", \"Neighbours\", and \"Waiting on a Friend\". The album reached No. 2 in the UK and No. 1 in the U.S.While continuing to tour and release albums with the Rolling Stones, Jagger began a solo career. According to a February 1985 article in Rolling Stone, Jagger did so to \"establish an artistic identity for himself apart from the Rolling Stones\"...his \"boldest attempt yet\". Jagger started writing and recording material for his first solo album She's the Boss. Released on 19 February 1985, the album, produced by Nile Rodgers and Bill Laswell, features Herbie Hancock, Jeff Beck, Jan Hammer, Pete Townshend and the Compass Point All Stars. It sold well, and the single \"Just Another Night\" was a Top Ten hit. During this period, he collaborated with the Jacksons on the song \"State of Shock\", sharing lead vocals with Michael Jackson.In 1985, Jagger performed without the Rolling Stones at Live Aid, a multi-venue charity concert in 1985. Jagger performed at Philadelphia's JFK Stadium, where he also performed a duet of \"It's Only Rock and Roll\" with Tina Turner, highlighted by Jagger tearing away Turner's skirt, and a cover of \"Dancing in the Street\" with David Bowie, who was performing at Wembley Stadium in London. The video was shown simultaneously on the screens of both Wembley and JFK Stadiums. The song reached No. 1 in the UK the same year.\nRichards ended his heroin use and became more present in decision making, but Jagger was not accustomed to Richards' presence and did not like his authority over the band diminished. This led to a feud between Jagger and Richards that has been referred to as \"World War III\" with concern at the time that Jagger touring without the Stones could prove a \"death sentence\" for the band. When the Stones released Dirty Work in March 1986, Jagger's relations with Richards had reached an all-time low, leading Jagger to refuse to tour with the band to support the new album. Jagger responded, saying: I think that one ought to be allowed to have one's artistic side apart from just being in the Rolling Stones. I love the Rolling Stones—I think it's wonderful, I think it's done a lot of wonderful things for music. But, you know, it cannot be, at my age and after spending all these years, the only thing in my life.\nJagger released his second solo album, Primitive Cool, in 1987. Though it failed to match the commercial success of his debut solo album, it was critically well received. Richards released his first solo album, Talk is Cheap, shortly afterwards. Many felt the respective solo efforts marked the end of the Rolling Stones as a band. In 1988, Jagger produced the songs \"Glamour Boys\" and \"Which Way to America\" on Living Colour's album Vivid. Between 15 and 28 March, he also performed a solo concert tour in Japan, playing in Tokyo, Nagoya, and Osaka.\nJagger and Richards reunited in the Barbados in 1988 and produced dozens of new songs. Richards recalls:We just started in. And within two days, we realized we had five or six songs happening. I did have to take Mick to a few discos—which are not my favourite places in the world—because Mick likes to go out and dance at night. So I did that. That was my sacrifice. I humoured him. And that's when I knew we could work together.\nRon Wood believes the modest sales of Jagger's Primitive Cool \"surprised\" Jagger and made him \"realize the strength of the band\". Richards recalled, \"We've been stuffed together for years and one of the consequences of the break was making us realize we were stuck together whether we liked it or not. Jagger said, \"Because we've been doing it for so long, we don't really have to discuss it. When we come up with a lick or a riff or a chorus, we already know if it's right or if it's wrong.\" On 29 August 1989, the band's released its 19th UK and 21st U.S. album, Steel Wheels.