1{2 "document_id": "lb_2wikimqa_62453a76a4867b6d09ac435581e1a327ec5b55cf231c79f9",3 "family": "public_2wikimqa",4 "split": "test",5 "text": "Passage 1:\nBrian Kennedy (gallery director)\nBrian Patrick Kennedy (born 5 November 1961) is an Irish-born art museum director who has worked in Ireland and Australia, and now lives and works in the United States. He was the director of the Peabody Essex Museum in Salem for 17 months, resigning December 31, 2020. He was the director of the Toledo Museum of Art in Ohio from 2010 to 2019. He was the director of the Hood Museum of Art from 2005 to 2010, and the National Gallery of Australia (Canberra) from 1997 to 2004.\n\nCareer\nBrian Kennedy currently lives and works in the United States after leaving Australia in 2005 to direct the Hood Museum of Art at Dartmouth College. In October 2010 he became the ninth Director of the Toledo Museum of Art. On 1 July 2019, he succeeded Dan Monroe as the executive director and CEO of the Peabody Essex Museum.\n\nEarly life and career in Ireland\nKennedy was born in Dublin and attended Clonkeen College. He received B.A. (1982), M.A. (1985) and PhD (1989) degrees from University College-Dublin, where he studied both art history and history.\nHe worked in the Irish Department of Education (1982), the European Commission, Brussels (1983), and in Ireland at the Chester Beatty Library (1983–85), Government Publications Office (1985–86), and Department of Finance (1986–89). He married Mary Fiona Carlin in 1988.He was Assistant Director at the National Gallery of Ireland in Dublin from 1989 to 1997. He was Chair of the Irish Association of Art Historians from 1996 to 1997, and of the Council of Australian Art Museum Directors from 2001 to 2003. In September 1997 he became Director of the National Gallery of Australia.\n\nNational Gallery of Australia (NGA)\nKennedy expanded the traveling exhibitions and loans program throughout Australia, arranged for several major shows of Australian art abroad, increased the number of exhibitions at the museum itself and oversaw the development of an extensive multi-media site. Although he oversaw several years of the museum's highest ever annual visitation, he discontinued the emphasis of his predecessor, Betty Churcher, on showing \"blockbuster\" exhibitions.\nDuring his directorship, the NGA gained government support for improving the building and significant private donations and corporate sponsorship. However, the initial design for the building proved controversial generating a public dispute with the original architect on moral rights grounds. As a result, the project was not delivered during Dr Kennedy's tenure, with a significantly altered design completed some years later. Private funding supported two acquisitions of British art, including David Hockney's A Bigger Grand Canyon in 1999, and Lucian Freud's After Cézanne in 2001. Kennedy built on the established collections at the museum by acquiring the Holmgren-Spertus collection of Indonesian textiles; the Kenneth Tyler collection of editioned prints, screens, multiples and unique proofs; and the Australian Print Workshop Archive. He was also notable for campaigning for the construction of a new \"front\" entrance to the Gallery, facing King Edward Terrace, which was completed in 2010 (see reference to the building project above).\nKennedy's cancellation of the \"Sensation exhibition\" (scheduled at the NGA from 2 June 2000 to 13 August 2000) was controversial, and seen by some as censorship. He claimed that the decision was due to the exhibition being \"too close to the market\" implying that a national cultural institution cannot exhibit the private collection of a speculative art investor. However, there were other exhibitions at the NGA during his tenure, which could have raised similar concerns. The exhibition featured the privately owned Young British Artists works belonging to Charles Saatchi and attracted large attendances in London and Brooklyn. Its most controversial work was Chris Ofili's The Holy Virgin Mary, a painting which used elephant dung and was accused of being blasphemous. The then-mayor of New York, Rudolph Giuliani, campaigned against the exhibition, claiming it was \"Catholic-bashing\" and an \"aggressive, vicious, disgusting attack on religion.\" In November 1999, Kennedy cancelled the exhibition and stated that the events in New York had \"obscured discussion of the artistic merit of the works of art\". He has said that it \"was the toughest decision of my professional life, so far.