\n\n1990s\nThe 1989–1990 Steel Wheels/Urban Jungle Tour was the band's first world tour in seven years and their biggest stage production to date. Opening acts included Living Colour and Guns N' Roses. Recordings from the tour were released in a 1991 concert album, Flashpoint, which reached No. 6 in the UK and No. 16 in the U.S., and the concert film Live at the Max, released in 1991. The tour was Bill Wyman's last. After years of deliberation, Wyman chose to leave the band, although his departure was not made official until January 1993.Following the success of Steel Wheels, and the end of Jagger and Richards' well-publicised feud, Jagger attempted to reestablish himself as a solo artist. He acquired Rick Rubin as co-producer in January 1992 for his third solo album, Wandering Spirit. Sessions for the album began that month in Los Angeles and ended nine months later, in September 1992. Richards recorded his second solo studio album, Main Offender, at the same time.On Wandering Spirit, Jagger used Lenny Kravitz as a vocalist on his cover of Bill Withers' \"Use Me\" and bassist Flea from Red Hot Chili Peppers on three separate tracks. Jagger signed with Atlantic Records, which had signed the Stones in the 1970s, to distribute the solo album. Wandering Spirit, released in February 1993, and The Very Best of Mick Jagger, a compilation album containing no new material, were both released by Atlantic Records. Wandering Spirit was commercially successful, reaching No. 12 in the UK and No. 11 in the U.S.In 1993, the Stones were ready to start recording their next studio album, and Charlie Watts recruited bassist Darryl Jones, a former sideman of Miles Davis and Sting, as Wyman's replacement for the recording of Voodoo Lounge, released in 1994. Jones continued to perform with the band as the band's touring and session bassist. The album was well received critically and proved commercially successful, going double platinum in the U.S. Reviews of the Voodoo Lounge noted and credited the album's \"traditionalist\" sounds to the Rolling Stones' new producer Don Was. Voodoo Lounge won the Grammy Award for Best Rock Album at the 1995 Grammy Awards. It reached No. 1 in the UK and No. 2 in the US.The Voodoo Lounge Tour to support Voodoo Lounge lasted into 1996, grossing $320 million and becoming the world's highest-grossing tour ever at the time. On 8 September 1994, the Stones performed \"Love Is Strong\", a new song, and \"Start Me Up\" at the 1994 MTV Video Music Awards at Radio City Music Hall in New York City. The band was awarded the Lifetime Achievement Award at the 1994 MTV ceremony.The Rolling Stones ended the 1990s with the album Bridges to Babylon, released in 1997 to mixed reviews. It reached No. 6 in the UK and No. 3 in the U.S. The music video for the single \"Anybody Seen My Baby?\" featuring Angelina Jolie was played in steady rotation on both MTV and VH1. Sales were roughly equal to those of previous records (about 1.2 million copies sold in the U.S.). The subsequent Bridges to Babylon Tour, which crossed Europe, North America, and other destinations, proved the band remained a strong live music attraction. Another live album, No Security, was released from the tour. No Security included all new songs, except \"Live With Me\" and \"The Last Time\", which had been previously unreleased on live albums. The album reached No. 67 in the UK and No. 34 in the U.S. In 1999, the Rolling Stones staged the No Security Tour in the U.S. and continued the Bridges to Babylon tour in Europe.\n\n2000s\nIn 2001, Jagger released his fourth solo album, Goddess in the Doorway, spawning the single \"Visions of Paradise\", which reached No. 44 in the UK. Following the 11 September attacks, Jagger joined Richards in the Concert for New York City, a benefit concert in response to the terrorist attack, to sing \"Salt of the Earth\" and \"Miss You\".From 1989 to 2001, according to Fortune, the Stones generated more than US$1.5 billion in total gross revenue, surpassing the revenue of U2, Bruce Springsteen, and Michael Jackson. Jagger celebrated the Rolling Stones' 40th anniversary by touring with the band on the year-long Licks Tour, supporting the band's commercially successful career retrospective, Forty Licks, a double album. In 2007, the band grossed US$437 million on A Bigger Bang Tour, earning the band an entry in the 2007 edition of Guinness World Records for the most lucrative music tour ever. Asked if the band would retire after the tour, Jagger said, \"I'm sure the Rolling Stones will do more things and more records and more tours. We've got no plans to stop any of that really.\"Two years later, in October 2009, Jagger joined U2 to perform \"Gimme Shelter\" with Fergie and will.i.am, and \"Stuck in a Moment You Can't Get Out Of\" with U2 at the 25th Anniversary Rock & Roll Hall of Fame Concert.\n\n2010s\nOn 20 May 2011, Jagger announced the formation of a new supergroup, SuperHeavy, including Dave Stewart, Joss Stone, Damian Marley, and A.R. Rahman. The group started with a phone call Jagger received from Stewart. Stewart had heard three sound systems playing different music at the same time in his home in St Ann's Bay, Jamaica. This gave him the idea of creating a group with Jagger, fusing the musical styles of several artists. After multiple phone calls and deliberation, the other members of the group were decided upon. SuperHeavy released one album and two singles in 2011, reportedly recording 29 songs in ten days. Jagger is featured on will.i.am's 2011 single \"T.H.E. (The Hardest Ever)\" along with Jennifer Lopez, officially released to iTunes on 4 February 2012.\nOn 21 February 2012, Jagger, B.B. King, Buddy Guy and Jeff Beck, and a blues ensemble, performed at the White House concert series before President Barack Obama. When Jagger held out a mic to him, Obama twice sang the line \"Come on, baby don't you want to go\" of the blues cover \"Sweet Home Chicago\", the blues anthem of Obama's hometown. Jagger hosted the season finale of Saturday Night Live on 19 and 20 May 2012, doing several comic skits and playing some Rolling Stones' hits with Arcade Fire, Foo Fighters and Jeff Beck.Jagger performed in 12-12-12: The Concert for Sandy Relief with the Rolling Stones on 12 December 2012. The Stones played the Glastonbury festival in 2013, headlining on Saturday, 29 June. This was followed by two concerts in London's Hyde Park as part of their 50th anniversary celebrations, their first there since their famous 1969 performance. In 2013, Jagger teamed up with his brother Chris Jagger for two new duets on his album Concertina Jack, released to mark the 40th anniversary of his debut album. On 7 October 2016, the Stones headlined the first night of the three day music festival Desert Trip and covered the Beatles' 1969 single \"Come Together\"; Paul McCartney performed the next night. In July 2017, Jagger released the double A-sided single \"Gotta Get a Grip\" / \"England Lost\". They were released as a response to the \"anxiety, unknowability of the changing political situation\" in a post-Brexit UK, according to Jagger. Accompanying music videos were released for both songs.In March 2019, a Rolling Stones tour of the US and Canada from April to June had to be postponed as Jagger needed a transcatheter aortic valve replacement. On 4 April 2019, it was announced that Jagger had successfully undergone the procedure at NewYork–Presbyterian Hospital, and was in great health. After a six-week delay while Jagger recovered, the No Filter Tour resumed with two performances at Chicago's Soldier Field.\n\n2020s\nThe band's 1973 album Goats Head Soup was reissued on 4 September 2020 and featured previously unreleased outtakes, such as \"Criss Cross\", which was released as a single and music video on 9 July 2020, \"Scarlet\", featuring Jimmy Page, and \"All the Rage\". On 11 September 2020, the album topped the UK Albums Chart as the Rolling Stones became the first band to top the chart across six different decades.The Rolling Stones—featuring Jagger, Richards, Watts and Wood at their homes—were one of the headline acts on Global Citizen's One World: Together at Home on-line and on-screen concert on 18 April 2020, a global event featuring dozens of artists and comedians to support frontline healthcare workers and the World Health Organization during the COVID-19 pandemic. On 23 April, Jagger announced through his Facebook page the release (the same day at 5pm BST) of the single \"Living in a Ghost Town\", a new Rolling Stones single recorded in London and Los Angeles in 2019 and finished in isolation (part of the new material that the band were recording in the studio before the COVID-19 lockdown), a song that the band \"thought would resonate through the times we're living in\" and their first release of original material since 2012. The song reached No. 1 on the German Singles Chart, the first time the Stones had reached the top spot in 52 years, and making them the oldest artists ever to do so.