\"Kennedy was also repeatedly questioned on his management of a range of issues during the Australian Government's Senate Estimates process - particularly on the NGA's occupational health and safety record and concerns about the NGA's twenty-year-old air-conditioning system. The air-conditioning was finally renovated in 2003. Kennedy announced in 2002 that he would not seek extension of his contract beyond 2004, accepting a seven-year term as had his two predecessors.He became a joint Irish-Australian citizen in 2003.\n\nToledo Museum of Art\nThe Toledo Museum of Art is known for its exceptional collections of European and American paintings and sculpture, glass, antiquities, artist books, Japanese prints and netsuke. The museum offers free admission and is recognized for its historical leadership in the field of art education. During his tenure, Kennedy has focused the museum's art education efforts on visual literacy, which he defines as \"learning to read, understand and write visual language.\" Initiatives have included baby and toddler tours, specialized training for all staff, docents, volunteers and the launch of a website, www.vislit.org. In November 2014, the museum hosted the International Visual Literacy Association (IVLA) conference, the first Museum to do so. Kennedy has been a frequent speaker on the topic, including 2010 and 2013 TEDx talks on visual and sensory literacy.\nKennedy has expressed an interest in expanding the museum's collection of contemporary art and art by indigenous peoples. Works by Frank Stella, Sean Scully, Jaume Plensa, Ravinder Reddy and Mary Sibande have been acquired. In addition, the museum has made major acquisitions of Old Master paintings by Frans Hals and Luca Giordano.During his tenure the Toledo Museum of Art has announced the return of several objects from its collection due to claims the objects were stolen and/or illegally exported prior being sold to the museum. In 2011 a Meissen sweetmeat stand was returned to Germany followed by an Etruscan Kalpis or water jug to Italy (2013), an Indian sculpture of Ganesha (2014) and an astrological compendium to Germany in 2015.\n\nHood Museum of Art\nKennedy became Director of the Hood Museum of Art in July 2005. During his tenure, he implemented a series of large and small-scale exhibitions and oversaw the production of more than 20 publications to bring greater public attention to the museum's remarkable collections of the arts of America, Europe, Africa, Papua New Guinea and the Polar regions. At 70,000 objects, the Hood has one of the largest collections on any American college of university campus. The exhibition, Black Womanhood: Images, Icons, and Ideologies of the African Body, toured several US venues. Kennedy increased campus curricular use of works of art, with thousands of objects pulled from storage for classes annually. Numerous acquisitions were made with the museum's generous endowments, and he curated several exhibitions: including Wenda Gu: Forest of Stone Steles: Retranslation and Rewriting Tang Dynasty Poetry, Sean Scully: The Art of the Stripe, and Frank Stella: Irregular Polygons.\n\nPublications\nKennedy has written or edited a number of books on art, including:\n\nAlfred Chester Beatty and Ireland 1950-1968: A study in cultural politics, Glendale Press (1988), ISBN 978-0-907606-49-9\nDreams and responsibilities: The state and arts in independent Ireland, Arts Council of Ireland (1990), ISBN 978-0-906627-32-7\nJack B Yeats: Jack Butler Yeats, 1871-1957 (Lives of Irish Artists), Unipub (October 1991), ISBN 978-0-948524-24-0\nThe Anatomy Lesson: Art and Medicine (with Davis Coakley), National Gallery of Ireland (January 1992), ISBN 978-0-903162-65-4\nIreland: Art into History (with Raymond Gillespie), Roberts Rinehart Publishers (1994), ISBN 978-1-57098-005-3\nIrish Painting, Roberts Rinehart Publishers (November 1997), ISBN 978-1-86059-059-7\nSean Scully: The Art of the Stripe, Hood Museum of Art (October 2008), ISBN 978-0-944722-34-3\nFrank Stella: Irregular Polygons, 1965-1966, Hood Museum of Art (October 2010), ISBN 978-0-944722-39-8\n\nHonors and achievements\nKennedy was awarded the Australian Centenary Medal in 2001 for service to Australian Society and its art. He is a trustee and treasurer of the Association of Art Museum Directors, a peer reviewer for the American Association of Museums and a member of the International Association of Art Critics. In 2013 he was appointed inaugural eminent professor at the University of Toledo and received an honorary doctorate from Lourdes University. Most recently, Kennedy received the 2014 Northwest Region, Ohio Art Education Association award for distinguished educator for art education.\n\n\n== Notes ==\nPassage 2:\nG. Marthandan\nG. Marthandan is an Indian film director who works in Malayalam cinema. His debut film is Daivathinte Swantham Cleetus\n\nEarly life\nG. Marthandan was born to M. S. Gopalan Nair and P. Kamalamma at Changanassery in Kottayam district of Kerala. He did his schooling at NSS Boys School Changanassery and completed his bachelor's degree in Economics at NSS Hindu College, Changanassery.\n\nCareer\nAfter completing his bachelor's degree, Marthandan entered films as an associate director with the unreleased film Swarnachamaram directed by Rajeevnath in 1995. His next work was British Market, directed by Nissar in 1998. He worked as an associate director for 18 years.He made his directional debut with Daivathinte Swantham Cleetus in 2013, starring Mammooty in the lead role. His next movie was in 2015, Acha Dhin, with Mammooty and Mansi Sharma in the lead roles. Daivathinte Swantham Cleetus and Paavada were box office successes.\n\nFilmography\nAs director\nAs associate director\nAs actor\nTV serialKanyadanam (Malayalam TV series) - pilot episode\n\nAwards\nRamu Kariat Film Award - Paavada (2016)\nJCI Foundation Award - Daivathinte Swantham Cleetus (2013)\nPassage 3:\nRiyad Vinci Wadia\nRiyad Vinci Wadia (19 September 1967 – 30 November 2003) was an Indian independent filmmaker from Bombay, known for his short film, BOMgAY (1996), possibly the very first gay themed movie from India. Born into the filmmaking Wadia family, he inherited the production company Wadia Movietone which is known for the Fearless Nadia movies which are one of their kind in the superwoman and stunt genre when other movies of their time usually portrayed women in submissive roles. Wadia is also known for his award-winning documentary on Nadia, Fearless: The Hunterwali Story (1993), which was written about in Time magazine and made a name for Riyad at the very outset of his brief but impactful career.\n\nPersonal life\nRiyad was born in Bombay to Nargis and Vinci Wadia, son of the legendary filmmaker JBH Wadia who was one of the founding fathers of stunt films and mythological films in India. The latter's production firm, Wadia Movietone, which Riyad would later inherit, launched into the Indian film industry (later known as Bollywood) the Australian actress Mary Evans who was known popularly as 'Fearless Nadia'. Riyad did his schooling at Bombay International School, briefly attended St. Xavier's College, and later went to Australia to the Charles Sturt Film School in Wagga Wagga. Riyad was openly gay, and BOMgAY was India's first overtly gay-themed film.\n\nRecognition\nNicknamed as 'The Turk' of the Indian Independent cinema, Riyad's films are still being referred to in many books about Bollywood, be it gay themes in Indian Cinema, or the ones about JBH Wadia and Fearless Nadia. His first documentary, Fearless : The Hunterwali Story, which is based on the life of Mary (aka Nadia) Wadia, got screened at over 50 international film festivals, such as The Berlin International Film Festival (1994) and The London Film Festival (1993). The short film, BOMgAY, with shooting locations such as the gay cruising spots of the Victoria Terminus urinals and the Bombay local tracks along which people defecate, was described as \"part Bollywood, part Genet\". The film, based on the gay-themed poetry of the Poona-based R. Raj Rao, explored the underground gay subculture of Bombay and marked the entry of queer themes into Indian Cinema. The film had a limited release in India, thanks to its explicit content. It got screened at a number of international film festivals and finds mention in the research works on the history of queer themes in Indian Cinema as the first queer themed film from India.An award has been instituted in his memory by his mother and brother at the KASHISH Mumbai International Queer Film Festival and awarded every year since 2011. The Riyad Wadia Award for Best Emerging Indian Filmmaker is given to first or second time filmmaker whose LGBTQ+ short film is being screened at the festival.