\nIn August 2021, it was announced that Charlie Watts would undergo an unspecified medical procedure and would not perform on the remainder of the No Filter tour; the longtime Stones associate Steve Jordan filled in as drummer. Watts died unexpectedly at a London hospital on 24 August 2021, at the age of 80, with his family around him. Jagger, Richards and Wood paid tribute to him, along with former bandmate Wyman. It was discussed whether the band would continue, and they opted to carry on as it was what \"Charlie wanted us to do\". During their first show after Watts' death, Jagger told the crowd:It's a bit of a poignant night for us. Because this is our first tour in 59 years that we’ve done without our lovely Charlie Watts. We all miss Charlie so much. We miss him as a band. We miss him as friends, on and off the stage. We've got so many memories of Charlie. I'm sure some of you that have seen us before have got memories of Charlie as well. And I hope you'll remember him like we do. So we'd like to dedicate this show to Charlie.In a May 2022 interview, Jagger stated \"I don't really expect him to be there any more if I turn round during a show. But I do think about him. Not only during rehearsals or on stage, but in other ways too.\" On the one year anniversary of Watts' death, Jagger shared what Rolling Stone described as a \"moving tribute\" on social media, which included a voiceover by Jagger backed with \"Till the Next Goodbye\". That same year, Jagger cowrote \"Strange Game\" for the television series Slow Horses after being emailed \"out of the blue\" by composer Daniel Pemberton, whom he didn't know; the song was released on 1 April and subsequently nominated for an Emmy award. That June, two shows scheduled in the Stones' Sixty tour were postponed after Jagger contracted COVID-19. The tour resumed following Jagger's recovery in late June. Jagger launched his own line of harmonicas the following January in collaboration with whynow Music and Lee Oskar, expressing a desire to encourage younger musicians to take up the instrument.\n\nRelationship with Keith Richards\nHis songwriting partnership with Richards is one of the most successful in history. His relationship with Richards is frequently described as \"love/hate\" by the media. Richards said in a 1998 interview: \"I think of our differences as a family squabble. If I shout and scream at him, it's because no one else has the guts to do it or else they're paid not to do it. At the same time I'd hope Mick realises that I'm a friend who is just trying to bring him into line and do what needs to be done.\"Dirty Work (a UK & US No. 4) was released in March 1986 to mixed reviews, despite the US top five hit \"Harlem Shuffle\". With relations between Richards and Jagger at a low, Jagger refused to tour to promote the album, and instead undertook his own solo tour, which included Rolling Stones' songs. Richards has referred to this period in his relations with Jagger as \"World War III\". As a result of the animosity within the band at this time, they almost broke up.Jagger's solo records, She's the Boss (UK No. 6; US No. 13) (1985) and Primitive Cool (UK No. 26; US No. 41) (1987), met with moderate success and, in 1988, with the Rolling Stones mostly inactive, Richards released his first solo album, Talk Is Cheap (UK No. 37; US No. 24). It was well received by fans and critics, going gold in the US. The following year 25×5: the Continuing Adventures of the Rolling Stones, a documentary spanning the career of the band, was released for their 25th anniversary.Richards' autobiography, Life, was published on 26 October 2010. According to a 15 October 2010 article, Richards described Jagger as \"unbearable\", noting that their relationship had been strained \"for decades\". By 2015, Richards' opinion had softened. While saying Jagger could come off as a \"snob\", he added \"I still love him dearly ... your friends don't have to be perfect.\"\n\nActing and film production\nJagger has had an intermittent acting career. His most significant role was in Donald Cammell and Nicolas Roeg's Performance (1968), and as Australian bushranger Ned Kelly in the film of the same name (1970). He composed an improvised soundtrack for Kenneth Anger's film Invocation of My Demon Brother on the Moog synthesiser in 1969.Jagger auditioned for the role of Dr. Frank N. Furter in the 1975 film adaptation of The Rocky Horror Show, a role that was eventually played by Tim Curry, the original performer from its theatrical run in London's West End. Director Alejandro Jodorowsky approached him in the same year to play the role of Feyd-Rautha in his proposed adaptation of Frank Herbert's Dune, but the movie never made it to the screen. Jagger appeared as himself in the Rutles' film All You Need Is Cash (1978) and was cast as Wilbur, a main character in Werner Herzog's Fitzcarraldo, in the late 1970s. The illness of principal actor Jason Robards (later replaced by Klaus Kinski), and a delay in the