\n\nFinal years\nRiyad tested positive for HIV in 1995. Though he was quite capable of affording the then expensive HIV medication, he refused to be on any kind of dosage. He left India shortly after the production of BOMgAY, supporting himself with petty jobs in New York and writing a regular column for The New Indian Express. Things got difficult post 9/11, with not many jobs available, forcing him to get back to Bombay. Riyad was lost to stomach tuberculosis on 30 November 2003, in Bombay. At the time of his death, he was in the process of generating funds for his supposed first full-length film (unfinished), Naked Rain, based on R. Raj Rao's novel, Boyfriend. \"He made a very important contribution to the gay cause and was one of the central figures to begin the broad-basing of the gay movement in India,\" says gay activist Ashok Row Kavi. The Riyad Wadia Award for Best Emerging Indian Filmmaker was instituted with funding from Wadia Movietone (through Riyad's brother Roy) in 2011 by Kashish, the noted international queer film festival held annually in Bombay.\n\nWorks\nFilms\nFearless : The Hunterwali Story (1993)\nBomgay (1996)\nA Mermaid called Aida (1996)\nWritings\nLong Life of a Short Film: The Making of BOMgAY\nWadia also wrote columns for The New Indian Express.\nPassage 4:\nAbhishek Saxena\nAbhishek Saxena is an Indian Bollywood and Punjabi film director who directed the movie Phullu. The Phullu movie was released in theaters on 16 June 2017, in which film Sharib Hashmi is the lead role. Apart from these, he has also directed Patiala Dreamz, this is a Punjabi film. This film was screened in cinemas in 2014.\n\nLife and background\nAbhishek Saxena was born on 19 September 1988 in the capital of India, Delhi, whose father's name is Mukesh Kumar Saxena. Abhishek Saxena married Ambica Sharma Saxena on 18 December 2014. His mother's name is Gurpreet Kaur Saxena.\nSaxena started his career with a Punjabi film Patiala Dreamz, after which he has also directed a Hindi film Phullu, which has appeared in Indian cinemas on 16 June 2017.\n\nCareer\nAbhishek Saxena made his film debut in 2011 as an assistant director on Doordarshan with Ashok Gaikwad. He made his first directed film Patiala Dreamz, this is a Punjabi movie.After this, he has also directed a Hindi film Phullu in 2017, which has been screened in cinemas on 16 June 2017. Saxena is now making his upcoming movie \"India Gate\".\nIn 2018 Abhishek Saxena has come up with topic of body-shaming in his upcoming movie Saroj ka Rishta.\n Where Sanah Kapoor will play the role of Saroj and actors Randeep Rai and Gaurav Pandey will play the two men in Saroj's life.Yeh Un Dinon ki Baat Hai lead Randeep Rai will make his Bollywood debut. Talking about the film, director Abhishek Saxena told Mumbai Mirror, \"As a fat person, I have noticed that body-shaming doesn’t happen only with those who are on the heavier side, but also with thin people. The idea germinated from there.\"\nCareer as an Assistant DirectorApart from this, he has played the role of assistant director in many films and serials in the beginning of his career, in which he has a television serial in 2011, Doordarshan, as well as in 2011, he also assisted in a serial of Star Plus.\nIn addition to these serials, he played the role of assistant director in the movie \"Girgit\" which was made in Telugu language.\n\nFilmography\nAs Director\nPassage 5:\nDino Risi\nDino Risi (23 December 1916 – 7 June 2008) was an Italian film director. With Mario Monicelli, Luigi Comencini, Nanni Loy and Ettore Scola, he was one of the masters of commedia all'italiana.\n\nBiography\nRisi was born in Milan. He had an older brother, Fernando, a cinematographer, and a younger brother, Nelo (1920–2015), a director and writer. At the age of twelve, Risi became an orphan and was looked after by relatives and friends of his family. He studied medicine but refused to become a psychiatrist, as his parents wishedRisi started his career in cinema as an assistant director to cinema figures such as Mario Soldati and Alberto Lattuada. Later he began directing his own films and was credited with giving early opportunities to future acting stars such as Sophia Loren and Vittorio Gassman. His 1966 film Treasure of San Gennaro was entered into the 5th Moscow International Film Festival where it won a Silver Prize.His biggest hits were Poor, But Handsome (Poveri ma belli), followed by two sequels, which he also directed; A Difficult Life (Una vita difficile); The Easy Life (Il sorpasso); Opiate '67 or, in a cut version, 15 From Rome (I Mostri); and Scent of a Woman (Profumo di Donna), which was remade by Martin Brest starring Al Pacino in 1992.In 2002, he was awarded the Golden Lion – Honorary Award (Leone d'oro alla carriera) at the Venice Film Festival for his life-time work. Two of his films, Il giovedì and Il commissario Lo Gatto, were shown in a retrospective section on Italian comedy at the 67th Venice International Film Festival.He died on 7 June 2008 at his residence in Rome. He was 91 and was survived by two children, Claudio Risi (1948–2020) and Marco Risi (1951), both film directors.