film's notoriously difficult production, resulted in him being unable to continue because of schedule conflicts with a Stones' tour; some footage of Jagger's work is shown in the documentaries Burden of Dreams and My Best Fiend. Jagger developed a reputation for playing the heavy later in his acting career in films including Freejack (1992), Bent (1997), and The Man From Elysian Fields (2002).In 1991, Jagger founded Jagged Films with Victoria Pearman and, in 1995, founded the film production company Lip Service with Steve Tisch. Jagged Films' first release was the World War II drama Enigma (2001), starring Kate Winslet as one of Bletchley Park's Enigma codebreakers. That same year, Jagged Films produced a documentary about Jagger entitled Being Mick. The programme, which first aired in the US on ABC on 22 November, coincided with the release of his fourth solo album, Goddess in the Doorway. In 2008 the company began work on The Women, an adaptation of the George Cukor's film of the same name, directed by Diane English.\nAs a member of the Rolling Stones Jagger appears in several documentaries, including Gimme Shelter, filmed during the band's 1969 tour of the US, and Sympathy for the Devil (1968) directed by French New Wave director Jean-Luc Godard. Martin Scorsese worked with Jagger on Shine a Light, a documentary film featuring the band with footage from the A Bigger Bang Tour during two nights of performances at New York's Beacon Theatre. It screened in Berlin in February 2008. McCarthy predicted the film would fare better once released to video than in its limited theatrical runs.Jagger was a co-producer of, and guest-starred in the first episode of the short-lived American comedy television series The Knights of Prosperity. He also co-produced the James Brown biopic Get On Up (2014). Alongside Martin Scorsese, Rich Cohen and Terence Winter, Jagger co-created and executive produced the period drama series Vinyl (2016), which starred Bobby Cannavale and aired for one season on HBO before its cancellation. Jagger portrays an English art dealer-collector and patron in Giuseppe Capotondi's thriller The Burnt Orange Heresy (2020).\n\nPersonal life\nFamily and relationships\nJagger has been married and divorced once, and has had other relationships, resulting in eight children with five women. As of 2021, he also has five grandchildren and three great-grandchildren.Jagger dated Chrissie Shrimpton between 1963 and 1966. From 1966 to 1970, he had a relationship with Marianne Faithfull, the English singer-songwriter/actress with whom he wrote \"Sister Morphine\", a song on Sticky Fingers. Jagger met the American singer Marsha Hunt in 1969 and, though she was married, the pair had a relationship. When it ended in June 1970, Hunt was pregnant with Jagger's first child, Karis Hunt Jagger, who was born on 4 November 1970. Hunt is the inspiration for the song \"Brown Sugar\", also from Sticky Fingers.In 1970, he met Nicaraguan-born Bianca Pérez-Mora Macias. They married on 12 May 1971 in a Catholic ceremony in Saint-Tropez, France. Their daughter, Jade Sheena Jezebel Jagger, was born on 21 October 1971. They separated in 1977, and in May 1978 she filed for divorce on the grounds of his adultery. During his marriage to Pérez-Mora Macias, Jagger had an affair with then-Playboy model Bebe Buell from 1974 to 1976.In late 1977, Jagger began dating American model Jerry Hall. They had an unofficial private marriage ceremony in Bali, Indonesia, on 21 November 1990, and lived at Downe House in Richmond, London. The couple had four children: Elizabeth 'Lizzie' Scarlett Jagger (born 2 March 1984), James Leroy Augustin Jagger (born in 1985), Georgia May Ayeesha Jagger (born 12 January 1992), and Gabriel Luke Beauregard Jagger (born in 1997).During his relationship with Hall, Jagger had an affair from 1991 to 1994 with Italian singer/model Carla Bruni, who later became the First Lady of France when she married then-President of France Nicolas Sarkozy in 2008. Jagger's relationship with Hall ended after she discovered that he had had an affair with Brazilian model Luciana Gimenez, who gave birth to Jagger's seventh child, Lucas Maurice Morad Jagger, in May 1999. Jagger's unofficial marriage to Hall was declared invalid, unlawful, and null and void by the High Court of England and Wales in London in 1999. From 2000 to 2001 Jagger was in a relationship with the English model Sophie Dahl.Jagger was in a relationship with