\n\nFilmography\nPassage 6:\nBen Palmer\nBen Palmer (born 1976) is a British film and television director.\nHis television credits include the Channel 4 sketch show Bo' Selecta! (2002–2006), the second and third series of the E4 sitcom The Inbetweeners (2009–2010) and the Sky Atlantic comedy-drama Breeders (2020). Palmer has also directed films such as the Inbetweeners spin-off, The Inbetweeners Movie (2011) and the romantic comedy Man Up (2015).\n\nBiography\nPalmer was born and raised in Penny Bridge, Barrow-in-Furness. He attended Chetwynde School.His first directing job was the Channel 4 sketch show Bo' Selecta!, which he co-developed with its main star, Leigh Francis. Palmer directed the second and third series of the E4 sitcom The Inbetweeners in 2009 and 2010, respectively.\n\nFilmography\nBo' Selecta! (2002–06)\nComedy Lab (2004–2010)\nBo! in the USA (2006)\nThe Inbetweeners (2009–2010)\nThe Inbetweeners Movie (2011)\nComedy Showcase (2012)\nMilton Jones's House of Rooms (2012)\nThem from That Thing (2012)\nBad Sugar (2012)\nChickens (2013)\nLondon Irish (2013)\nMan Up (2015)\nSunTrap (2015)\nBBC Comedy Feeds (2016)\nNigel Farage Gets His Life Back (2016)\nBack (2017)\nComedy Playhouse (2017)\nUrban Myths (2017–19)\nClick & Collect (2018)\nSemi-Detached (2019)\nBreeders (2020)\nPassage 7:\nBomgay\nBomgay is a 1996 Indian anthology of short films directed by Riyad Vinci Wadia and Jangu Sethna. The film stars Kushal Punjabi and Rahul Bose with music by Ashutosh Phatak. It is often regarded as India's first gay film and is known for its gay sex scene in a library. Bomgay consists of six segments, each based on a poem by Indian writer R. Raj Rao.\n\nSegments\n\"Opinions\"\n\"Underground\"\n\"Lefty\"\n\"E unema no\"\n\"Bomgay\"\n\"Friends\"\n\nCast\nRahul Bose as The Lefty\nKushal Punjabi as The Sodomiser\nTarun Shahani as Enema Boy\nR. Raj Rao as The Opinionated\nFarud Cambata as Bombay Dost\nFreddy Firoze as Muthree Rani\nEric Rosenbaumm as Sex Tourist\n\nProduction\nIn 1995 Riyad Vinci Wadia, having released his debut film Fearless, decided to make a film based on gay culture in Bombay. He read R. Raj Rao's poetry collection One Day I Locked My Flat in Soul City and invited him to collaborate on a film script with him. It was difficult to find funding for the film in India, so the project was temporarily put on hold until Wadia read Rao's newest work, a collection of poems called \"Bomgay\". He decided to make a low-budget short film based on the poems. As \"Bomgay\" had a limited budget of Rs. 500,000, Wadia planned to use friends from the gay community to help keep costs down. He discovered that this was difficult as people were afraid of being outed if they worked on the film, so he enlisted the help of his friends from the Bombay advertising industry instead. Wadia secured Rahul Bose for the lead role. The film was shot in Bombay with scenes taking place in railroad cars shot guerrilla style. In order to shoot footage of a gay sex scene, the crew pretended that they were making a public service film on ragging. The film was not released commercially in India as Wadia did not submit it to the Censor Board, believing that they would refuse it a certificate.\nPassage 8:\nDrew Esocoff\nDrew Esocoff (born c. 1957) is an American television sports director, who as of 2006 has been the director of NBC Sunday Night Football.\n\nEarly life\nEsocoff was born in Elizabeth, New Jersey, graduating from Thomas Jefferson High School in 1975, later attending Colgate University. While in college he worked as a substitute teacher at Elizabeth High School where one of his students was Todd Bowles.\n\nCareer\nEsocoff has worked for ESPN and ABC, serving as director for Monday Night Football, SportsCenter, and the NBA Finals, as well as five Super Bowls. Since 2006, he has served as director for NBC Sunday Night Football.\nAs of 2015, Esocoff has won 11 Emmy Awards.