fashion designer L'Wren Scott from 2001 until her suicide in 2014. She left her entire estate, estimated at US$9 million, to him. Jagger set up the L'Wren Scott scholarship at London's Central Saint Martins College.Since Scott died in 2014, Jagger has been in a relationship with American ballet dancer Melanie Hamrick. Jagger was 73 when Hamrick gave birth to their son Deveraux Octavian Basil Jagger in 2016.Jagger's father, Basil \"Joe\" Jagger, died of pneumonia on 11 November 2006 at age 93. Although the Rolling Stones were on the A Bigger Bang tour, Jagger flew to Britain to see his father before returning the same day to Las Vegas, where he was to perform that night, after being informed his father's condition was improving. The show went ahead as scheduled, despite Jagger learning of his father's death that afternoon. Jagger's friends said that the show going on was \"what Joe would have wanted\". Jagger called his father the \"greatest influence\" in his life.\n\nInterests and philanthropy\nJagger is a supporter of music in schools, a patron of The Mick Jagger Centre in Dartford, and sponsors music through his Red Rooster Programme in its local schools. The Red Rooster name is taken from the title of one of the Rolling Stones' earliest singles.An avid cricket fan, Jagger founded Jagged Internetworks to cover the sport. He keenly follows the England national football team, and has regularly attended FIFA World Cup games. In 2021, Fox Business quoted an estimate that his net worth was US$500 million and called him \"one of music's more identifiable figures\". Earlier that same year, The Times had quoted it at approximately £310 million.\n\nHonours\nJagger was honoured with a knighthood for services to popular music in the Queen's 2002 Birthday Honours, and on 12 December 2003 he received the accolade from The Prince of Wales. Jagger's father and daughters Karis and Elizabeth were present. Jagger stated that although the award did not have significant meaning for him, he was \"touched\" by the significance that it held for his father, saying that his father \"was very proud\". In 1989, Jagger was inducted into the American Rock and Roll Hall of Fame alongside the other Stones, including Mick Taylor and Ronnie Wood as well as Brian Jones and Ian Stewart (posthumously). In November 2004, the Rolling Stones were among the inaugural inductees into the UK Music Hall of Fame.In 2014, the Jaggermeryx naida (\"Jagger's water nymph\"), a 19-million-year-old species of 'long-legged pig', was named after Jagger. Jaw fragments of the long-extinct anthracotheres were discovered in Egypt. The trilobite species Aegrotocatellus jaggeri was also named after Jagger. On Jagger's 75th birthday, scientists named seven fossil stoneflies after present and former members of the band. Two species, Petroperla mickjaggeri and Lapisperla keithrichardsi, were placed within a new family Petroperlidae. The new family was named in honour of the Rolling Stones, derived from the Greek \"petra\" that stands for \"stone\". The scientists referred to the fossils as \"Rolling Stoneflies\".\n\nIn popular culture\nFrom the time that the Rolling Stones developed their anti-establishment image in the mid-1960s, Jagger, with Richards, has been an enduring icon of the counterculture. This was enhanced by his drug-related arrests, sexually charged on-stage antics, provocative song lyrics, and his role in Performance. One of his biographers, Christopher Andersen, describes him as \"one of the dominant cultural figures of our time,\" adding that Jagger was \"the story of a generation\". Jagger, who at the time described himself as an anarchist and espoused the leftist slogans of the era, took part in a demonstration against the Vietnam War outside the US Embassy in London in 1968. This inspired him to write \"Street Fighting Man\" that same year.In 1967, Cecil Beaton photographed Jagger's naked buttocks, a photo that sold at Sotheby's auction house in 1986 for $4,000.\nJagger was reported to be a contender for the anonymous subject of Carly Simon's 1972 hit song \"You're So Vain\", on which he sings backing vocals. Pop artist Andy Warhol painted a series of silkscreen portraits of Jagger in 1975, one of which was owned by Farah Diba, wife of the Shah of Iran. It hung on a wall inside the royal palace in Tehran.\nIn 2010, a retrospective exhibition of portraits of Jagger was presented at the festival Rencontres d'Arles, in France. The catalogue of the exhibition is the first photo album of Jagger and shows his evolution over 50 years.Jagger's relationships served as the inspiration for the theatrical show parody \"Jumpin' Jack\", written by Lyle Victor Albert. In the show, the protagonist, Jack, is \"a member of that ever-expanding, worldwide club made up of Mick Jagger's illegitimate children.\"Maroon 5's song \"Moves like Jagger\" is about Jagger, who acknowledged the song in an interview, calling the concept \"very flattering\". Kesha's song \"Tik Tok\", the Black Eyed Peas' hit \"The Time (Dirty Bit)\" reference Jagger, and his vocal delivery is referenced by rapper Ghostface Killah in his song \"The Champ\", from his 2006 album Fishscale, which was later referenced by Kanye West in the 2008 T.I. and Jay-Z single \"Swagga Like Us\".On television, the ITV satirical puppet show Spitting Image caricatured Jagger as perpetually high throughout its run in the 1980s and 1990s. In 1998, the MTV animated show Celebrity Deathmatch had a clay-animated fight to the death between Jagger and Aerosmith lead singer Steven Tyler; Jagger wins the fight by using his tongue to stab Tyler through the chest. The 2000 film Almost Famous, set in 1973, refers to Jagger: \"Because if you think Mick Jagger'll still be out there, trying to be a rock star at age 50 ... you're sadly, sadly mistaken.\" This was a view that Jagger similarly shared in 1975, once quipping to People magazine \"I’d rather be dead than sing ‘Satisfaction’ when I'm 45\".In 2012, Jagger was among the British cultural icons selected by artist Sir Peter Blake to appear in a new version of his most famous artwork—the Beatles' Sgt. Pepper's Lonely Hearts Club Band album cover—to celebrate the British cultural figures of his life that he most admires.In more recent decades, Jagger has been seen as a \"poster boy\" for healthy living and, as of 2006, was \"said to run 12 km a day, to kick-box, lift weights, cycle, and practise ballet and yoga\"; he has his own personal trainer. It has been estimated that during the average show, he covers between 5 and 12 miles on stage \"while strutting and shimmying through shows at dizzying speeds\".\n\nLegacy\nIn the words of British dramatist and novelist Philip Norman, \"the only point concerning Mick Jagger's influence over 'young people' that doctors and psychologists agreed on was that it wasn't, under any circumstances, fundamentally harmless\". According to Norman, even Elvis Presley at his most scandalous had not exerted a \"power so wholly and disturbingly physical\". \"[W]hile [Presley] made girls scream, [he] did not have Jagger's ability to make men feel uncomfortable.\" Norman likens Jagger in his early performances with the Rolling Stones in the 1960s to a male ballet dancer, with \"his conflicting and colliding sexuality: the swan's neck and smeared harlot eyes allied to an overstuffed and straining codpiece\".His performance style has been studied by academics who analysed gender, image and sexuality. Musicologist Sheila Whiteley noted that Jagger's performance style \"opened up definitions of gendered masculinity and so laid the foundations for self-invention and sexual plasticity which are now an integral part of contemporary youth culture\". His stage personas also contributed significantly to the British tradition of popular music that always featured the character song and where the art of singing becomes a matter of acting—which creates a question about the singer's relationship to his own words.His voice has been described as a powerful expressive tool for communicating feelings to his audience, and expressing an alternative vision of society. To express \"virility and unrestrained passion\" he developed techniques previously used by African American preachers and gospel singers such as \"the roar, the guttural belt style of singing, and the buzz, a more nasal and raspy sound\". Steven Van Zandt wrote: \"The acceptance of Jagger's voice on pop radio was a turning point in rock & roll. He broke open the door for everyone else. Suddenly, Eric Burdon and Van Morrison weren't so weird—even Bob Dylan.