\nPassage 9:\nElliot Silverstein\nElliot Silverstein (born August 3, 1927) is a retired American film and television director. He directed the Academy Award-winning western comedy Cat Ballou (1965), and other films including The Happening (1967), A Man Called Horse (1970), Nightmare Honeymoon (1974), and The Car (1977). His television work includes four episodes of The Twilight Zone (1961–1964).\n\nCareer\nElliot Silverstein was the director of six feature films in the mid-twentieth century. The most famous of these by far is Cat Ballou, a comedy-western starring Jane Fonda and Lee Marvin.\nThe other Silverstein films, in chronological order, are The Happening, A Man Called Horse, Nightmare Honeymoon, The Car, and Flashfire.\nOther work included directing for the television shows The Twilight Zone, The Nurses, Picket Fences, and Tales from the Crypt.\nWhile Silverstein was not a prolific director, his films were often decorated. Cat Ballou, for instance, earned one Oscar and was nominated for four more. His high quality work was rewarded in 1990 with a Lifetime Achievement Award by the Directors Guild of America.\n\nAwards\nIn 1965, at the 15th Berlin International Film Festival, he won the Youth Film Award – Honorable Mention, in the category of Best Feature Film Suitable for Young People for Cat Ballou.\nHe was also nominated for the Golden Berlin Bear.In 1966, he was nominated for the DGA Award in the category for Outstanding Directorial Achievement in Motion Pictures (Cat Ballou).\nIn 1971, he won the Bronze Wrangler award at the Western Heritage Awards in the category of Theatrical Motion Picture for A Man Called Horse, along with producer Sandy Howard, writer Jack DeWitt, and actors Judith Anderson, Jean Gascon, Corinna Tsopei and Richard Harris.In 1985, he won the Robert B. Aldrich Achievement Award from the Directors Guild of America.\nIn 1990, he was awarded the DGA Honorary Life Member Award.\n\nPersonal life\nSilverstein has been married three times, each ending in divorce. His first marriage was to Evelyn Ward in 1962; the couple divorced in 1968. His second marriage was to Alana King. During his first marriage, he was the step-father of David Cassidy.\nHe currently lives in North Hollywood, Los Angeles. Actively retired, Silverstein has taught film at USC and continues to work on screen plays and other projects.\n\nFilmography\nTales from the Crypt (TV Series) (1991–94)\nPicket Fences (TV Series) (1993)\nRich Men, Single Women (TV Movie) (1990)\nFight for Life (TV Movie) (1987)\nNight of Courage (TV Movie) (1987)\nBetrayed by Innocence (TV Movie) (1986)\nThe Firm (TV Series) (1982–1983)\nThe Car (1977)\nNightmare Honeymoon (1974)\nA Man Called Horse (1970)\nThe Happening (1967)\nCat Ballou (1965)\nKraft Suspense Theatre (TV Series) (1963–64)\nThe Defenders (TV Series) (1962–64)\nArrest and Trial (TV Series) (1964)\nThe Doctors and the Nurses (TV Series) (1962–64)\nTwilight Zone (TV Series) (1961–64)\nBreaking Point (TV Series) (1963)\nDr. Kildare (TV Series) (1961–63)\nThe Dick Powell Theatre (TV Series) (1962)\nBelle Sommers (TV Movie) (1962)\nNaked City (TV Series) (1961–62)\nHave Gun - Will Travel (TV Series) (1961)\nRoute 66 (TV Series) (1960–61)\nCheckmate (TV Series) (1961)\nThe Westerner (TV Series) (1960)\nAssignment: Underwater (TV Series) (1960)\nBlack Saddle (TV Series) (1960)\nSuspicion (TV Series) (1958)\nOmnibus (TV Series) (1954–56)\nPassage 10:\nIl Gaucho\nIl Gaucho (internationally released as The Gaucho) is a 1964 Italian comedy film directed by Dino Risi. It was co-produced by Clemente Lococo, an Argentinian production company, and in Argentina it was released as Un italiano en la Argentina. For his role in this film Nino Manfredi won a Grolla d'oro for best actor.\n\nCast\nVittorio Gassman as Marco Ravicchio\nAmedeo Nazzari as Ingegnere Marucchelli\nNelly Panizza as Ines Marucchelli\nJorgelina Aranda: Italia Marucchelli\nUmberto D'Orsi as Gianni Pertini\nMaria Grazia Buccella as Mara\nAnnie Gorassini as Lorella\nGuido Gorgatti as Giulio\nNorberto Sánchez Calleja as Cecilio\nMaria Fiore as Maria\nFrancesco Mulè as Fiorini\nNora Cárpena as Lida\nNino Manfredi as Stefano\nSilvana Pampanini as Luciana\nNando Angelini as Aldo\nNelly Tesolín as Prostitute\nAldo Vianello\nVicky Astori\nAmparito Castro\nMario Mario\nJosé Del Vecchio\nRafael Diserio\nCarmen Pericolo",6 "char_len": 26403,7 "document_hash": "b56ed7b3187f7341e65b83b30185fdf7defec586f753998402ad816b9a5c2e0f",8 "questions": [9 {10 "question_id": "q00",11 "qtype": "2wikimqa",12 "question": "Which film has the director who died earlier, Il Gaucho or Bomgay?"13 }14 ]15}