\"Over time, Jagger has developed into the template for rock frontmen and, with the help of the Stones, has, in the words of the Telegraph, \"changed music\" through his contributions to it as a pioneer of the modern music industry. Jagger is often described as one of the most popular and influential frontmen in the history of rock & roll; in 1994 the New York Times noted that his \"influence hangs heavily over contemporary British rock\" as many singers \"incorporated elements\" of his onstage presence into their personas. In 2015, Billboard ranked him among the best rock frontmen of all time, referring to him as \"the rock and roll frontman\" whose \"swagger brought a style and sexiness to rock music that he built on for decades\" and openly wondering \"would we even have rock stars without Mick?\"Musician David Bowie joined many rock bands with blues, folk, and soul orientations in his first attempts as a musician in the mid-1960s, and he was to recall: \"I used to dream of being their Mick Jagger.\" Bowie suggested, \"I think Mick Jagger would be astounded and amazed if he realized that to many people he is not a sex symbol, but a mother image.\" Jagger appeared on Rolling Stone's List of 100 Greatest Singers at No. 16; in the article, Lenny Kravitz wrote: \"I sometimes talk to people who sing perfectly in a technical sense who don't understand Mick Jagger. [...] His sense of pitch and melody is really sophisticated. His vocals are stunning, flawless in their own kind of perfection.\" This edition also cites Jagger as a key influence on Jack White, Steven Tyler and Iggy Pop. Jagger also has been known to seek out newcomer artists to the music industry and advise them.The Telegraph has called Mick Jagger \"the Rolling Stone who changed music\". CNN has called Jagger's \"greatest talent, besides strutting and singing\" his \"ability to surround himself and the rest of the band with a group of very able executives.\"As Jagger has aged, his continued vitality has provoked comment. Bon Jovi frontman Jon Bon Jovi said: \"I can't get over it...I'm...dying already and I'm gonna go out there and play four songs. How do they do it?\" Since his early career Jagger has embodied what some authors describe as a \"Dionysian archetype\" of \"eternal youth\" personified by many rock stars and the rock culture.Jagger has repeatedly said that he will not write an autobiography, but according to John Blake, after a slew of unauthorised biographies, Jagger was persuaded by Lord Weidenfeld in the early 1980s to prepare his own for a £1 million advance. The resulting 75,000-word manuscript is held by Blake, who briefly planned to publish it until Jagger withdrew support.\"Mick Jagger is the least egotistical person,\" observed Watts in 2008. \"He'll do what's right for the band. He's not a big head—and, if he was, he went through it thirty years ago.\"\n\nDiscography\nSolo studio albums\nFilmography\nAs actor\nJagger was slated to appear in the 1982 film Fitzcarraldo and some scenes were shot with him, but he had to leave for a Rolling Stones tour and his character was eliminated.\n\nAs producer\nRunning Out of Luck (1987)\nEnigma (2001)\nBeing Mick (2001)\nThe Women (2008)\nGet on Up (2014)\nMr. Dynamite: The Rise of James Brown (2014)\nVinyl (2016)\n\nNotes\nPassage 5:\nDisease (song)\n\"Disease\" is the first single released from American rock band Matchbox Twenty's third album, More Than You Think You Are. The track was co-written by Matchbox Twenty lead singer Rob Thomas and Rolling Stones frontman Mick Jagger. Released on September 30, 2002, the song peaked at number 29 on the US Billboard Hot 100. \"Disease\" was one of two songs written by Thomas and presented to Jagger while he was producing his solo album Goddess in the Doorway, alongside \"Visions of Paradise\". Jagger returned \"Disease\" to Thomas, saying \"It sounds like you. It's your song.\"\n\nMusic video\nThe video, directed by Phil Harder, starts with a man turning on his colorful boomboxing, then roller skating over a wide section of New York City, amid images of the band illuminated on moving billboards. During the second chorus, we see the band performing in a large outdoor roller-rink, complete with a disco ball. They are surrounded by a crowd dancing along, and to begin the 3rd chorus, Rob slides off the stage on all fours onto the dance floor past the crowd. At the end of the song, the roller skater shuts off his beat box and then proceeds up some stairs, presumably to his home.\n\nTrack listings\nCharts\nRelease history",6 "char_len": 71237,7 "document_hash": "76e231d1a9ddad043a341f7f748dc69280c053d16e3a8570be3a628be76ba08b",8 "questions": [9 {10 "question_id": "q00",11 "qtype": "hotpotqa",12 "question": "Are Mick Jagger and Brett Scallions both musicians?"13 }14 ]15}